He tells all this with great drama, he isn’t boasting when he says he has the women students in tears. He goes on to say that in 1950 they came into the mountains to exterminate the bandits. The little courtyard was surrounded by two companies of soldiers. At daybreak they shouted to the bandits to put down their weapons, change their wicked ways and reform, and warned that there was a blockade of several machine guns at the main gate so no-one should try to escape. It’s as if he’d taken part in the battle himself.
“What happened then?” I ask.
“At first they stubbornly resisted so the little courtyard was bombarded with mortar. The surviving bandits threw down their guns and came out to surrender. Song Guotai was not amongst them. When a search was made of the little courtyard they only found a few weeping women huddled together. Everyone said the house had a secret tunnel which went up into the mountain but it was never found, and he has never shown up anywhere. It’s over forty years now, some say he’s still alive and others say he’s dead but there’s no real evidence, only theories.” He sits back into the round cane chair and tapping his fingers on the edge where his hands are resting, he begins to analyse these theories.
“There are three theories about what happened to him. One is that after escaping he fled to another area, changed his name, and settled somewhere to work in the fields as a peasant. The second is that he could have been killed in the gun fight but the bandits wouldn’t admit to it. Bandits have their own set of rules — they may be embroiled in a terrible fight amongst themselves but they won’t divulge anything to an outsider. They have their own ethics, a code of bandit chivalry if you like, and yet on the other hand they are cruel and wicked. Bandits have two sides to them. The women had all been abducted but once they came into his lair, they became a part of the gang. They were abused by him and yet kept secrets for him.” He is shaking his head not because he finds it incomprehensible but because he is moved by the complexity of the human world, it seems.
“Of course one can’t dismiss the third possibility that he fled onto the mountain, couldn’t get out, and starved to death.”
“Do people get lost on the mountain and die there?” I ask.
“Of course, and not just the peasants from elsewhere who come to dig for medicinal herbs. There are even local hunters who have died on this mountain.”
“Oh?” This is even more intriguing.
“Just last year a hunter went up the mountain and didn’t come back for ten or so days. It was only then that his relatives sought out the village authorities, and we were notified. We contacted the forestry police and had them send us tracker dogs. We got them to sniff his clothes and carried out the search by following them. Afterwards we found him caught in a crack in the rocks. He had died there.”
“How did he come to be stuck in the crack in the rocks?”
“Could’ve been anything, he probably panicked. He was hunting and hunting’s prohibited in the reserve. There’s also the case of a man killing his younger brother.”
“How did this happen?”
“He mistook his brother for a bear. The brothers had gone into the mountain to lay traps. There’s good money in musk. Laying traps has been modernized — a trap can be made with a small piece of wire pulled out of a steel construction cable and a person can lay several hundred in a day on the mountain. It’s impossible for us to supervise an area of this size. They’re all so greedy, it’s hopeless. The brothers went into the mountain to lay traps and in the process were separated. It would be superstitious to believe what the mountain folk say: according to them the brothers fell foul of blackmagic. The two of them bumped into each other after going in a circle around the top of the mountain. There was a heavy mist. The elder brother saw his younger brother, mistook him for a bear, and shot him with his rifle. The elder brother had killed the younger brother. He went home during the night and lay his and his brother’s rifles alongside one another by the bamboo gate of the pig pen so that his mother would see them when she got up to feed the pigs first thing in the morning. He didn’t go inside the house but went back up the mountain to where his brother lay dead and slit his own throat.”
I leave the empty upstairs and stand for a while in the courtyard big enough for a whole caravan of horses, then head back to the highway. There still is no sign of people or vehicles. I look at the dark green mountain enveloped in a haze of rain and mist on the opposite side. A steep greyish-white logging chute is over there and the vegetation has been totally ravaged. Earlier on, before the highway was put through, both sides of the mountain would have been covered in thickly-wooded forest. I am becoming obsessed with getting to the primeval forest at the back of the mountain and find myself drawn to it by some inexplicable force.
The light drizzle gets heavier and turns into a thin film which completely enshrouds the ridge, obscuring the mountain and gully even more. There is the rumble of thunder behind the mountain, muffled and indistinct. Suddenly, I realize that the noise of the river below the highway is much louder, there is a perpetual roar as it charges endlessly at great speed from the snowclad mountains to pour into the Min River. It possesses an intimidating and violent energy not found in rivers flowing over flat country.
It is by the pavilion that you encounter her. It is an undefinable longing, a vague hope, it is a chance meeting, a wonderful meeting. You come again at dusk to the riverside, the pounding of clothes being washed reverberates from the bottom of the pitted stone steps. She is standing near the pavilion and like you she is looking at the mountain on the other side. You can’t take your eyes off her. She stands out in this small mountain village. Her figure, poise and enigmatic expression can’t be found among the local people. You walk away but she lingers in your mind and when you return to the pavilion she is no longer there. It is already dark and in the pavilion a couple of cigarettes glow from time to time as they are smoked, people are there quietly talking and laughing. You can’t see their faces, but from their voices you guess that there are probably two men and two women. They don’t seem to be locals, who always talk loudly whether they’re flirting or being aggressive. You go up and eavesdrop. It seems they are talking about what they have had to do to get away on this excursion: deceive their parents, he to the head of the work unit, and think up all sorts of stories. Talking about it is such fun they can’t stop cackling with laughter. You’ve already passed that age and don’t have to be supervised by anyone, still you aren’t having as much fun as they are. They probably arrived in the afternoon, but as you recall there’s only the one morning bus from the county town. Anyway they probably have their own ways and means. She doesn’t seem to be among them and didn’t seem to be as cheerful as this crowd. You leave the pavilion and walk straight down along the river-bank. You no longer need to think about finding your way. There are several dozen houses by the river but only the last one, which sells cigarettes, liquor and toilet paper, has the half door-flap of the shop open. The cobblestone road swerves back towards the town and then there’s a high wall. In the weak yellow streetlight on the right, through the dark doorway, is the village administrative office. The tall buildings and large courtyard with a watchtower must once have been the residence of a rich and powerful family at one time. Further on is a vegetable plot fenced off with broken bricks and opposite is a hospital. Two lanes up is a cinema, built just a few years back, and now showing a martial arts movie. You’ve been around this small town more than once so you don’t need to go to see what time the evening session starts. The lane at the side of the hospital cuts through to the main street and comes out right opposite the big department store. You know all this perfectly, as if you’re an old resident of the town. You could even