CHOKU REI
A symbol of Reiki healers, the Choku Rei is comprised of a spiral that culminates in a hooked stick. It looks a little like the treble clef used in musical notation. The symbol is used by Reiki healers to increase the power available to them, and to help focus this energy. The meaning of Choku Rei is “place the power of the Universe here.” Healers draw the sign mentally in the air as a form of meditation, generally before and after giving a treatment.
CICATRIX
A cicatrix is a scar, but not just any scar. It refers to a very specific incision that is scored onto the body and carries secret symbols pertaining to the person’s religious or magical beliefs. A very painful process called scarification leaves these raised marks on the skin. Until the end of the nineteenth century, Maori men had ritual scarring all over their faces in order that they might look more frightening to the enemy. A cicatrix acts as a permanent amulet that is an inherent part of the person. Its purpose is similar to that of the tattoo; the pain involved in the process is an important rite of passage. Ritual scarring is popular among dark-skinned people because a tattoo is not particularly visible against the skin.
CIMARUTA
In Italian, this means the “sprig of rue.” It is an amulet, made of silver in honor of female energy in the form of the Goddess, comprising a
model of a sprig of rue with various charms in its three branches. The Cimaruta is a very old charm, which evolved from an Etruscan magical amulet. It dates back as far as 4500 BC, although there are more contemporary versions such as the stylized one illustrated here. The charms featured generally include a crescent Moon, a key, stars, daggers, and flowers; different regions of Italy produced their own specific symbols. Also known as the Witch Charm, the Cimaruta is favored by witches, and to see one in someone’s home might indicate the spiritual persuasion of the owner. It is worn either as a pendant or might be hung over a doorway, a possible reason for the Cimaruta being double-sided. When used in this way as an ornament the Cimaruta is usually quite large in size.
The three silver branches of the Cimaruta relate to the notion of the Triple Goddess. The charm itself takes on all the significance of the rue plant as being both protective and a tool of witches, used to cast spells and throw hexes.
CIRCLE
See First signs: Circle.
CLADDAGH
The Claddagh is a popular symbol, often incorporated into the design of rings, and worn by people as an attractive piece of ornamentation although they may not know what it symbolizes.
Traditionally used as a wedding ring, the Claddagh is so-called because it was originally made in a Galway fishing village of the same name in seventeenth-century Ireland. However, the elements of the design are much older, stretching back into pre-Christian Celtic history. The Romans had a popular ring design, the Fede, which featured clasped hands. “Fede” means “fidelity.”
CLOTHING
Of all the animal kingdom, man is unique in that he wears clothes. In the Bible, Adam and Eve don fig leaves to cover the newly discovered sexual parts that are a reminder of the lower animal nature. Once we had managed to protect our modesty and keep ourselves warm, our attention turned to the use of clothes as an outward sign of status or of certain religious observances. As secret symbols, clothes have an elaborate history, especially when they are connected to religious beliefs; sacred texts from all religions are full of instructions as to the nature of certain clothes and how they should be worn. This section doesn’t claim to be an extensive analysis of these ideas, but serves merely to point out the meanings of some of the most common items of apparel.
CAPE
The cape has a simple design. At its most basic, it is a piece of cloth with a hole in the middle. Often worn by members of the clergy, when it is called a “chasuble,” the cape shares the same symbolism as the arc or dome that it represents; the vault of the Heavens. This suggests the idea of ascendance. The wearer of the cape becomes a living representation of the Axis Mundi.
CLOAK
As well as being a symbol of religious asceticism, the cloak is the garment of kings. In addition, the word “cloak” has become synonymous with the notion of hiding something; the invisibility cloak is a very ancient idea. The God, Lugh, had such a cloak that enabled him to pass unnoticed through the entire Irish army in order to rescue his son. Effectively, though, the cloak makes the wearer invisible without any need for magical intervention. A cloak, especially a hooded one, is a mask for the body, covering the wearer from head to foot. A cloak can help someone change his or her identity while at the same time confirming it. In the Bible, St. Martin gives half his cloak to the beggar. This is not only a material gesture but also a symbol of his charitable nature.
The Khirka, a specific type of cloak, originally meant a scrap of torn material. However, its unworldly nature made it an appropriate garment for the Sufi mystic.
It was originally blue, signifying a vow of poverty, in the same way that brown and gray have the same meaning to Christian believers. The Sufi receives the Khirka after three years of training, a sign that he is worthy of initiation. To wear the Khirka, the Sufi must understand the three levels of the mystic life. These are the Truth, the Law, and the Path.
FOOTWEAR
When you put your foot upon the ground, this gesture is synonymous with taking possession of the Earth beneath it.
Because the holy ground at churches and temples is not, effectively, a territory that belongs to man, the jumble of shoes, sandals, and boots outside the doors of holy places all over the world may certainly be a sign of respect. However, the owners may not be aware that they are, literally, following in the footsteps of a more ancient idea, that they have no claim to this sacred territory. The footwear is significant because it is removed.
The Children of Israel sealed agreements between two parties by swapping one sandal each. In addition, in Northern China the word for “slipper” and “mutual agreement” is the same. This is why slippers are given as wedding presents.
Shoes also symbolize travel, a meaning that precedes the time of motorized transport. In certain Northern European territories, children leave their shoes out for Father Christmas to fill with gifts; not only is Santa himself making an arduous journey, but his gifts help in the “journey” of the coming year.
Shoes are also a status symbol. Slaves generally went barefoot; hence, the wearing of shoes was the sign of the free man.
The slipper that Cinderella lost, that later proved her identity to the Prince, is an example of the shoe as a sexual symbol. In common interpretations of this tale these “slippers” sound uncomfortable, since they are apparently made of glass. However, it was an old European tradition that a potential suitor would show his sincerity by making his intended bride a pair of fur boots. It is likely that the word for fur, vair, was confused with the word for glass, verre. The sexual symbolism continues with these kinky boots; the old word for fur shares its roots with a word meaning “sheath.”
BELT/GIRDLE
Often