The Inklings: C. S. Lewis, J. R. R. Tolkien and Their Friends. Humphrey Carpenter. Читать онлайн. Newlib. NEWLIB.NET

Автор: Humphrey Carpenter
Издательство: HarperCollins
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Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007381241
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in his letters to Arthur Greeves – ‘I don’t think I’ve ever been so bucked about anything in my life, she’s an awfully decent sort.’ Later, in his first few months at Oxford, he had been very friendly with a young woman from Belfast, who was in the city with her mother. But before any real romance could begin he met Mrs Janie Moore.

      She was aged forty-five, Irish, and lively. She was poorly educated and her conversation was largely illogical nonsense, so in this respect she was a very odd friend for Jack; but something made him enjoy her company. Perhaps it was in large part simply the fact that she made him feel at home. He was never at ease at his real home in Belfast; his father lived according to an enervating daily routine, and was also perpetually inquisitive into his sons’ lives. This made Warnie and Jack draw apart from their parent. Now, when Jack’s military training was over and he was about to embark for the front line in France, he telegraphed to his father asking him to come over to England and say goodbye. His father, typically failing to understand the telegram, did not come. It was little wonder that Jack turned to Mrs Moore for affection.

      By the time that Jack left for France he and Mrs Moore were behaving to each other like mother and son. As for the real son, Jack once remarked (years later, to his brother) that Mrs Moore and Paddy ‘hadn’t got on at all well’. In the spring of 1918, Paddy was reported missing in action, and when his death was officially confirmed Mrs Moore wrote to Lewis’s father that Paddy had asked Jack ‘to look after me if he did not come back’. This became the public explanation for what followed, but probably Jack would have looked after her whether Paddy had come back or not.

      *

      Jack Lewis’s time in the trenches was short, and though he found it horrific he was not deeply shaken by the experience. He had, after all, lived with the knowledge of the war for more than three years before going out to the front line himself. It was something he knew he would have to endure, and (unlike public school) nobody expected him to like it. When he finally reached the front line he found that it was as bad as he had anticipated, but no worse.

      Certainly he would always remember what he described as ‘the horribly smashed men still moving like half-crushed beetles, the sitting or standing corpses’. And just once he put something of this into his poetry:

       ‘What, brother, brother,

       Who groaned?’ – ‘I’m hit. I’m finished. Let me be.’

       – ‘Put out your hand, then. Reach me. No, the other.’

       – ‘Don’t touch. Fool! Damn you! Leave me.’ – ‘I can’t see.

       Where are you?’ Then more groans. ‘They’ve done for me.

       I’ve no hands. Don’t come near me. No, but stay,

       Don’t leave me … O my God! Is it near day?’

      (These lines are from his narrative poem Dymer, written not long after the war.) Lewis himself was wounded by a shell a few months after going into the front line. But when he came to write an autobiography he devoted three heated chapters to the horrors of public school and only part of one – entitled ‘Guns and Good Company’ – to his war experiences. Two remarks about the war, in that book, sum up his attitude. After recording his memories of the animal horror of the trenches, he says: ‘It is too cut off from the rest of my experience and often seems to have happened to someone else.’ The other remark describes his response to hearing for the first time the whine of a bullet: ‘At that moment there was something not exactly like fear, much less like indifference: a little quavering signal that said, “This is War. This is what Homer wrote about.”’

      *

      When Jack Lewis was sent home wounded from the trenches in the spring of 1918, Mrs Moore came to London to be near his hospital. Later, he chose to convalesce in Bristol where she lived. After he had recovered and had re-entered army life, she spent the rest of the war following him from camp to camp, setting up temporary homes as near to him as possible. And when in the autumn of 1918 the war ended and he went back to Oxford as an undergraduate, she packed up her house in Bristol and came too.

      They found a furnished house in Warneford Road in east Oxford, and shared the rent between them, Jack making use of an allowance from his father and Mrs Moore depending chiefly on money from her estranged husband, whom she called ‘the Beast’. Officially, Jack was living in University College where he was an undergraduate reading Classics, but in reality he spent as much time as possible in ‘our hired house’, as he described it. ‘After lunch,’ he told Arthur Greeves, ‘I work until tea, then work again until dinner. After that, a little more work, talk and laziness and sometimes bridge, then bicycle back to College at 11.I then light my fire and work or read till 12 o’clock when I retire to sleep the sleep of the just.’ This may have been his routine on an ideal day, but more often his time at Warneford Road was occupied with one of the innumerable domestic chores which Mrs Moore was in the habit of devising for him: helping her to make jam and marmalade, scrubbing the floors, washing up, walking the dog, mending broken furniture, taking messages and doing shopping errands. It was not that she did not try to do any of these things herself, but she was easily exhausted – or at least Jack believed that she was – and, though they were generally able to afford a maid, Mrs Moore was suspicious of servants and did not like to trust the girl with these tasks. She used to say of Jack, ‘He is as good as an extra maid.’ As for Jack, he developed the ability to work at his desk in the middle of domestic mayhem. Only a few minutes would pass in an afternoon at Warneford Road without Mrs Moore’s strident voice summoning him to some job or other; he would lay down his pen patiently, go and do what was wanted (however trivial) and then come back and resume work as if nothing had happened. He called this ‘the hopeless business of trying to save D. from overwork’. ‘D.’ was how he referred to Mrs Moore in his diary; to other people he called her ‘Minto’. Both names are inexplicable.

      Remarkably, this disturbed way of life did no harm to his studies. Long before, in Surrey days, his tutor Kirkpatrick had reported to Jack’s father, ‘He has read more classics than any boy I ever had – or indeed I might add than any I ever heard of, unless it be an Addison or Landor or Macaulay.’ Kirkpatrick had also said of Jack’s enthusiasm for his work, ‘He is a student who has no interest except in reading and study. The very idea of urging him or stimulating him to increased exertion makes me smile.’ Nevertheless, given the distractions of life with ‘Minto’, Jack Lewis did very well to take a First Class in Classical Moderations in March 1920.

      Meanwhile his friends and relatives were puzzling over his strange involvement with Mrs Moore. It was easy to explain the mother—son element in it by the losses of real mother and real son which they had suffered. But was that all? Some people perhaps suspected a romantic-sexual element in the liaison, and possibly this was what Jack’s father had in mind when he referred to it as ‘Jack’s affair’. This sort of speculation was, if anything, fostered by the silence of Jack himself, who refused to discuss the matter with any of his close friends. On the only occasion Warnie Lewis asked his brother about the relationship he was told to mind his own business. In particular Jack tried to keep his father as much in the dark about it as possible, pretending to him that he was living in ordinary ‘digs’ with other undergraduates, and disguising a holiday spent with ‘Minto’ as a walking tour with a college friend. None of this helped to make it seem entirely respectable.1

      On the other hand nobody who knew Jack Lewis supposed seriously that Mrs Moore was his mistress. Certainly he discussed sex in his letters to Arthur Greeves, but only in relation to masturbation, and this was probably all that he meant by the rather veiled and arch references he made (in the books he was later to write) to his sexual experience as a young man. On the practical level, a sexual relationship with Mrs Moore would have been difficult without servants’ gossip, let alone the fact that another member of the household was Mrs Moore’s daughter Maureen, who was eight years younger than Paddy and still a child.

      After this strange ménage had been established in Oxford for a little over a year, Jack was able to move out of college and make the home with ‘Minto’ his official lodgings. But they were obliged to leave the Warneford Road house, and there began a long search for a permanent