CHAPTER I.
PRINTED BY WILLIAM BLACKWOOD AND SONS.
A WIDOW'S TALE.
CHAPTER I.
The Bamptons were expecting a visitor that very afternoon: which made it all the more indiscreet that young Fitzroy should stay so long practising those duets with May. It was a summer afternoon, warm and bright, and the drawing-room was one of those pretty rooms which are as English as the landscape surrounding them—carefully carpeted, curtained, and cushioned against all the eccentricities of an English winter, yet with all the windows open, all the curtains put back, the soft air streaming in, the sunshine not too carefully shut out, the green lawn outside forming a sort of velvety extension of the mossy soft carpet in which the foot sank within. This combination is not common in other countries, where the sun is so hot that it has to be shut out in summer, and coolness is procured by the partial dismantling of the house. From the large open windows the trees on the lawn appeared like members of the party, only a little withdrawn from those more mobile figures which were presently coming to seat themselves round the pretty table shining with silver and china which was arranged under the acacia. Miss Bampton, who had been watching its arrangement, cast now and then an impatient glance at the piano where May sat, with Mr Fitzroy standing over her. He was not one of the county neighbours, but a young man from town, a visitor, who had somehow fallen into habits of intimacy it could scarcely be told why. And though he was visiting the Spencer-Jacksons, who were well known and sufficiently creditable people, nobody knew much about Mr Fitzroy. It is a good name: but then it is too good a name to belong to a person of whom it can be said that nobody knows who he is. A Fitzroy ought to be so very easily identified: it ought to be known at once to which of the families of that name he belongs—very distantly perhaps—as distantly as you please; but yet he must somehow belong to one of them.
This opinion Miss Bampton, who was a great genealogist, had stated over and over again, but without producing any conviction in her hearers. Her father asked hastily what they had to do with Fitzroy that they should insist on knowing to whom he belonged. And May turned round upon her little, much too high, heel and laughed. What did she care who he was? He had a delightful baritone, which "went" beautifully with her own soprano. He was very nice-looking. He had been a great deal abroad, and his manners were beautiful, with none of the stiffness of English manners. He did not stand and stare like Bertie Harcourt, or push between a girl and anything she wanted like the new curate. He knew exactly how to steer between these two extremes, to be always serviceable without being officious, and to insinuate a delightful compliment without saying it right out. This was May's opinion of the matter: and then he had such a delightful voice! So that this stranger had come into the very front of affairs at Bampton-Leigh, to the disturbance of the general balance of society, and of many matters much more important than an agreeable visitor, which were going on there. For example, Bertie Harcourt had almost been banished from the house: and he was a young squire of the neighbourhood with a good estate and very serious intentions; while the Spencer-Jacksons, with whom Mr Fitzroy was staying, were not above half pleased to have their novelty, their new man, absorbed in this way. Mrs Spencer-Jackson was a lively young woman who liked to have a cavalier on hand, whom she could lend, so to speak, to a favourite girl as a partner, whether at carpet dance or picnic, and dispose of according to her pleasure—an arrangement which Mr Fitzroy had much interfered with by devoting himself to Bampton-Leigh.
These things were being turned over in her mind by Miss Bampton, while she sat looking out upon the lawn where everything looked so fresh and cool under the trees. She was busy with her usual knitting, but this did not in any way interfere with the acuteness of her senses, or the course of her thoughts. Though May and she were spoken of as if on the same level, as the Miss Bamptons, this lady was twenty years older than her sister, and had discharged for half of that time the functions of mother to that heedless little girl. May had made Julia old, indeed, when she had no right to be considered old. When the mother died she had been a handsome quiet young woman, thirty indeed, which is considered, though quite falsely, an unromantic age yet quite capable of being taken for twenty-eight, or even twenty-five, and with admirers and prospects of her own. After her mourning was over she had become Miss Bampton, the feminine head of the house, managing everything, receiving the few guests her father cared to see, who were almost all contemporaries of his own, as if she were as old as any of them—and had moved up to a totally different level of life. Such a transformation is not unusual in a widower's house. Miss Bampton took the position of her father's wife rather than of his daughter, and no one thought it strange. If she sacrificed any feelings of her own in doing so, no one found it out. She was a mother to May; she had found her position, it seemed, taken possession of her place in the world, at the head of a house which was her own house, though it was not her husband's but her father's. It was generally supposed that the position suited her admirably, and that she had never wished for any other: which indeed I agree was very probably the case, though in such matters no one can ever be confident. It was thus that she happened to be so absorbed in May, so watchful of this (she thought) undesirable interposition of Mr Fitzroy, of the partial withdrawal of Bertie Harcourt, and of many things of equal, or rather equally little, moment to the general world.
And this was the afternoon when Nelly Brunton, the little widowed cousin from India, was coming on her first visit since her return. It was true that a year had elapsed or more since the death of Nelly's husband: but Miss Bampton felt that to receive the poor little widow in the very midst of the laughter, the songs, the foolish conversation and excitement of a love affair,