The Complete Works of John Keats: Poems, Plays & Personal Letters. John Keats. Читать онлайн. Newlib. NEWLIB.NET

Автор: John Keats
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Burns in thee, child? — What good can thee betide,

       That thou should’st smile again?” — The evening came, And they had found Lorenzo’s earthy bed;

       The flint was there, the berries at his head.

      XLV.

      Who hath not loiter’d in a green churchyard,

       And let his spirit, like a demon-mole,

       Work through the clayey soil and gravel hard,

       To see scull, coffin’d bones, and funeral stole;

       Pitying each form that hungry Death hath marr’d,

       And filling it once more with human soul?

       Ah! this is holiday to what was felt

       When Isabella by Lorenzo knelt.

      XLVI.

      She gaz’d into the fresh-thrown mould, as though

       One glance did fully all its secrets tell;

       Clearly she saw, as other eyes would know

       Pale limbs at bottom of a crystal well;

       Upon the murderous spot she seem’d to grow,

       Like to a native lily of the dell:

       Then with her knife, all sudden, she began

       To dig more fervently than misers can.

      XLVII.

      Soon she turn’d up a soiled glove, whereon

       Her silk had play’d in purple phantasies, She kiss’d it with a lip more chill than stone,

       And put it in her bosom, where it dries

       And freezes utterly unto the bone

       Those dainties made to still an infant’s cries:

       Then ‘gan she work again; nor stay’d her care,

       But to throw back at times her veiling hair.

      XLVIII.

      That old nurse stood beside her wondering,

       Until her heart felt pity to the core

       At sight of such a dismal labouring,

       And so she kneeled, with her locks all hoar, And put her lean hands to the horrid thing:

       Three hours they labour’d at this travail sore;

       At last they felt the kernel of the grave,

       And Isabella did not stamp and rave.

      XLIX.

      Ah! wherefore all this wormy circumstance?

       Why linger at the yawning tomb so long?

       O for the gentleness of old Romance,

       The simple plaining of a minstrel’s song!

       Fair reader, at the old tale take a glance,

       For here, in truth, it doth not well belong To speak: — O turn thee to the very tale,

       And taste the music of that vision pale.

      L.

      With duller steel than the Perséan sword

       They cut away no formless monster’s head,

       But one, whose gentleness did well accord

       With death, as life. The ancient harps have said,

       Love never dies, but lives, immortal Lord:

       If Love impersonate was ever dead,

       Pale Isabella kiss’d it, and low moan’d.

       ’Twas love; cold, — dead indeed, but not dethroned.

      LI.

      In anxious secrecy they took it home,

       And then the prize was all for Isabel:

       She calm’d its wild hair with a golden comb,

       And all around each eye’s sepulchral cell

       Pointed each fringed lash; the smeared loam

       With tears, as chilly as a dripping well,

       She drench’d away: — and still she comb’d, and kept

       Sighing all day — and still she kiss’d, and wept.

      LII.

      Then in a silken scarf, — sweet with the dews

       Of precious flowers pluck’d in Araby, And divine liquids come with odorous ooze

       Through the cold serpent-pipe refreshfully, —

       She wrapp’d it up; and for its tomb did choose

       A garden-pot, wherein she laid it by,

       And cover’d it with mould, and o’er it set

       Sweet Basil, which her tears kept ever wet.

      LIII.

      And she forgot the stars, the moon, and sun,

       And she forgot the blue above the trees,

       And she forgot the dells where waters run,

       And she forgot the chilly autumn breeze; She had no knowledge when the day was done,

       And the new morn she saw not: but in peace

       Hung over her sweet Basil evermore,

       And moisten’d it with tears unto the core.

      LIV.

      And so she ever fed it with thin tears,

       Whence thick, and green, and beautiful it grew,

       So that it smelt more balmy than its peers

       Of Basil-tufts in Florence; for it drew

       Nurture besides, and life, from human fears,

       From the fast mouldering head there shut from view: So that the jewel, safely casketed,

       Came forth, and in perfumed leafits spread.

      LV.

      O Melancholy, linger here awhile!

       O Music, Music, breathe despondingly!

       O Echo, Echo, from some sombre isle,

       Unknown, Lethean, sigh to us — O sigh!

       Spirits in grief, lift up your heads, and smile;

       Lift up your heads, sweet Spirits, heavily,

       And make a pale light in your cypress glooms,

       Tinting with silver wan your marble tombs.

      LVI.

      Moan hither, all ye syllables of woe,

       From the deep throat of sad Melpomene!

       Through bronzed lyre in tragic order go,

       And touch the strings into a mystery;

       Sound mournfully upon the winds and low;

       For simple Isabel is soon to be

       Among the dead: She withers, like a palm

       Cut by an Indian for its juicy balm.

      LVII.

      O leave the palm to wither by itself;

       Let not quick Winter chill its dying hour! — It may not be — those Baälites of pelf,

       Her brethren, noted the continual shower

       From her dead eyes; and many a curious elf,

       Among her kindred, wonder’d that such dower

       Of youth and beauty should be thrown aside

       By one mark’d out to be a Noble’s bride.

      LVIII.

      And, furthermore, her brethren wonder’d