Of APPLEBODY BLAND.
BLAND only eats bad boys, who swear—
Who can behave, but don’t—
Disgraceful lads who say “don’t care,”
And “shan’t,” and “can’t,” and “won’t.”
Who wet their shoes and learn to box,
And say what isn’t true,
Who bite their nails and jam their frocks,
And make long noses too;
Who kick a nurse’s aged shin,
And sit in sulky mopes;
And boys who twirl poor kittens in
Distracting zoëtropes.
But JAMES, when he was quite a youth,
Had often been to school,
And though so bad, to tell the truth,
He wasn’t quite a fool.
At logic few with him could vie;
To his peculiar sect
He could propose a fallacy
With singular effect.
So, when his Mentors said, “Expound—
Why eat good children—why?”
Upon his Mentors he would round
With this absurd reply:
“I have been taught to love the good—
The pure—the unalloyed—
And wicked boys, I’ve understood,
I always should avoid.
“Why do I eat good children—why?
Because I love them so!”
(But this was empty sophistry,
As your Papa can show.)
Now, though the learning of his friends
Was truly not immense,
They had a way of fitting ends
By rule of common sense.
“Away, away!” his Mentors cried,
“Thou uncongenial pest!
A quirk’s a thing we can’t abide,
A quibble we detest!
“A fallacy in your reply
Our intellect descries,
Although we don’t pretend to spy
Exactly where it lies.
“In misery and penal woes
Must end a glutton’s joys;
And learn how ogres punish those
Who dare to eat good boys.
“Secured by fetter, cramp, and chain,
And gagged securely—so—
You shall be placed in Drury Lane,
Where only good lads go.
“Surrounded there by virtuous boys,
You’ll suffer torture wus
Than that which constantly annoys
Disgraceful TANTALUS.
(“If you would learn the woes that vex
Poor TANTALUS, down there,
Pray borrow of Papa an ex-
Purgated LEMPRIERE.)
“But as for BLAND who, as it seems,
Eats only naughty boys,
We’ve planned a recompense that teems
With gastronomic joys.
“Where wicked youths in crowds are stowed
He shall unquestioned rule,
And have the run of Hackney Road
Reformatory School!”
Ballad: Little Oliver
EARL JOYCE he was a kind old party
Whom nothing ever could put out,
Though eighty-two, he still was hearty,
Excepting as regarded gout.
He had one unexampled daughter,
The LADY MINNIE-HAHA JOYCE,
Fair MINNIE-HAHA, “Laughing Water,”
So called from her melodious voice.
By Nature planned for lover-capture,
Her beauty every heart assailed;
The good old nobleman with rapture
Observed how widely she prevailed
Aloof from all the lordly flockings
Of titled swells who worshipped her,
There stood, in pumps and cotton stockings,
One humble lover—OLIVER.
He was no peer by Fortune petted,
His name recalled no bygone age;
He was no lordling coronetted—
Alas! he was a simple page!
With vain appeals he never bored her,
But stood in silent sorrow by—
He knew how fondly he adored her,
And knew, alas! how hopelessly!
Well grounded by a village tutor
In languages alive and past,
He’d say unto himself, “Knee-suitor,
Oh, do not go beyond your last!”
But though his name could boast no handle,
He could not every hope resign;
As moths will hover round a candle,
So hovered he about her shrine.
The brilliant candle dazed the moth well:
One day she sang to her Papa
The air that MARIE sings with BOTHWELL
In NEIDERMEYER’S opera.
(Therein a stable boy, it’s stated,
Devoutly loved a noble dame,
Who ardently reciprocated
His rather injudicious flame.)
And then, before the piano closing
(He listened coyly at the door),
She sang a song of her composing—
I give one verse from half a score:
BALLAD
Why, pretty page, art ever sighing?
Is sorrow in thy heartlet lying?
Come, set a-ringing
Thy laugh entrancing,
And ever singing
And ever dancing.
Ever singing, Tra! la! la!
Ever dancing, Tra! la! la!
Ever singing, ever dancing,
Ever singing, Tra! la! la!
He skipped for joy like little muttons,
He