And to you all: the power to bend matter and spirit, the laws of nature, to your will; to suspend time, move matter, occupy objects both animate and inanimate; mimic both the living and the dead; transport yourselves from place to place in the space between two heartbeats.
The very embodiment of paradox.
My eyes fly wide as I finally see — what I should have seen all along.
Grief enfolds me suddenly in its wings, grasps my borrowed heart in its black talons. When I lost Luc, when I lost any notion of context, of history, of ‘home’ — that casual ability to bend the laws of nature to my will — I lost my way. In one moment, I lost everything.
All of us were created with extraordinary abilities no human being could ever comprehend. And most extraordinary of all these? The ability to atomise and re-form at will. Like water, like an unstable element that can shift between phases, I should be able to change states in a heartbeat. To become permeating yet impermeable, boundless yet infinitesimal.
It’s much, much more than just the ability to possess another living creature or to shape-shift. It’s — how do I put it? — the ability to turn the burning matter of which I am made into a weapon, a living sword, pure and directed energy. Will it and it is done.
It’s something unique to all of us. We who are unkillable and immortal, unless one of our own kind seeks to destroy us.
Ah, yes. The rules — and there are rules, one must know them in order to contravene them — come back to me, unexpectedly, from some long buried oubliette in my mind.
The Eight. Even Azraeil. What they are, I am. What they are, Luc is, too.
We elohim.
We High Ones.
We … archangeli.
Archangels. It’s the name for what I am.
At the realisation, I seem to catch fire within, and I wonder how it is that Gia and Felipe cannot see me burning.
What happened to me?
CHAPTER 4
Gia and Felipe continue to argue over potential routes and traffic conditions, road surfaces and the forecast for rain, while inside Irina’s slight and mortal frame my spirit burns and burns.
How had I not seen this before?
How am I able to see it now?
When I was Lela, it was as if certain things had been placed off limits by the Eight, were deliberately ringed around, in my mind, by fire. Just probing the meaning of the word elohim, even the name Carmen Zappacosta, had caused an electrical storm in my head, raw and immediate pain.
But not … today.
And soon, maybe, I’ll again be able to control that strange process of atomisation that happened to me once when I was Carmen, and once when I was Lela. And when I’m able to do that? Nothing will ever stop me again.
I’ll be free.
I’m suddenly gripped by a ferocious urgency. Luc thinks that I need negative emotions like rage or fear to trigger the process of atomisation, of unbecoming. But what I’m feeling now? Is a terrible sense of hope, of … possibility. And maybe that’s enough.
While Gia and Felipe continue to argue, I turn inward, seeking to separate the burning strands of myself from the mortal vessel I’ve been forced into. I follow them down.
Down.
I am as a dark maze, a tangle of roots. Disorder masking some kind of pattern, deliberately broken, deliberately … twisted.
Behind Irina’s eyes, within her rigid body, I’m shivering into a billion pieces as I reach out for that strange, dissociative state in which I seem capable of anything.
Felipe’s and Gia’s voices, the contours, textures and colours of the real world, begin to bleach out as I dissolve inwards, fade down, even though concrete reality is in evidence everywhere around me — in the seated figure to my right lifting the teacup to her purple-stained mouth, in the museum-quality furnishings, the lovely costly floral arrangements that already smell, to me, as if they are in a state of advanced decay. My perspective grows hazy and the room, the voices, seem to stretch and warp in different directions around me as if time, space, light, sound, all can yield, all can bend.
And I know that it’s happening again, that I’m actually pulling it off, and it’s no accident. I’m beginning to atomise. I’m following the linkages, the switchbacks, the false trails and complex whorls and spirals, the broken pattern that the Eight have somehow cast me into. As if I am a cave diver, a pearl fisher, seeking a source.
And I find it. All paths lead to a point that cannot be followed further, cannot be unravelled. Irina’s body slumps against the seat back as I reach towards that anchor point and try to pull myself free.
But, though I’m like mercury now, like vapour, some part of me remains knotted tightly in place, tethered to Irina’s body, by some diabolical means I cannot unravel. Though I gather myself over and over with increasing desperation, I cannot sunder the knot that keeps me chained to her. And I know that it is the vital part, the part that is keeping me earthbound.
A small choking sound escapes Irina’s lips.
So small that Gia’s cup pauses only momentarily on its way to her mouth, before she completes the action and leans forward to point at the map spread out before her.
As I rage through the nerve endings and sinews, the flesh, wet matter and bone that Irina is made of, seeking a way out, a flaw, a loophole, I feel Irina’s soul in here, too. Locked away tightly, like a kernel, a hard knot, her soul twisted and turned in on itself, like a möbius strip. To keep it out of harm’s way. To free up this vessel for my use.
And if I am released? I have to hope that her soul will be freed at the same instant. Or the body will die.
Abruptly, the weird sensation of unbecoming reverses, as if I am pulled back by a cord, by an elastic band, and I coalesce again inside Irina’s skin, behind her eyes, as if I am her, and she is me, and there is no gap, none at all, between us.
How long have I been gone? A heartbeat, maybe. Surely nothing more. But I’m breathing heavily and my sudden anguish burns so fiercely and so bright that I must jam my aching left hand inside my coat so the others in this room will not see it glow with that telltale flame that is as corrosive as it is lovely.
But Gia sees that something is amiss — from Irina’s posture? The muscles of her face? — because Gia has sharp eyes and is paid to see everything about her employer.
‘You look so pale!’ she exclaims. ‘What’s the matter, Irina? Are you unwell?’
Unwell?
I have to cover my mouth with my right hand so that the scream building inside me won’t escape and destroy the physical world.
I want to tell them that I was never supposed to be here, that it’s all some terrible mistake. That I’m still paying for something I did once, a long time ago, that I can’t even remember.
And the ones who are making me pay are the eight most powerful beings in the universe, the highest among us all that were first created, the ones to whom all but Azraeil must bow down, because death bows to no one, death is a force unto itself. Only these eight archangels might guess at what is in the heart and mind of our absent creator, for They were formed to be His regents, His princes, and to call us all to order. It is They who have done this to me.
I hear Gabriel’s voice again, as clearly as if he were here, now, in this room: I would rather have been put to the sword myself than endure what you have.
What crime? What crime did I commit to deserve this?
I want to tell Gia all of this, but there’s no point, because she would never understand. Never believe how it could even be possible