Thus far have we drawn from the materials at hand, a sketch of that early career which was to lead to the achievement of a lasting literary reputation, and the exercise of an energetic administrativeadministrative faculty. We have glanced at the struggles of the incipient jurisconsult, the patriotic agitator, the outlaw, the homeless fugitive, the indigent teacher, the literary aspirant, and, in every vicissitude, the man of many warmly-attached friends. We have traced his progress until he attained the position wherein his abilities had extended scope, wherein his influence was to be beneficially felt, and his success consummated. The record of his life to this period is of itself the most valuable testimonial to his character and conduct; but while we lay sufficient stress on his own exertions, let us not forget to award the share of honour due to Lord Brougham, who, discarding national prejudice, recognised the capacity, and gave ample sphere to the energy and genius of Antonio Panizzi.
CHAPTER IV
The British Museum; Appointment Discussed; First Duties; Royal Society; Promotion; Cary; Hallam’s Letter; Official Residence.
Not before the middle of the eighteenth century had the grand idea of establishing a National Museum been entertained in England. The project was suggested by the will of Sir Hans Sloane, Bart., of Chelsea, who, during a long period of eminent practice in physics, had gathered together whatever was within his reach of rare and curious, not only in England, but in other countries. This great originator of our National Collection was born in 1660, and died in 1753. The codicil of his will bears date the 20th of July, 1749, and expresses a desire that his collection might be kept together and preserved in his Manor House.
By the said codicil the testator directs that his trustees should make their humble application to His Majesty, or to Parliament at the next session after his own decease, offering the entire collection for the sum of £20,000. This consisted of a numerous library of books, and MSS., with drawings, prints, medals, and coins, articles of virtu, cameos, precious stones, &c., &c., which he had himself collected at an outlay of £50,000.
His testamentary offer to the nation was accepted by Parliament, and in 1753 an Act (26 George II., c. 20) was passed, which may be termed a Charter of Foundation.
Trustees were appointed, the identical individuals named by Sir Hans during his lifetime, who had been consulted by competent persons, and strongly felt the necessity of procuring the collection as a whole for the use of the nation.
The attention of the legislature was not confined simply to the collection of Sir Hans Sloane. The Act which directed the purchase of his museum also gave instructions for the purchase of the Harleian collection of MSS., for which a sum of £10,000 was granted. This Act also directed that the Cottonian Library of MSS., which had been granted to the Government for public uses by an Act of the 12th and 13th, William III., should, with the addition of the library of Major Arthur Edwards, form part of the general collection.
It was ordered that these several collections should be kept in their respective places of deposit until a more convenient and durable repository, safer from fire, and nearer to the chief places of public resort, could be provided for the reception of them all.
To defray the expenses of these purchases, to procure a fit repository for their preservation, and to provide a fund for the permanent support of the establishment when formed, the Act directed that £100,000 should be raised by way of lottery, the net produce of which, together with the several collections, was to be vested in a corporate body selected from the highest in the land so far as regards rank, station, and literary attainments, upon whom it conferred ample powers for the disposition, preservation, and management of the Institution, which, it was determined, should bear the name of The British Museum.
The sum really raised under this Act, partly in consequence of benefits arising from unsold tickets, amounted to £101,952. 7s. 6d.; but the expenses of the lottery amounted to £6,200, and the cashier of the bank received more than £550 in consideration of his management of it, so that the net produce was £95,194. 8s. 2d. Out of this the sum of £20,000 was paid to the executors of Sir Hans Sloane; £10,000 to the Earl and Countess of Oxford for the Harleian MSS.; £10,250 to Lord Halifax for Montague House, and £12,873 for its repairs, which had been estimated at £3,800; £30,000 being set apart as a fund for the payment of future salaries, taxes, and other expenses. Some loss was also sustained by the difference of price between the times of buying and selling stock, and £4,660 were expended for furniture. The surplus was applied to the gradual liquidation of numerous and general expenses, including the removal of the different collections.
The only buildings offered as general repositories were Buckingham House, with the gardens and field, for £30,000, and Montague House for £10,000.
The consideration of the former was waived, partly from the exorbitant sum demanded for it, and partly from the inconvenience of the situation. The latter was finally fixed upon, and the agreement for its possession was drawn up in the spring of 1754.
No offer of ground for building a repository was made, except in Old Palace Yard, where it was at one time proposed that the Museum should find a place in the general plan which had been there recently designed by Kent for the New Houses of Parliament.
Montague House was originally built about 1674, by Ralph, Duke of Montague, after the style of a French palace. It was erected from the design of Robert Hooke, the celebrated mathematician, who took so important a part in the re-building of London after the great fire. Foreign artists were chiefly engaged in its completion, and amongst them Verrio superintended the decorations.
When finished it was considered a most magnificent building; but on the 19th January, 1686, owing to the negligence of a servant the house was burnt to the ground. The large income of the owner was again brought into requisition for the re-construction of his palace; and, though executed by fresh artists, the plan was the same, the new structure being raised upon the foundation and remaining walls of the old one.
The architect now employed was Peter Puget, a native of Marseilles, who was assisted by C. de la Fosse, J. Rousseau, and J. B. Monnoyer, three artists of great eminence.
The exclusive employment of French artists gave rise to the popular, but improbable, tale that Montague House was re-built at the expense of Louis XIV., to whose Court the Duke had twice been attached as Ambassador.
The second building was purchased as a repository for the collections.
In 1755 the Harleian MSS. were removed into it, and the following year the other collections were added, and when all had been properly distributed and arranged the British Museum was opened for public inspection on the 15th of January, 1759.
The government of the Institution was vested in trustees, to the end that, as the Act says: “A free access to the collections may be given to all studious and curious persons at such times, and in such manner, and under such regulations for inspecting and consulting the said collections, as by the said trustees, or the major part of them, may be determined in any general meeting assembled.”
The trustees are forty-eight in number. Twenty-three are called official, being the holders for the time being of certain high offices; by these the National interests of Church and State, Law, Science, and Art are presumed to be represented and protected. Of these the Archbishop of Canterbury, the Lord Chancellor, and the Speaker of the House of Commons are termed the Principal Trustees. Nine others are called the Family Trustees, as representing the families of Sloane, Cotton, Harley, etc., etc.; one is termed the Royal Trustee, because nominated directly by the Crown. The remaining fifteen are styled the Elected Trustees, who are all chosen by the other twenty-three.
In accordance with the desire of Sir Hans Sloane, the elected were chosen in the beginning from among the adepts in learning and science, and this practice continued until about 1791, when the vacancies