The Binding. Bridget Collins. Читать онлайн. Newlib. NEWLIB.NET

Автор: Bridget Collins
Издательство: HarperCollins
Серия:
Жанр произведения: Классическая проза
Год издания: 0
isbn: 9780008272135
Скачать книгу
When she glanced at me her eyes were in shadow but her voice had a pleading edge. ‘I don’t know what I’m saying. I didn’t mean that. Please don’t be angry. Please don’t tell her – the binder – will you? Please.’

      She was afraid. I screwed up my botched endpaper and threw it away. Not just afraid of Seredith, afraid of me too …

      I took a deep breath. Cut more papers. Mix more paste. Glue out the pages, lay them down, nip in the press, hang them up to dry … I didn’t know what I was doing, but somehow I carried on. When I came back to myself the room was so dim it was hard to see, and a pile of glued papers were waiting to be put between pressing boards. It was like waking from a dream. There’d been a sound, the door opening.

      Seredith’s voice, dry as stone. ‘There’s tea on the stove. Bring it here.’

      I froze, but she wasn’t talking to me. She wasn’t looking in my direction, she hadn’t seen me. She was rubbing her eyes; she looked drained, infinitely weary. ‘Hurry,’ she said, and the woman scurried towards her with a spilling teapot and chinking cups.

      ‘Is she – all right?’

      ‘Don’t ask foolish questions.’ A moment later she added, ‘In a minute she will be ready to see you. Then you should hurry home, before more snow falls.’

      The door closed. A pause. A spray of snowflakes brushed the window like a wing. So much for the thaw. In a while the door would open again. I willed myself not to turn round when it did.

      ‘Come on, my dear.’ Seredith led the keening girl out into the workshop – only now she was docile, quiet.

      And then they were embracing, the other woman laughing with relief, sobbing, ‘Milly,’ over and over again while Seredith slowly, deliberately locked the door behind them.

      Alive, then. Sane, then. Nothing terrible had happened. Had it?

      ‘Thank goodness – oh, look at you, you’re well again – thank you—’

      ‘Take her home and let her rest. Try not to speak to her of what’s happened.’

      ‘Of course not – yes – Milly, sweetheart, we’re going home now.’

      ‘Gytha. Home …’ She pushed the tangled hair away from her forehead. She was still gaunt and grimy but not long ago she’d been beautiful. ‘Yes, I should like to go home.’ There was something empty and fragile in the words, like a cracked glass.

      The woman – Gytha – led her into the hallway. ‘Thank you,’ she called again to Seredith, pausing at the door. Without anyone pushing her Milly was inert, her face so calm it looked like a statue’s. I swallowed. That uncanny serenity … It made the hairs on the back of my neck rise. My heart said, wrong, wrong, wrong.

      I must have made a noise, because she looked at me. I met her eyes for an instant. It was like looking into a mirror and seeing no one there.

      Then they were gone, and the door closed. A second later I heard the front door open and shut. The house sank back into the muffled snow-silence.

      ‘Emmett?’ Seredith said. ‘What are you doing in here?’

      I turned to the bench. In this light my tools looked like pewter, and a silver smear of glue glinted on the wood like a snail’s trail. The pile of finished endpapers was all shades of grey: ashes-of-roses, ashes-of-peacock, ashes-of-sky.

      ‘I thought I asked you to sort out the stores.’

      A draught flicked a fine sand of ice against the window and set a wire swinging above my head. There were more papers hanging there; more dim wings, more pages than we could ever use.

      ‘I finished. I made more endpapers.’

      ‘What? Why? We don’t need—’

      ‘I don’t know. Because it’s something I know how to do, I suppose.’ I looked round. There were rolls and rolls of book-cloth, piled like logs on the shelf, all sombre and shadowy in this silvery half-dusk. The cupboard below held goatskins, a box of leather scraps, bottles of dye … And next to it – the door was swinging open, the catch needed seeing to – the boxes of tools glinted dully, their tiny elaborate feet poking up into the light. Reels of gold foil gleamed. In front there were presses, another long bench, the board-cutter, the plough … ‘I don’t understand,’ I said. ‘All this – to decorate books that you don’t even sell.’

      ‘Books should be beautiful,’ Seredith said. ‘No one sees, that’s not the point. It’s a way to honour people – like grave-goods, in olden times.’

      ‘But whatever happens in your locked room … that’s the real binding, isn’t it? You make books for people, in there. How?’

      She made a sudden movement, but when I looked at her she was still again. ‘Emmett …’

      ‘I’ve never even seen—’

      ‘Soon.’

      ‘You keep saying—’

      ‘Not now!’ She staggered, caught herself and dropped into the chair by the stove. ‘Please, not now, Emmett. I’m tired. I’m so tired.’

      I walked past her, to the locked door. I ran my hand down over the three locks. It took an effort. My shoulder prickled with the impulse to pull away. Behind me Seredith’s chair scraped on the floor as she turned to look at me.

      I stayed where I was. If I waited long enough, this fear would pass: and then I would be ready. But it didn’t. And underneath it, like a sickness I hadn’t known I had, was a black misery, a sense of loss so strong I could have wept.

      ‘Emmett.’

      I turned on my heel and left.

      In the next few days we didn’t speak of it again; we only talked about the chores and the weather, treading carefully, like people edging across new ice.

       IV

      I woke out of a dream of fire. I opened my eyes and blinked away the flickering red light. I’d been in a palace, a maze made of flames, so high and hot they sucked the air out of my lungs, and for a moment I thought I caught the bitter scratch of smoke in my throat; but the room was dark and when I breathed all I could smell was the subtle metallic scent of snow. I sat up, rubbing my eyes.

      Knocking. That was what had woken me: a hard pounding at the front door that hardly paused. And someone shouting. There was a bell jangling too, a continuous clanging like an alarum.

      I dragged myself out of bed and pulled on my trousers. The boards were cold under my bare feet, but I didn’t bother about shoes. I stumbled out into the passageway and stood there for a second, listening. A man’s voice, breathless. ‘I know you’re there!’ The door juddered in its frame. ‘Come out or I’ll smash your fucking windows. Out!

      I clenched my fists. At home Pa would have reached for his rifle, and when he swung the door open whoever was there would have stammered and fallen silent. But this wasn’t my house, and I didn’t have a rifle. I crossed the passageway to knock at Seredith’s door. ‘Seredith?’ I didn’t have time to wait for an answer. I pushed it open and peered round, trying to make out where her bed was. I’d never been in this room. ‘Seredith, there’s someone outside. Are you awake?’

      Nothing. I could just see the pale crumple of her pillows and rucked sheets, next to the window. She wasn’t there. ‘Seredith?’

      Something muttered in the darkness. I whirled round. She was curled in a chair in the corner of the room, shielding her head as if the sky was about to fall. Her eyes were open, gleaming at me. Her face was so pale it seemed to hover in the air. ‘Seredith. There’s someone knocking at the door. Should I answer? What’s going on?’

      ‘Come for us,’ she muttered, ‘they’ve come,