Commander Hillenkoetter, recalling the same encounter, but without the champagne, wrote that ‘although it was only 10.30 a.m., we were offered a glass of what the General said was the very best brandy in the Crillon’. Hillenkoetter reported that von Studnitz was ‘most happy to make his call on the Ambassador at 1:30 p.m. as the Ambassador wished – assured us that all American property would be protected, and that we could count on the best of cooperation as far as the German military were concerned’. Von Studnitz invited Hillenkoetter and Fuller to attend the review of the Green Heart Division, the 185th Infantry, which he had once commanded, in the Place de la Concorde at 3.30 that afternoon. The two Americans could think of no polite way to refuse.
For Colonel Horace Fuller, the experience of handing Paris over to the Germans was galling. The 1909 West Point graduate had been briefing American and British journalists daily that the French Army would not hold. ‘Colonel Fuller was the only man in Paris who knew what was coming,’ Quentin Reynolds, the Collier’s Weekly correspondent, wrote. ‘He advised us to make plans to get out. He told us “off the record” that the French Army wouldn’t even bother to defend Paris.’ Fuller’s astute observations contrasted with the French government spokesman’s reply to a question from Virginia Cowles, the attractive American correspondent of Britain’s Sunday Times, asking whether Paris would be declared an ‘open city’: ‘Never,’ he said. ‘We’re confident that Hitler’s mechanized hordes will never get to Paris. But should they come so far, you may tell your countrymen we shall defend every stone, every clod of earth, every lamp-post, every building, for we would rather have our city razed than fall into the hands of the Germans.’ Colonel Fuller had fought the Germans in the Great War, when he commanded the US 108th Field Artillery Regiment in the Meuse-Argonne and Ypres-Lys offensives. Clare Boothe, covering the invasion for Life magazine, asked Fuller ‘what’s going to happen’:
His hands trembled. His eyes were quite bloodshot from loss of sleep. He tried to smile, but he couldn’t. He said, ‘Oh, there’s hope of course – the morale of the French – we can deliver 1,000 planes a month soon.’ ‘Oh,’ I said, ‘don’t talk morale and economics, talk WAR. What do you think?’ He said so wearily, ‘I don’t want to think any more, I want to use my heart. You see, I want them to win so much, so very much,’ he said. ‘I fought with them at Chateau-Thierry in the last war – and oh, they’ve been Goddamn dumb, but dear Christ I love them.’
Back in his office at the chancellery, Murphy saw German soldiers climbing over the embassy gate: ‘They were running a telephone wire across our courtyard to the Crillon Hotel.’ To Murphy’s shock, the embassy’s ‘picturesque colored doorman’, George Washington Mitchell of North Carolina, was helping them. Mitchell had come to Paris before the Great War as a rider in a cowboy and Indian show. Murphy, who knew Mitchell was married to a German woman and spoke German, demanded to know why he had disobeyed orders not to allow German troops onto embassy premises. Mitchell said the soldiers were from Hamburg, where he knew people, and were ‘nice fellas’. Bullitt reacted with fury, not at George Mitchell, but at the Germans. He sent word to von Studnitz to remove the telephone cable at once. Henceforth, any German soldier breaking into the embassy grounds would be shot. The Germans removed the wire, but they posted a sign in front of the embassy that said, ‘Amerikanische Botschaft’, ‘American Embassy’. It was one of hundreds of signs the Germans affixed all over Paris for their troops and the German civilians, both administrators and tourists, who would arrive in their wake.
Von Studnitz, recalled Hillenkoetter, came to the embassy on time at 1.30 p.m. and spoke with Bullitt for about ten minutes ‘of correctness’. An hour later, Hillenkoetter and Fuller accompanied Bullitt for a similar, formal session at the Crillon. At 3.30, as promised, the two uniformed American attachés met General von Studnitz in the Place de la Concorde. With Nazi newsreel cameramen poised to record the military march-past, von Studnitz invited them to join him on the reviewing stand. ‘Both Fuller and I could easily see how that would look in newsreels, photos, etc. – two American officers taking a review with a German general. So we hastily, but firmly, declined, saying that we didn’t feel worthy to share the General’s honor; that it was his division and his glory; and that it would be a shame to deprive him of even a share of the glory.’ Fuller and Hillenkoetter diplomatically disappeared into the crowd. Robert Murphy, however, stood uncomfortably beside the German generals as the Green Heart Division goose-stepped across the great square to thumping martial music. When the parade ended and Murphy was walking back to the embassy, he complained to New York Herald Tribune correspondent Walter Kerr, ‘The general wanted the ambassador, and the ambassador told me to take his place.’ From an upper window of the embassy, a young diplomat hired locally in Paris, Keeler Faus, surreptitiously took photographs of the German troops in the Place de la Concorde.
Associated Press correspondent Philip W. Whitcomb, a graduate of Washburn University in Kansas and of Oxford, watched the same parade from the pavement and detected a bizarre normality:
On that day the garbage-men cleaned the streets alongside of German troops as they marched up the Friedland and Wagram Avenues or across the Place de la Concorde. The underground railway men ran their trains, though some carried only Germans on their way through Paris. The telephones worked. The police, under instructions to obey German orders, were all on duty, though on June 14th they were little more than members of the silent throng lining the streets through which the Germans moved.
The triumphalism of the military parades offended even a few Germans. A 33-year-old officer, Count Claus Schenk von Stauffenberg, shared his disgust with General Franz Halder and his staff in Paris. Hitler deserved death for this nihilism, von Stauffenberg said. Although Major General Henning von Tresckow was brave enough to second him, General Halder counselled von Stauffenberg that the German public was unlikely to support a coup at a time of military victory.
Martial parades established themselves as facts of daily life that Parisians soon treated with the indifference they accorded to red lights.
AS THE FIRST GERMAN SOLDIERS took control of Paris that morning, Sylvia Beach was waiting in Adrienne Monnier’s fourth-storey apartment in the rue de l’Odéon. Adrienne’s window commanded a clear view to the north, where the tiny street crossed the tree-shaded boulevard Saint-Germain. A column of German Army trucks and motorcycles appeared, along with troops riding and marching past. Sylvia called it an ‘endless procession of motorized forces: tanks and armored cars and helmeted men seated with arms folded … all a cold grey, and they moved to a steady deafening roar.’ For the first time, Sylvia heard the Germans’ famous leather jackboots. ‘Those boots always made them seem much more enraged than they were,’ she wrote. As she and Adrienne watched, ‘Tears were streaming down our cheeks. It was an awful experience. Horrible.’
‘Miss Beach’, as James Joyce called the American from the time they met in 1920, was 53 years old. Adrienne, her longtime collaborator, friend and former lover, was four years younger. For twenty years, the American and the Frenchwoman had presided over a unique and fertile realm of French and English literature. Adrienne called their little kingdom ‘Odéonia’, for the two bookshops – her French La Maison des Amis des Livres and Sylvia’s English Shakespeare and Company – whose plate-glass windows reflected each other across