But first there must be the cleansing. When Night has fallen upon London, the Rajah remarks:
Monogamic Societies present
A decent visage and a hideous rear.
His Minister (satirically, or in sympathetic Conservatism) would have them not to move on, that they may preserve among beholders the impression of their handsome frontage. Night, however, will come; and they, adoreing the decent face, are moved on, made to expose what the Rajah sees. Behind his courteousness, he is an antagonistic observer of his conquerors; he pushes his questions farther than the need for them; his Minister the same; apparently to retain the discountenanced people in their state of exposure. Up to the time of the explanation of the puzzle on board the departing vessel (on the road to Windsor, at the Premier’s reception, in the cell of the Police, in the presence of the Magistrate-whose crack of a totally inverse decision upon their case, when he becomes acquainted with the titles and station of these imputedly peccant, refreshes them), they hold debates over the mysterious contrarieties of a people professing in one street what they confound in the next, and practising by day a demureness that yells with the cat of the tiles at night.
Granting all that, it being a transient novelist’s business to please the light-winged hosts which live for the hour, and give him his only chance of half of it, let him identify himself with them, in keeping to the quadrille on the surface and shirking the disagreeable.
Clouds of high colour above London City are as the light of the Goddess to lift the angry heroic head over human. They gloriously transfigure. A Murillo beggar is not more precious than sight of London in any of the streets admitting coloured cloud-scenes; the cunning of the sun’s hand so speaks to us. And if haply down an alley some olive mechanic of street-organs has quickened little children’s legs to rhythmic footing, they strike on thoughts braver than pastoral. Victor Radnor, lover of the country though he was, would have been the first to say it. He would indeed have said it too emphatically. Open London as a theme, to a citizen of London ardent for the clear air out of it, you have roused an orator; you have certainly fired a magazine, and must listen to his reminiscences of one of its paragraphs or pages.
The figures of the hurtled fair ones in sky were wreathing Nelson’s cocked hat when Victor, distinguishably bright-faced amid a crowd of the irradiated, emerged from the tideway to cross the square, having thoughts upon Art, which were due rather to the suggestive proximity of the National Gallery than to the Flemish mouldings of cloud-forms under Venetian brushes. His purchases of pictures had been his unhappiest ventures. He had relied and reposed on the dicta of newspaper critics; who are sometimes unanimous, and are then taken for guides, and are fatal. He was led to the conclusion that our modern-lauded pictures do not ripen. They have a chance of it, if abused. But who thinks of buying the abused? Exalted by the critics, they have, during the days of Exhibition, a glow, a significance or a fun, abandoning them where examination is close and constant, and the critic’s trumpet-note dispersed to the thinness of the fee for his blowing. As to foreign pictures, classic pictures, Victor had known his purse to leap for a Raphael with a history in stages of descent from the Master, and critics to swarm: a Raphael of the dealers, exposed to be condemned by the critics, universally derided. A real Raphael in your house is aristocracy to the roof-tree. But the wealthy trader will reach to title before he may hope to get the real Raphael or a Titian. Yet he is the one who would, it may be, after enjoyment of his prize, bequeath it to the nation—PRESENTED TO THE NATION BY VICTOR MONTGOMERY RADNOR. There stood the letters in gilt; and he had a thrill of his generosity; for few were the generous acts he could not perform; and if an object haunted the deed, it came of his trader’s habit of mind.
He revelled in benevolent projects of gifts to the nation, which would coat a sensitive name. Say, an ornamental City Square, flowers, fountains, afternoon bands of music—comfortable seats in it, and a shelter, and a ready supply of good cheap coffee or tea. Tobacco? why not rolls of honest tobacco! nothing so much soothes the labourer. A volume of plans for the benefit of London smoked out of each ascending pile in his brain. London is at night a moaning outcast round the policeman’s’ legs. What of an all-night-long, cosy, brightly lighted, odoriferous coffee-saloon for rich or poor, on the model of the hospitable Paduan? Owner of a penny, no soul among us shall be rightly an outcast....
Dreams of this kind are taken at times by wealthy people as a cordial at the bar of benevolent intentions. But Victor was not the man to steal his refreshments in that known style. He meant to make deeds of them, as far as he could, considering their immense extension; and except for the sensitive social name, he was of single-minded purpose.
Turning to the steps of a chemist’s shop to get a prescription made up for his Nataly’s doctoring of her domestics, he was arrested by a rap on his elbow; and no one was near; and there could not be a doubt of the blow—a sharp hard stroke, sparing the funny-bone, but ringing. His head, at the punctilio bump, throbbed responsively—owing to which or indifference to the prescription, as of no instant requirement, he pursued his course, resembling mentally the wanderer along a misty beach, who hears cannon across the waters.
He certainly had felt it. He remembered the shock: he could not remember much of pain. How about intimations? His asking caused a smile.
Very soon the riddle answered itself. He had come into view of the diminutive marble cavalier of the infantile cerebellum; recollecting a couplet from the pen of the disrespectful Satirist Peter, he thought of a fall: his head and his elbow responded simultaneously to the thought.
All was explained save his consequent rightabout from the chemist’s shop: and that belongs to the minor involutions of circumstances and the will. It passed like a giver’s wrinkle. He read the placards of the Opera; reminding himself of the day when it was the single Opera-house; and now we have two-or three. We have also a distracting couple of Clowns and Pantaloons in our Pantomimes: though Colney says that the multiplication of the pantaloon is a distinct advance to representative truth—and bother Colney! Two Columbines also. We forbear to speak of men, but where is the boy who can set his young heart upon two Columbines at once! Victor felt the boy within him cold to both: and in his youth he had doated on the solitary twirling spangled lovely Fairy. The tale of a delicate lady dancer leaping as the kernel out of a nut from the arms of Harlequin to the legalized embrace of a wealthy brewer, and thenceforth living, by repute, with unagitated legs, as holy a matron, despite her starry past, as any to be shown in a country breeding the like abundantly, had always delighted him. It seemed a reconcilement of opposing stations, a defeat of Puritanism. Ay, and poor women!—women in the worser plight under the Puritan’s eye. They may be erring and good: yes, finding the man to lift them the one step up! Read the history of the error. But presently we shall teach the Puritan to act by the standards of his religion. All is coming right—must come right. Colney shall be confounded.
Hereupon Victor hopped on to Fenellan’s hint regarding the designs of Mrs. Burman.
His Nataly might have to go through a short sharp term of scorching—Godiva to the gossips.
She would come out of it glorified. She would be reconciled with her family. With her story of her devotion to the man loving her, the world would know her for the heroine she was: a born lady, in appearance and manner an empress among women. It was a story to be pleaded in any court, before the sternest public. Mrs. Burman had thrown her into temptation’s way. It was a story to touch the heart, as none other ever written of over all the earth was there a woman equalling his Nataly!
And their Nesta