May, for her part, was so much surprised when Fitzroy transferred his attentions to her cousin that she could not believe her eyes. He came as often as ever, and he was ready enough to throw her a crumb of kindness, a scrap of compliment, a morsel of conversation in something of the old tones. She was not jealous of Nelly, or what she and Julia called her strong voice; but when the little girl, new to all perfidies, perceived that the man who had hung about her and charmed her was turning all the artillery of whispers and glances in another direction, and that Nelly, in her black dress—Nelly, who was a widow, who ought to be entirely above the region of flirtation—was the object of these seductions, a cruel astonishment was the first feeling in her breast. She had been flattered and pleased and amused by the little éclat of Fitzroy's subjugation. She now stood by in amazement, and watched the change without understanding it. At first everybody had been so sorry for Nelly; and it was easy to imagine that Fitzroy, too, shared that admirable sentiment. A widow, so young! though, now that it came to this, May began secretly to count up Nelly's years, and to decide that at thirty Nelly was not so very young; that she had quite reached the shady side of life, when troubles were to be calculated upon. At twenty, thirty is a great age: it means more than maturity—it is the beginning of decadence. After all, why was Nelly so much to be pitied? And there was such a thing as carrying pity too far. May did not know how to account at first for the change in her own feelings towards her cousin, any more than for the change in her own position, so strangely brought about—the change from being the first, always considered, to being in a manner nobody at all.
CHAPTER III.
Miss Bampton's sentiments during this sudden change of circumstances were more remarkable than those of May, for she was as much dismayed and startled as her sister, and much more angry, understanding the whole process better; while at the same time she was, in the midst of her indignation, more or less satisfied to see that Fitzroy's attentions, which had made her so uneasy, were coming to an end. This is a state of mind which it is very difficult to describe in so many words. The excellent Julia would have believed herself ready, before Nelly came, to welcome anything which should break the charm of the stranger's fascinations, and restore May to her previous much more trustworthy suitor; but when this deliverance came in the shape of Mrs Brunton, her anger and resentment and sense of downfall were quite unreasonable. That any one—any man in his senses—should turn from May to Nelly! that the fresh and delightful bloom of the girl should be left neglected for the attractions of the maturer woman; that May, in her own house, the young princess of everything, should be thrust into the second place, and Nelly—Nelly, whose day was over—made the principal attraction! This was almost more than Miss Bampton could bear. And to see May sitting by with her needlework, or pretending to read, while Nelly and Fitzroy sang, and turned over the music and talked to each other, as musical people do, "Do you remember that phrase?" "Oh, don't you recollect this?" with a few bars played on the piano, and how "the melody comes in here," and how "that cadenza was repeated there," and so forth and so forth, interspersed with exclamations of ecstatic admiration—produced in Julia's mind an exasperation which it was almost impossible to subdue. Even Mr Bampton, who took so little notice, had said once or twice, "Why isn't May singing?" when he came in for his cup of tea. And May, taking it all like the darling she was, not sulky at all, saying a word when there was any room for her to come in, making her first experience in life, but so sweetly, so patiently, through all her surprise.
This changed altogether, however, the character of the scene in the drawing-room at Bampton-Leigh, where now the two sisters, who were the mistresses of the place, pursued their occupations almost as if they had been alone, while the little vaudeville, operetta, genteel comedy, or whatever you please to call it, went on at the piano. Miss Bampton felt that she had no call whatever to provide the scenery, as it were—the good piano, the pretty room, the tea-table, with all its agréments—for this drama. When May was the heroine it was all befitting and natural—but for Nelly! Miss Bampton's fingers trembled over her knitting, as she sat bursting with indignation. The only thing to console her was that she had never in her life so admired her little sister. How beautifully May behaved! When Julia, in an access of that fury which sometimes moves the mildest, said fiercely, under her breath, to her sister working at the window, "I can't bear this much longer!" May lifted up pathetic eyes and cried, "Why? You used to like it well enough," said the young martyr, steadily, yet with a pale cheek, ignoring any change. Oh, what a darling she was! and set aside in her own house by that little Nelly, a widow, who ought to be thinking of very different things.
I do not know how to justify Nelly's conduct in these circumstances, and yet I do not think she was so much to blame as appears at a first glance. Mrs Brunton's spirit, much subdued and cast down for a time, had risen before she came to visit her relations in the country, by the natural movement of life and youth, and the sense that after all her existence was not over, though she had tried hard to persuade herself that it was. It was not at all over; it was very warm and lively in her veins, despite of everything she had gone through. Poor Jack was gone. She had been very faithful to Jack, suffering no one to say a word against him either living or dead. She had not blamed him for giving very little thought to the comfort of his wife and children after he was gone. But now that he was gone, and his grave green, and her crape rusty and worn out, it was not natural that she should continue to pose, like a statue of woe leaning upon an urn. That was not at all the rôle which she had felt herself to be capable of playing. And she had never felt herself the venerable matron which she appeared to May. She was young; her blood was still running fast in her veins; her little children made no claim yet upon her for anything but kisses and smiles, and the cares which an excellent nurse made light. And Nelly, for a long time sequestered from every amusement, amused herself with relish as soon as it came within her reach. She was scarcely aware at first that she was taking May's admirer from her. Little Maysey! Why, she was only a child, not old enough for that sort of diversion. She had plunged into the music, into the fun, into that little excitement of flirtation which comes on so easily, without intention, without at all perceiving any other effect. And, indeed, she only awoke to what she had done quite suddenly one evening when there was a dinner-party at Bampton-Leigh, and when, after the gentlemen came back to the drawing-room, she had been called upon to sing with Mr Fitzroy for the delight of the party, and without waiting for any special entreaty had complied. When they sang one song they were asked for another, in the most natural way in the world.
"That is one of May's songs," said some one who was near the piano.
"Oh, is it?" cried Nelly. "I have sung it several times with Mr Fitzroy."
"But it is one of May's songs all the same," insisted this injudicious person. "I have heard her sing it very often, also with Mr Fitzroy."
"Yes," said young Harcourt, who was present, and who was still more angry than Julia to see May seated at the other end of the room talking to an old lady. "It is certainly one of May's songs: and nobody could sing it so sweetly," the young man added, with fire in his eyes.
"By