I made the tour of them all; past the clubs, of many of which I was a member, brushing, unrecognised, by a dozen men who had known me well, into Trafalgar Square,[61] where the gas-lamps cast long glittering lines of light on the wet pavement, and the spire of St. Martin's and the dome of the National Gallery rose like gray shadow-palaces above in the rainy air.
I dined at a restaurant in the Strand, and then, growing confident in the security of my disguise, I thought I would take a farewell glance at an old chum who had run Edgar pretty close in my esteem. He was an actor, and was fulfilling an engagement at a theatre in the Strand. When I add that he played what are technically called 'juvenile' parts--that is to say, those of the stage lovers--my
taste may seem strange, until I explain that Fabian Scott was the very worst of all the fashionable 'juveniles,' being addicted to literary and artistic pursuits and other intellectual exercises which, while permissible and innocuous to what are called 'character' actors, are ruin to 'juveniles,' whose business[62] requires vigour rather than thought, picturesqueness rather than feeling. So that Fabian, with
his thin keen face, his intensity, and some remnant of North-country stiffness, stood only in the second rank of those whom the la-dies delighted to worship; and becoming neither a great artist nor a great popinjay, gave his friends a sense of not having done quite the best with himself, but was a very interesting, if somewhat excitable companion. For my own part I had then, not knowing how vitally important the question of his character would one day become to me, nothing to wish for in him save that he were a little less sour and a little more sincere.
The stage-door was up a narrow and dirty court leading from the Strand. At the opening of the court stood a stout fair man, who looked like a German, and whose coarse, swollen face and dull eyes bore witness to a life of low dissipation. He was respectably[63] but not well dressed, and he swung the cheap and showy walking-stick in his hand slowly backwards and forwards, in a stolidly swaggering and aggressive manner. I should not have noticed him so particularly, but for the fact that he filled the narrow entrance to the passage so completely that I had to ask him to let me pass. Instead of immediately complying, he looked at me from my feet to my head with surly, half-tipsy insolence, and gave a short thick laugh.
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'Oh, so you're one of the swells, I suppose, who come hanging round stage-doors to tempt hard-working respectable women away from their lawful husbands! But it won't do. I tell you it won't do!'
I pushed him aside with one vigorous thrust and went up the court, followed by the outraged gentleman, who made no attempt to molest me except by a torrent of abusive eloquence, from which I gathered that he[64] was the husband of one of the actresses at the theatre, and that she did not appreciate the virtues of her lord and master as he considered she ought, but that, nevertheless, he persisted in affording her the protection of his manly arm, and would do so in spite of all the d----d 'mashers' in London.
At this point the stage-doorkeeper came out of his little box, and informed the angry gentleman that if he went on disgracing the place by his scandalous conduct his wife's services would be dispensed with; 'and if there's no money for her to earn, there'll be no beer for you to drink, Mr. Ellmer,' continued the little old man, with more point than politeness.
The threat had instant effect. Mr. Ellmer subsided into indignant mumbling, and went down the court again.
I had forgotten myself in interest at the rout of Mr. Ellmer, to whom I had taken a[65] rabid dislike, and was standing in the full, if feeble light of the gas over the stage-door, when an inner door was thrust open, and the next moment Fabian Scott was shaking my hand heartily.
'Hallo, Harry! I am glad to see you again. I was afraid you were going away without a word to your old friends; but you were always better than your reputation. Got over your accident all right--eh?'
'As well as could be expected, I suppose. I start for Germany to-morrow.'
'Ah!' By this one exclamation he signified that he understood the case, and knew that my mind was definitely made up. Actors are men of the world, and I felt the relief of talking to him after the stolid and obstinate misapprehension with which dear old Edgar persisted in meeting my reasons for saying good-bye to society. 'It was good of you not to go without coming here,' he went on,[66] appreciating the fact that my visit must have entailed an effort.
'To tell the truth, I meant to see you without your seeing me; but I got interested in a moral victory just obtained by your doorkeeper over an eloquent visitor, and so you caught me.'
Scott glanced at the swaggering Ellmer.
'Drunken brute!' said he, with much disgust. 'His wife--a hard-working little woman, who acts under the name of Miss Bailey--has had to bring her child to the theatre with her to-night, for fear he should get home before her and frighten the poor little thing. Look! here they come. One wonders how a wild beast can be the father of an angel.'
Scott was an ardent worshipper of beauty; but I, a cooler mortal, could not think his raptures excessive when he stood aside to make
way for a slim, pale, pretty woman, to[67] whose hand there clung a child so beautiful that my whole heart revolted at the thought
that the tipsy ruffian a few paces off was her father. Both mother and child were shabbily dressed, in clothes which gave one the idea
that November had overtaken them before they could afford to replace the garments of July. The little one was about eight years old, a slender creature with a flower-like face, round which, from under a home-made red velvet cap, her light-brown hair fell in a naturally curly tangle. Something in her blue eyes reminded me of the childlike charm of Helen's. Scott stopped them to say good-night, effusively addressing the child as his little sweetheart, and telling her that if the boy who gave her an apple last Sunday gave her another the next day, he should find out where he lived and murder that boy.
'Beware, Babiole, of arousing the jealousy[68] of a desperate man,' he ended, folding his arms and tossing back his head. The child took his outburst quite seriously.
'If he offers me another apple I must take it,' she answered in a sweet demure little voice. 'It would be rude to refuse. But you needn't be angry, for I can like you too.'
'Like me too!' thundered Scott, with melodramatic gestures. 'Heaven and earth! This is how the girl dares to trifle with the fiercest
passion that ever surged in a human breast!'
'If you're fierce I shan't like you,' said the little one, in her measured way. 'Papa's fierce, and he frightens me and mamma.'
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'Will you like me, little madam?' I ventured; and, knowing that my disfigured face was well concealed, I held out my hand. 'I will love
you very gently.'
I made my voice as soft as I could, but the deep tones or the sombre black figure[69] frightened her. The quaint matronly demean-our suddenly gave way to a child's fright, and she hid her face in the folds of her mother's black cloth jacket. Then mamma began to rebuke in a voice and manner oddly like the child's; and Fabian seized Babiole and lifted her up to kiss her.
'And now will you give me a kiss?' said he to her.
'Yes, Mr. Scott.' She gave him a kiss with the same demure simplicity.
'And will you promise to kiss nobody but me till you see me again?'
'Really, Mr. Scott,' interrupted the mother rather tartly, 'you shouldn't put such ideas into the child's head. They'll come quite soon enough of their own accord.'
She had one eye upon her husband, who was waiting farther down the court; and the wifely desire to be 'at him' seemed to put a[70]
little extra vinegar into her tone. With a hasty good-night to Fabian, and a frosty little bow to the unknown black figure, she said,
'Come, Babiole,' and hurried away with the child.
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