The reason why the 1689 Act came into being was that, although Queen Mary was a devout Protestant, the ministers were concerned about William’s personal relationship with Rome. Holland was the chief northern province of the independent Netherlands which had previously been attached to the Holy Roman Empire, and it was known that William’s army consisted largely of Catholic mercenaries paid from the papal purse. King James II had assisted Louis XIV of France in his nation’s opposition to the Catholic empire, and it was anticipated by the Pope that, with William in charge of Britain, this support would cease, thereby weakening the French position.
On 23 September 2001, Britain’s Daily Mail newspaper ran an article entitled ‘William of Orange funded by the Pope’, explaining how documents discovered at the Vatican reveal that Pope Innocent XI had provided William with 150,000 scudi—equivalent to more than £3.5m today. This came as a surprise to the people of Northern Ireland, who always felt that William’s Orangemen (who prevented James Stuart’s restoration attempt at the Battle of the Boyne in 1690) were a Protestant army.8 Cecil Kilpatrick, archivist for the Orange Order, acknowledged that there had already been embarrassing indications of ties between William and the Pope. He said that in the 1930s, when they discovered Pope Innocent XI depicted with Prince William in a portrait at Stormont (the Northern Ireland Parliament), they ‘had to get rid of it’!
Despite William’s outwardly routine aspirations in what his supporters called the Glorious Revolution, the Whig politicians determined that, having facilitated his invasion, they were in a position to impose certain restrictions for the future. Notwithstanding protests from Stuart adherents on the Tory benches, they laid immediate ground rules. The Bill of Rights, with its inherent Declaration of Rights, stipulated that Parliament retained absolute rights of consent over the monarchy, the judiciary and the people. Furthermore, it was henceforth illegal for a monarch to make or amend any laws of the land. So, although William made a great show of strength at his initial Convention Parliament, the politicians maintained the upper hand by granting his kingship on a conditional basis. These measures, coupled with Queen Mary’s Protestantism, curtailed the papal ambitions, but following Mary’s childless death in 1694 the inevitable dilemma of succession arose.
To establish fully the Anglican Parliament’s supreme position over the monarchy during the balance of William’s reign, the 1701 Act of Settlement was introduced to secure the throne of Britain for Protestants alone, and the Act remains in force today—even though it was passed in the House of Commons by a majority of only one vote (118 for, and 117 against). The earlier Act of Abjuration (requiring all government officials to renounce King James) was similarly passed by one vote (193 to 192), and there was no true parliamentary majority for either of these Acts which set the constitutional scene for everything that followed concerning the operational nature of the British monarchy.
Religion and the Great Lights
The much publicized Orange Order was founded in 1795 in the wake of the Williamite revolution and the continuing aggression between Catholics and Protestants in Northern Ireland. The Order is often portrayed as being a masonic lodge in Ulster, but it is not. Indeed, the very nature of its constitution provides us with a good example as to the contrasting religious stance taken by authentic Freemasonry.
The Orange Order is pseudo-masonic in its presentation, but stipulates that its members must be Protestant Christians. There is no such requirement, nor indeed any religious stipulation in legitimate Freemasonry. Those of any religion (or none) are welcomed into the ranks, and the godhead of Creation is defined not in religious denominational terms, but as the Great Architect of the Universe. The Three Great Lights of Freemasonry (the so-called ‘furniture’, without which no lodge can be convened) include a volume of the Sacred Law. This might be the Judaeo-Christian Bible, the Koran, the Torah, the Vedas or the Zend-Avesta, depending on the predominant culture of the lodge concerned. Each and all are acceptable to attendant or visiting masons since the volume is representative of an essential belief in some form of supreme authority, by whatever definition. Outside that, discussion of religious matters is not permitted within the lodge environment.
The other Great Lights of Freemasonry are the square and compasses, representing the psyche and spirit respectively. The configuration in which these physical items are displayed within an active lodge (for instance, with one, two or neither of the compass points revealed in front of the square) denotes the degree in which the prevalent meeting is being conducted. The Three Great Lights in unison denote the extent of a mason’s qualifying achievement within an overall environment of divine consciousness, while the lodge itself is perceived as a bridge between the material and spiritual worlds.
This aspect of lodge working demonstrates that there is something more to Freemasonry than is immediately apparent from its superficial image. The masonic hierarchy is always quick to assert that Freemasonry is not a religion—and indeed it is not—but something else is indicated here: divine consciousness and a recognition of different material and spiritual worlds. If not religious, then there is clearly a spiritual aspect to consider, and the concept of ‘worlds’ is somewhat kabbalistic in nature. In fact, the levels of masonic spiritual attainment between the mundane environment and the higher levels of enlightenment are represented by Jacob’s Ladder from the Genesis story of Jacob’s dream.9 This was depicted in Georgian times by the Rosicrucian poet and artist, William Blake (b. 1757), in the masonic tradition of a winding staircase (see plate 2). His is also probably the best-known representation of the masonic Great Architect of the Universe—the Ancient of Days with his compasses (see plate 1). The staircase, in its final interpretation, defines seven levels of consciousness, and can be assigned to each of the seven officers of a lodge (see page 148).10
While the spiritual path in modern Freemasonry is a journey of allegory and symbolism in pursuit of self-improvement, that of the Stuart era was about the acquisition of scientific knowledge with a much bigger scale of practical involvement. Hence, current masonic teachings point members to a wealth of Renaissance literature, recommending that it should be studied, although those making the suggestions have rarely perused the material themselves. Instead, they are generally in pursuit of social recognition and personal fulfilment, not scientific accomplishment.
The fact remains that any amount of Renaissance literature in the public domain might be studied without revealing the secrets that were lost to the English masonic stage in 1688. Even though all the relevant documentation was not carried to France by King James’s supporters, a good deal was burnt and destroyed as described in the Anderson Constitutions (see page 5).
Intellectuals of the era, such as Sir Christopher Wren (b. 1632) and Sir Isaac Newton (b. 1642), did their best to work with the information to hand. They knew that masonic lore was connected with Kabbalah wisdom philosophy (an ancient tradition of enlightenment based on material and spiritual realms of consciousness). They also knew that it was related to the culture of the biblical kings, and were aware of a scholarly existence before the days of the Roman Empire. They researched the technology of the ancient Babylonians, the philosophies of Pythagoras and Plato, and the mystery traditions of old Egypt, becoming thoroughly absorbed in history beyond the bounds of biblical scripture. But for all that, and despite their own considerable scientific achievements, they also knew that they lived only in the shadow of King Solomon, whom Newton called ‘the greatest philoso pher