Presently Saya John said: ‘I used to know soldiers like these.’
‘Saya?’
‘In Singapore, as a young man I worked for a time as a hospital orderly. The patients were mainly sepoys like these – Indians, back from fighting wars for their English masters. I still remember the smell of gangrenous bandages on amputated limbs; the nighttime screams of twenty-year-old boys, sitting upright in their beds. They were peasants, those men, from small countryside villages: their clothes and turbans still smelt of woodsmoke and dung fires. “What makes you fight,” I would ask them, “when you should be planting your fields at home?” “Money,” they’d say, and yet all they earned was a few annas a day, not much more than a dockyard coolie. For a few coins they would allow their masters to use them as they wished, to destroy every trace of resistance to the power of the English. It always amazed me: Chinese peasants would never do this – allow themselves to be used to fight other people’s wars with so little profit for themselves. I would look into those faces and I would ask myself: what would it be like if I had something to defend – a home, a country, a family – and I found myself attacked by these ghostly men, these trusting boys? How do you fight an enemy who fights from neither enmity nor anger, but in submission to orders from superiors, without protest and without conscience?
‘In English they use a word – it comes from the Bible – evil. I used to think of it when I talked to those soldiers. What other word could you use to describe their willingness to kill for their masters, to follow any command, no matter what it entailed? And yet, in the hospital, these sepoys would give me gifts, tokens of their gratitude – a carved flute, an orange. I would look into their eyes and see also a kind of innocence, a simplicity. These men who would think nothing of setting fire to whole villages if their officers ordered, they too had a certain kind of innocence. An innocent evil. I could think of nothing more dangerous.’
‘Saya,’ Rajkumar shrugged offhandedly, ‘they’re just tools. Without minds of their own. They count for nothing.’
Saya John glanced at him, startled. There was something unusual about the boy – a kind of watchful determination. No excess of gratitude here, no gifts or offerings, no talk of honour, with murder in the heart. There was no simplicity in his face, no innocence: his eyes were filled with worldliness, curiosity, hunger. That was as it should be.
‘If you ever need a job,’ Saya John said, ‘come and talk to me.’
Just before sunset the occupying troops withdrew from the fort. They carried away cartloads of booty from the palace. To the astonishment of the townsfolk, they left without posting pickets around the fort. For the first time that anyone could remember the gateways of the citadel stood open and unguarded.
The soldiers marched back the way they had come but through streets that were now empty. As the tramp of their feet faded away an uneasy quiet descended on the city. Then, with the suddenness of a nighttime eruption in a chicken-coop, a group of women burst out of the fort and came racing over the funeral bridge, their feet pounding a drum roll on its wooden surface.
Ma Cho recognised some of the women. They were palace servants; she had seen them going in and out of the fort for years, stepping haughtily down the road in their slippered feet, their longyis plucked daintily above their ankles. They were running now, stumbling through the dust without a thought for their clothes. They were carrying bundles of cloth, sacks, even furniture-some were bent over like washerwomen on their way to the river. Ma Cho ran out into the street and stopped one of the women. ‘What are you doing? What’s happened?’
‘The soldiers – they’ve been looting the palace. We’re trying to save a few things for ourselves.’ The women disappeared and all was quiet again. Presently the shadows around the fort began to stir. There were ripples of activity in the darkness, like the fluttering of moths in the recesses of a musty cupboard. People crept slowly out of the dwellings that surrounded the citadel. Advancing to the walls they peered distrustfully at the empty guard-posts. There were no soldiers anywhere in sight, nor even any sentries from the palace guard. Was it really possible that the gates had been left unguarded? A few people stepped on the bridges, testing the silence. Slowly, walking on the balls of their feet, they began to advance towards the far bank of the eighty-foot moat. They reached the other side and went creeping to the gates, holding themselves ready to run back at the slightest check.
It was true: the guards and sentries were all gone. The palace was unguarded. The intruders slipped through the gates and vanished into the fort.
Ma Cho had been watching undecided, scratching her chin. Now she picked up her sharp-bladed da. Tucking the wooden handle into her waist she started towards the funeral bridge. The fort’s walls were a blood-red smear in the darkness ahead.
Rajkumar ran after her, reaching the bridge abreast of a charging crowd. This was the flimsiest of the fort’s bridges, too narrow for the mass that was trying to funnel through. A frenzy of jostling broke out. The man beside Rajkumar found himself stepping on air and dropped over the side; a wooden plank flipped up, tipping two women screaming into the moat. Rajkumar was younger than the people around him and lighter on his feet. Slipping through the press of bodies, he went sprinting into the fort.
Rajkumar had imagined the fort to be filled with gardens and palaces, richly painted and sumptuously gilded. But the street he now found himself on was a straight and narrow dirt path, lined with wooden houses, not much different from any other part of the city. Directly ahead lay the palace and its nine-roofed spire – he could see the gilded hti flashing in the darkness. People were pouring down the street now, some carrying flaming torches. Rajkumar caught a glimpse of Ma Cho rounding a corner in the distance. He sprinted after her, his longyi tucked tight around his waist. The palace stockade had several entrances, including doorways reserved for the use of servants and tradespeople. These were set low in the walls, like mouseholes, so that no one could pass through them without bowing. At one of these small doorways Rajkumar caught up again with Ma Cho. The gate was quickly forced. People began to tumble through, like water over the lip of a spout.
Rajkumar stayed close behind Ma Cho as she elbowed her way to the entrance. She heaved him in and then squeezed through herself. Rajkumar had the impression of having fallen upon a perfumed sheet. Then he rolled over and found that he was lying on a bed of soft grass. He was in a garden, within reach of a sparkling canal: the air was suddenly clear and cool, free of dust. The orientation of the palace’s gateways was towards the east: it was from that direction that ceremonial visitors approached, walking down the formal pathway that led to the great glass-tiled pavilion where the King held court. On the western side of the stockade – the side that was closest to the funeral gate – lay the women’s quarters. These were the halls and apartments that now lay ahead of Ma Cho and Rajkumar. Ma Cho picked herself up and hurried, panting, in the direction of a stone archway. The doors of the main chamber of the women’s palace lay just beyond, yawning open. People stopped to run their fingers over the doors’ jade-studded panels. A man fell on his knees and began to pound the slats of wood with a rock, trying to knock out the ornaments. Rajkumar ran past, into the building, a couple of steps behind Ma Cho. The chamber was very large and its walls and columns were tiled with thousands of shards of glass. Oil lamps flared in sconces, and the whole room seemed to be aflame, every surface shimmering with sparks of golden light. The hall was filled with a busy noise, a workmanlike hum of cutting and chopping, of breaking wood and shattering glass. Everywhere people were intently at work, men and women, armed with axes and das; they were hacking at gem-studded Ook offering boxes; digging patterned gemstones from the marble floor; using fish-hooks to pry the ivory inlays from lacquered sadaik chests. Armed with a rock, a girl was knocking the ornamental frets out of a crocodile-shaped zither; a man was using a meat cleaver to scrape the gilt from the neck of a saung-gak harp and a woman was chiselling furiously at the ruby eyes of a bronze chinthe lion. They came to a door that led to a candlelit anteroom. There was a woman inside, standing