more interesting even than the romances, are the little lyrics of the period,--those tears and smiles of long ago that crystallized into poems, to tell us that the hearts of men are alike in all ages. Of these, the best known are the "Luve Ron" (love rune or letter) of Thomas de Hales (c. 1250); "Springtime" (c. 1300), beginning "Lenten (spring) ys come with luve to toune"; and the melodious love song "Alysoun," written at the end of the thirteenth century by some unknown poet who heralds the coming of Chaucer: Bytuene Mersh and Averil, When spray biginneth to springe The lutel foul[59] hath hire wyl On hyre lud[60] to synge. Ich libbe[61] in love longinge For semlokest[62] of all thinge. She may me blisse bringe; Icham[63] in hire baundoun.[64] An hendy hap ichabbe yhent,[65] Ichot[66] from hevene it is me sent, From alle wymmen mi love is lent[67] And lyht[68] on Alysoun. Summary of the Norman Period. The Normans were originally a hardy race of sea rovers inhabiting Scandinavia. In the tenth century they conquered a part of northern France, which is still called Normandy, and rapidly adopted French civilization and the French language. Their conquest of Anglo-Saxon England under William, Duke of Normandy, began with the battle of Hastings in 1066. The literature which they brought to England is remarkable for its bright, romantic tales of love and adventure, in marked contrast with the strength and somberness of Anglo-Saxon poetry. During the three centuries following Hastings, Normans and Sax-ons gradually united. The Anglo-Saxon speech simplified itself by dropping most of its Teutonic inflections, absorbed eventually a large part of the French vocabulary, and became our English language. English literature is also a combination of French and Saxon elements. The three chief effects of the conquest were (1) the bringing of Roman civilization to England; (2) the growth of nationality,
i.e. a strong centralized government, instead of the loose union of Saxon tribes; (3) the new language and literature, which were proclaimed in Chaucer. At first the new literature was remarkably varied, but of small intrinsic worth; and very little of it is now read. In our study we have noted: (1) Geoffrey's History, which is valuable as a source book of literature, since it contains the native Celtic legends of Arthur. (2) The work of the French writers, who made the Arthurian legends popular. (3) Riming Chronicles,
i.e. history in doggerel verse, like Layamon's Brut. (4) Metrical Romances, or tales in verse. These were numerous, and of four classes: (a) the Matter of France, tales centering about Charlemagne and his peers, chief of which is the Chanson de Roland; (b) Matter of Greece and Rome, an endless series of fabulous tales about Alexander, and about the Fall of Troy; (c) Matter of England, stories of Bevis of Hampton, Guy of Warwick, Robin Hood, etc.; (d) Matter of Britain, tales having for their heroes Arthur and his knights of the Round Table. The best of these romances is Sir Gawain and the Green Knight. (5) Miscellaneous literature,--the Ancren Riwle, our best piece of early English prose; Orm's Ormulum; Cursor Mundi, with its suggestive parallel to the Miracle plays; and ballads, like King Horn and the Robin Hood songs, which were the only poetry of the common people. Selections for Reading. For advanced students, and as a study of language, a few selections as given in Manly's English Poetry and in Manly's English Prose; or selections from the Ormulum, Brut, Ancren Riwle, and King Horn, etc., in Morris and Skeat's Specimens of Early English. The ordinary student will get a better idea of the literature of the period by using the following: Sir Gawain, modernized by J. L. Weston, in Arthurian Romances Series (Nutt); The Nun's Rule (Ancren Riwle), modern version by J. Morton, in King's Classics; Aucassin and Nicolete, translated by A. Lang (Crowell & Co.); Tristan and Iseult, in Arthurian Romances; Evans's The High History of the Holy Grail, in Temple Classics; The Pearl, various modern versions in prose and verse; one of the best is Jewett's metrical version (Crowell & Co.); The Song of Roland, in King's Classics, and in Riverside Literature Series; Evans's translation of Geoffrey's History, in Temple Classics; Guest's The Mabinogion, in Everyman's Library, or S. Lanier's Boy's Mabinogion (i.e. Welsh fairy tales and romances); Selected Ballads, in Athenaeum Press Series, and in Pocket Classics; Gayley and Flaherty's Poetry of 31 the People; Bates's A Ballad Book. Bibliography.[69] History. Textbook, Montgomery, pp. 58-86, or Cheyney, pp. 88-144. For fuller treatment, Green, ch. 2; Traill; Gardiner,
etc. Jewett's Story of the Normans (Stories of the Nations Series); Freeman's Short History of the Norman Conquest; Hutton's King and Baronage (Oxford Manuals of English History). Literature. General Works. Jusserand; Ten Brink; Mitchell, vol. I, From Celt to Tudor; The Cambridge History of English Literature. Special Works. Schofield's English Literature from the Norman Conquest to Chaucer; Lewis's Beginnings of English Literature; Ker's
Epic and Romance; Saintsbury's The Flourishing of Romance and the Rise of Allegory; Newell's King Arthur and the Round Table;
Maynadier, The Arthur of the English Poets; Rhys's Studies in the Arthurian Legends.
Ballads. Child's English and Scottish Popular Ballads; Gummere's Old English Ballads (one volume); Hazlitt's Early Popular Poetry of England; Gayley and Flaherty's Poetry of the People; Percy's Reliques of Ancient English Poetry, in Everyman's Library.
