A. G. K. L'Estrange
History of English Humor
(Vol. 1&2)
Complete Edition
e-artnow, 2020
Contact: [email protected]
EAN 4064066058715
Table of Contents
Volume 1
Table of Contents
PRELIMINARY OBSERVATIONS.
Subjective Character of the Ludicrous—The Subject little Studied—Obstacles to the Investigation—Evanescence—Mental Character of the Ludicrous—Distinction between Humour and the Ludicrous.
The ludicrous is in its character so elusive and protean, and the field over which it extends is so vast, that few have ever undertaken the task of examining it systematically. Many philosophers and literary men have made passing observations upon it, but most writers are content to set it down as one of those things which cannot be understood, and care not to study and grapple with a subject which promises small results in return for considerable toil. Moreover, the inquiry does not seem sufficiently important to warrant the expenditure of much time upon it, and there has always been a great tendency among learned men to underrate the emotional feelings of our nature. Thus it comes to pass that a much larger amount of our labour has been expended upon inquiring into physical and intellectual constitution than upon the inner workings of our passions and sentiments, for our knowledge of which, though affecting our daily conduct, we are mostly indebted to the representations of poets and novelists. Beattie well observes that nothing is below the attention of a philosopher which the Author of Nature has been pleased to establish. Investigations of this kind would not be unrewarded, nor devoid of a certain amount of interest; and I think that in the present subject we can, by perseverance, penetrate a little distance into an almost untrodden and apparently barren region, and if we cannot reach the source from whence the bright waters spring, can at least obtain some more accurate information about the surrounding country.
Notwithstanding all the obstructions and discouragements in the way of this investigation a few great men have given it a certain amount of attention. Aristotle informs us in his "Rhetoric" that he has dealt fully with the subject in his Poetics, and although the treatise is unfortunately lost, some annotations remain which show that it was of a comprehensive character. Cicero and Quintilian in their instructions in Oratory, made the study of humour a necessary part of the course, and in modern days many ingenious definitions and descriptions of it are found among the pages of general literature. Most philosophers have touched the subject timidly and partially, unwilling to devote much time to it, and have rather stated what they thought ought to be in accordance with some pet theories of their own, than drawn deductions from careful analysis. They generally only looked at one phase of the ludicrous, at one kind of humour, and had not a sufficient number of examples before them—probably from the difficulty of recalling slight turns of thought in widely scattered subjects. Add to this, that many of them—constantly immersed in study—would have had some little difficulty in deciding what did and did not deserve the name of humour. Most of their definitions are far too wide, and often in supporting a theory they make remarks which tend to refute it. The imperfect treatment, which the subject had received, led Dugald Stewart to observe that it was far from being exhausted.
The two principal publications which have appeared on humour, are Flögel's "Geschichte der Komischen Litteratur" (1786), and Léon Dumont's "Les Causes du Rire." The former is voluminous, but scarcely touches on philosophy, without which such a work can have but little coherence. The latter shows considerable psychological knowledge, but is written to support a somewhat narrow and incomplete view. Mr. Wright's excellent book on "The Grotesque in Literature and Art," is, as the name suggests, principally concerned with broad humour, and does not so much trace its source as the effects it has produced upon mankind. Mr. Cowden Clark's contributions on the subject to the "Gentleman's Magazine," are mostly interesting from their biographical notices.
To analyse and classify all the vagaries of the human imagination which may be comprehended under the denomination of humour, is no easy task, and as it is multiform we may stray into devious paths in pursuing it. But vast and various as the subject seems to be, there cannot be much doubt that there are some laws which govern it, and that it can be brought approximately under certain heads. It seems to be as generally admitted that there are different kinds of humour as that some observations possess none at all. Moreover, when remarks of a certain kind are made, especially such as show confusion or exaggeration, we often seem to detect some conditions of humour, and by a little change are able to make something, which has more or less the character of a jest.
There is in this investigation a very formidable "Dweller on the Threshold." We contend with great disadvantages in any attempts to examine our mental constitution. When we turn the mind in upon itself, and make it our object, the very act of earnest reflection obscures the idea, or destroys the emotion we desire to contemplate. This is especially the case in the present instance. The ludicrous, when we attempt to grasp it, shows off its gay and motley garb, and appears in grave attire. It is only by abstracting our mind from the inquiry, and