The early Taoists sought to cultivate the Tao within themselves. Taoism centers on the concept of effortless action and the power it engenders. Water symbolizes the idea of strength in weakness; it accepts the lowest level without resistance, yet it wears down the hardest obstacles simply by flowing around them. Striving is the antithesis of Taoist action: understanding springs from spontaneous creativity, not from mental or physical effort.
Ideas about the Tao were eventually set down in writing in the Tao Te Ching (Classic of the Way and Virtue), the principal text of Taoism, an anthology of writings produced in about 300 B.C.E. (often referred to as the Lao Tzu).
The philosophers of ancient China sought to make suggestions that might generate ideas and unanswered questions in the mind. Taoist writings are full of paradoxes and contradictions intended to challenge limited and inhibiting views on life, and to open the perceptions.
Taoist thought pervades tai chi. “Plants when they enter life are soft and tender,” says the Lao Tzu. “When they die they are dry and stiff… The hard and strong are companions of death. The soft and weak are the companions of life.” In tai chi, learning the qualities of softness and understanding its power are essential parts of practice.
TAI AND CHI
In Chinese, the characters for “tai” and “chi” express a double superlative, often translated as “Supreme Ultimate” or more simply as “cosmos.” Tai chi is said to have been born from wu chi, the Great Void, the original state of cosmic emptiness. With the birth of tai chi, stillness changed into movement or energy. This movement was generated by the interplay of the opposing yet complementary forces of yin and yang. Tai chi can also be interpreted as “central pole” or “pillar,” like the ridgepole of a house around which all the other parts are arranged and upon which they all depend. T’ai chi is a Western abbreviation of the Chinese term tai chi ch’uan, the full name of the Chinese fighting art, which translated means “fighting art based on the laws of the universe.”
CHANGE AND HARMONY
Chinese philosophy is based on a belief in two opposing but complementary forces, yin and yang. Traditionally, yin has been presented as the feminine force, passive, nurturing, and soft, and yang as the harder, more active masculine principle. Yin and yang are also the forces of harmony and change, and together they form a balanced whole. When they are not in perfect equilibrium, disorder and disease are said to follow. The interrelationship between change and harmony is the guiding principle behind tai chi, which seeks to establish a dynamic equilibrium between the two.
Change is a constant in our lives. The Earth moves unceasingly around its orbit, causing the seasons to change and recreating the cycle of birth, life, and death. From the moment of conception to the time of death the body changes ceaselessly. The blood circulates, air is breathed in and out, mind and body mature and age. Throughout our lives we experience not one moment of absolute stillness. Change brings about rhythm, however – every in-breath is followed by an out-breath – and so harmony is maintained.
This ceaseless interplay between change and harmony is perfectly expressed in the yin-yang symbol. As any condition reaches its fullest point, it already contains the seed of its opposite: in the dark portion is a seed of white; and in the white portion is a seed of black.
In tai chi the interplay between yin and yang, the forces of change and harmony, reveals itself in the changing postures and the quality of the movements. Body weight shifts from one leg to the other, awareness moves from inside to out, empty changes to full, open to closed. The forces work simultaneously, creating a continous and ever-changing dance of energy. Life is filled with countless forces and arrangements of opposites: day and night; sound and silence; giving and receiving; fear and courage; sadness and happiness. Taoism teaches that the concepts of yin and yang offer a view of the way things work according to a natural law of change and harmony.
Everyone practicing tai chi is enjoined to embody natural law in their movements in accordance with the constantly changing balance between yin and yang. It may take time, practice, concentration, and self-love, but the reward is true harmony of body and mind, the achievement of central equilibrium – which is the essence of tai chi.
THE I CHING
The I Ching or Book of Changes is the classic of Taoist thought. It is a book of divination and wisdom, stemming from oracles written more than 4,000 years ago. The I Ching is a collection of commentaries on 64 hexagrams. Hexagrams are drawn by tossing coins. You ask the book a question on any subject, and its answer appears in the hexagram you drew. The text interprets life conditions and situations in terms of yin and yang. Many people find the I Ching assists in their decisions by helping them to make wise choices.
The hexagram Chien from a copy of the I Ching printed in China in the tenth century B.C.E.
YIN YANG QUALITIES
Below is a list of a few of the many yin and yang qualities. It is important, however, not to see any of them as always being a yin or a yang quality, but as generally belonging to either category under certain circumstances. For example, the Earth receives the seed, protects it, and nurtures it, and so is usually categorized as yin, but if you fall and hit the ground you experience it as hard – as yang.
| Yin | Yang |
| Inward | Outward |
| Smooth | Rough |
| Holding | Sending |
| Receiving | Giving |
| Listening | Speaking |
| Dark | Light |
| Earth | Sky |
| Soft | Hard |
| No boundaries | Clear boundaries |
ONE TRADITION SAYS that tai chi originated some 5,000 years ago during the reign of China’s mythical first emperor, Fu Hsi. Exercises for health are described in a collection of classic writings attributed to one of his successors, the legendary Yellow Emperor, Huang Ti, who is said to have founded the traditional Chinese system of medicine. The principles of the art were established by Taoist recluses who retired from the world to live as hermits. And it evolved during turbulent periods in China’s history as a martial art called t’ai chi ch’uan.
Although tai chi is thought to have originated before the first millennium, the earliest known references date from the T’ang Dynasty (618–960 C.E.). They describe “patterns” of tai chi practiced by recluses who had retired to China’s mountain regions.
The early tai chi teachers remain semi-mythical figures. Chang San-feng is no exception, a colorful figure, said to have been more than 6 feet tall and a powerful fighter. No one knows whether he really existed or when he lived. Yet, he is credited as the founder of a spiritual fighting art called Wudang kung fu.