Old Veuve in one, to the soul of Old Veuve in the other, they recalled a past day or two, touched the skies; and merriment or happiness in the times behind them held a mirror to the present: or the hour of the reverse of happiness worked the same effect by contrast: so that notions of the singular election of us by Dame Fortune, sprang like vinous bubbles. For it is written, that however powerful you be, you shall not take the Winegod on board to entertain him as a simple passenger; and you may captain your vessel, you may pilot it, and keep to your reckonings, and steer for all the ports you have a mind to, even to doing profitable exchange with Armenian and Jew, and still you shall do the something more, which proves that the Winegod is on board: he is the pilot of your blood if not the captain of your thoughts.
Mr. Fenellan was unused to the copious outpouring of Victor Radnor’s confidences upon his domestic affairs; and the unwonted excitement of Victor’s manner of speech would have perplexed him, had there not been such a fiddling of the waltz inside him.
Payment for the turtle and the bottles of Old Veuve was performed apart with Benjamin, while Simeon Fenellan strolled out of the house, questioning a tumbled mind as to what description of suitable entertainment, which would be dancing and flirting and fal-lallery in the season of youth, London City could provide near meridian hours for a man of middle age carrying his bottle of champagne, like a guest of an old-fashioned wedding-breakfast. For although he could stand his wine as well as his friend, his friend’s potent capacity martially after the feast to buckle to business at a sign of the clock, was beyond him. It pointed to one of the embodied elements, hot from Nature’s workshop. It told of the endurance of powers, that partly explained the successful, astonishing career of his friend among a people making urgent, if unequal, demands perpetually upon stomach and head.
CHAPTER V. THE LONDON WALK WESTWARD
In that nationally interesting Poem, or Dramatic Satire, once famous, THE RAJAH IN LONDON (London, Limbo and Sons, 1889), now obliterated under the long wash of Press-matter, the reflection—not unknown to philosophical observers, and natural perhaps in the mind of an Oriental Prince—produced by his observation of the march of London citizens Eastward at morn, Westward at eve, attributes their practice to a survival of the Zoroastrian form of worship. His Minister, favourable to the people or for the sake of fostering an idea in his Master’s head, remarks, that they show more than the fidelity of the sunflower to her God. The Rajah, it would appear, frowns interrogatively, in the princely fashion, accusing him of obscureness of speech:—princes and the louder members of the grey public are fraternally instant to spurn at the whip of that which they do not immediately comprehend. It is explained by the Minister: not even the flower, he says, would hold constant, as they, to the constantly unseen—a trebly cataphractic Invisible. The Rajah professes curiosity to know how it is that the singular people nourish their loyalty, since they cannot attest to the continued being of the object in which they put their faith. He is informed by his prostrate servant of a settled habit they have of diligently seeking their Divinity, hidden above, below; and of copiously taking inside them doses of what is denied to their external vision: thus they fortify credence chemically on an abundance of meats and liquors; fire they eat, and they drink fire; they become consequently instinct with fire. Necessarily therefore they believe in fire. Believing, they worship. Worshipping, they march Eastward at morn, Westward at eve. For that way lies the key, this way the cupboard, of the supplies, their fuel.
According to Stage directions, THE RAJAH AND HIS MINISTER Enter a Gin-Palace.—It is to witness a service that they have learnt to appreciate as Anglicanly religious.
On the step of the return to their Indian clime, they speak of the hatted sect, which is most, or most commercially, succoured and fattened by our rule there: they wave adieu to the conquering Islanders, as to ‘Parsees beneath a cloud.’
The two are seen last on the deck of the vessel, in perusal of a medical pamphlet composed of statistics and sketches, traceries, horrid blots, diagrams with numbers referring to notes, of the various maladies caused by the prolonged prosecution of that form of worship.
‘But can they suffer so and live?’ exclaims the Rajah, vexed by the physical sympathetic twinges which set him wincing.
‘Science,’ his Minister answers, ‘took them up where Nature, in pity of their martyrdom, dropped them. They do not live; they are engines, insensible things of repairs and patches; insteamed to pursue their infuriate course, to the one end of exhausting supplies for the renewing of them, on peril of an instant suspension if they deviate a step or stop: nor do they.’
The Rajah is of opinion, that he sails home with the key of the riddle of their power to vanquish. In some apparent allusion to an Indian story of a married couple who successfully made their way, he accounts for their solid and resistless advance, resembling that of—
The doubly-wedded man and wife,
Pledged to each other and against the world
With mutual union.
One would like to think of the lengthened tide-flux of pedestrian citizens facing South-westward, as being drawn by devout attraction to our nourishing luminary: at the hour, mark, when the Norland cloud-king, after a day of wild invasion, sits him on his restful bank of bluefish smack-o’-cheek red above Whitechapel, to spy where his last puff of icy javelins pierces and dismembers the vapoury masses in cluster about the circle of flame descending upon the greatest and most elevated of Admirals at the head of the Strand, with illumination of smoke-plumed chimneys, house-roofs, window-panes, weather-vanes, monument and pedimental monsters, and omnibus umbrella. One would fair believe that they advance admireing; they are assuredly made handsome by the beams. No longer mere concurrent atoms of the furnace of business (from coal-dust to sparks, rushing, as it were, on respiratory blasts of an enormous engine’s centripetal and centrifugal energy), their step is leisurely to meet the rosy Dinner, which is ever a see-saw with the God of Light in his fall; the mask of the noble human visage upon them is not roughened, as at midday, by those knotted hard ridges of the scrambler’s hand seen from forehead down to jaw; when indeed they have all the appearance of sour scientific productions. And unhappily for the national portrait, in the Poem quoted, the Rajah’s Minister chose an hour between morning and meridian, or at least before an astonished luncheon had come to composure inside their persons, for drawing his Master’s attention to the quaint similarity of feature in the units of the busy antish congregates they had travelled so far to visit and to study:
These Britons wear
The driven and perplexed look of men
Begotten hastily ‘twixt business hours
It could not have been late afternoon.
These Orientals should have seen them, with Victor Radnor among them, fronting the smoky splendours of the sunset. In April, the month of piled and hurried cloud, it is a Rape of the Sabines overhead from all quarters, either one of the winds brawnily larcenous; and London, smoking royally to the open skies, builds images of a dusty epic fray for possession of the portly dames. There is immensity, swinging motion, collision, dusky richness of colouring, to the sight; and to the mind idea. London presents it. If we can allow ourselves a moment for not inquireing scrupulously (you will do it by inhaling the aroma of the ripe kitchen hour), here is a noble harmony of heaven and the earth of the works of man, speaking a grander tongue than barren sea or wood or wilderness. Just a moment; it goes; as, when a well-attuned barrel-organ in a street has drawn us to recollections of the Opera or Italy, another harshly crashes, and the postman knocks at doors, and perchance a costermonger cries his mash of fruit, a beggar woman wails her hymn. For the pinched are here, the dinnerless, the weedy, the gutter-growths, the forces repressing them. That grand tongue of the giant City inspires none human to Bardic eulogy while we let those discords be. An embittered Muse of Reason prompts her victims to the composition of the adulatory Essay and of the Leading Article, that she may satiate an angry irony ‘upon