The truant officer never found his way to Paolo's tenement to discover that he could neither read nor write, and, what was more, would probably never learn. It would have been of little use, for the public schools thereabouts were crowded, and Paolo could not have got into one of them if he had tried. The teacher from the Industrial School, which he had attended for one brief season while his father was alive, called at long intervals, and brought him once a plant, which he set out in his mother's window-garden and nursed carefully ever after. The "garden" was contained within an old starch box, which had its place on the window-sill since the policeman had ordered the fire-escape to be cleared. It was a kitchen-garden with vegetables, and was almost all the green there was in the landscape. From one or two other windows in the yard there peeped tufts of green; but of trees there was none in sight—nothing but the bare clothes-poles with their pulley-lines stretching from every window.
Beside the cemetery plot in the next block there was not an open spot or breathing-place, certainly not a playground, within reach of that great teeming slum that harbored more than a hundred thousand persons, young and old. Even the graveyard was shut in by a high brick wall, so that a glimpse of the greensward over the old mounds was to be caught only through the spiked iron gates, the key to which was lost, or by standing on tiptoe and craning one's neck. The dead there were of more account, though they had been forgotten these many years, than the living children who gazed so wistfully upon the little paradise through the barred gates, and were chased by the policeman when he came that way. Something like this thought was in Paolo's mind when he stood at sunset and peered in at the golden rays falling athwart the green, but he did not know it. Paolo was not a philosopher, but he loved beauty and beautiful things, and was conscious of a great hunger which there was nothing in his narrow world to satisfy.
Certainly not in the tenement. It was old and rickety and wretched, in keeping with the slum of which it formed a part. The whitewash was peeling from the walls, the stairs were patched, and the door-step long since worn entirely away. It was hard to be decent in such a place, but the widow did the best she could. Her rooms were as neat as the general dilapidation would permit. On the shelf where the old clock stood, flanked by the best crockery, most of it cracked and yellow with age, there was red and green paper cut in scallops very nicely. Garlic and onions hung in strings over the stove, and the red peppers that grew in the starch-box at the window gave quite a cheerful appearance to the room. In the corner, under a cheap print of the Virgin Mary with the Child, a small night-light in a blue glass was always kept burning. It was a kind of illumination in honor of the Mother of God, through which the widow's devout nature found expression. Paolo always looked upon it as a very solemn show. When he said his prayers, the sweet, patient eyes in the picture seemed to watch him with a mild look that made him turn over and go to sleep with a sigh of contentment. He felt then that he had not been altogether bad, and that he was quite safe in their keeping.
Yet Paolo's life was not wholly without its bright spots. Far from it. There were the occasional trips to the dump with Uncle Pasquale's dinner, where there was always sport to be had in chasing the rats that overran the place, fighting for the scraps and bones the trimmers had rescued from the scows. There were so many of them, and so bold were they, that an old Italian who could no longer dig, was employed to sit on a bale of rags and throw things at them, lest they carry off the whole establishment. When he hit one, the rest squealed and scampered away; but they were back again in a minute, and the old man had his hands full pretty nearly all the time. Paolo thought that his was a glorious job, as any boy might, and hoped that he would soon be old, too, and as important. And then the men at the cage—a great wire crate into which the rags from the ash barrels were stuffed, to be plunged into the river, where the tide ran through them and carried some of the loose dirt away. That was called washing the rags. To Paolo it was the most exciting thing in the world. What if some day the crate should bring up a fish, a real fish, from the river? When he thought of it he wished that he might be sitting forever on that string-piece, fishing with the rag-cage, particularly when he was tired of stitching and turning over, a whole long day.
Besides, there were the real holidays, when there was a marriage, a christening, or a funeral in the tenement, particularly when a baby died whose father belonged to one of the many benefit societies. A brass band was the proper thing then, and the whole block took a vacation to follow the music and the white hearse out of their ward into the next. But the chief of all the holidays came once a year, when the feast of St. Rocco—the patron saint of the village where Paolo's parents had lived—was celebrated. Then a really beautiful altar was erected at one end of the yard, with lights and pictures on it. The rear fire-escapes in the whole row were decked with sheets, and made into handsome balconies,—reserved seats, as it were,—on which the tenants sat and enjoyed it.
A band in gorgeous uniforms played three whole days in the yard, and the men in their holiday clothes stepped up, bowed, and crossed themselves, and laid their gifts on the plate which St. Rocco's namesake, the saloon-keeper in the block, who had got up the celebration, had put there for them. In the evening they set off great strings of fire-crackers in the street in the saint's honor, until the police interfered once and forbade that. Those were great days for Paolo always.
But the fun Paolo loved best of all was when he could get in a corner by himself, with no one to disturb him, and build castles and things out of some abandoned clay or mortar, or wet sand if there was nothing better. The plastic material took strange shapes of beauty under his hands. It was as if life had been somehow breathed into it by his touch, and it ordered itself as none of the other boys could make it. His fingers were tipped with genius, but he did not know it, for his work was only for the hour. He destroyed it as soon as it was made, to try for something better. What he had made never satisfied him—one of the surest proofs that he was capable of great things, had he only known it. But, as I said, he did not.
The teacher from the Industrial School came upon him one day, sitting in the corner by himself, and breathing life into the mud. She stood and watched him awhile, unseen, getting interested, almost excited, as he worked on. As for Paolo, he was solving the problem that had eluded him so long, and had eyes or thought for nothing else. As his fingers ran over the soft clay, the needle, the hard bench, the pants, even the sweater himself, vanished out of his sight, out of his life, and he thought only of the beautiful things he was fashioning to express the longing in his soul, which nothing mortal could shape. Then, suddenly, seeing and despairing, he dashed it to pieces, and came back to earth and to the tenement.
But not to the pants and the sweater. What the teacher had seen that day had set her to thinking, and her visit resulted in a great change for Paolo. She called at night and had a long talk with his mother and uncle through the medium of the priest, who interpreted when they got to a hard place. Uncle Pasquale took but little part in the conversation. He sat by and nodded most of the time, assured by the presence of the priest that it was all right. The widow cried a good deal, and went more than once to take a look at the boy, lying snugly tucked in his bed in the inner room, quite unconscious of the weighty matters that were being decided concerning him. She came back the last time drying her eyes, and laid both her hands in the hand of the teacher. She nodded twice and smiled through her tears, and the bargain was made. Paolo's slavery was at an end.
His friend came the next day and took him away, dressed up in his best clothes, to a large school where there were many children, not of his own people, and where he was received kindly. There dawned that day a new life for Paolo, for in the afternoon trays of modelling-clay were brought in, and the children were told to mould in it objects that were set before them. Paolo's teacher stood by, and nodded approvingly as his little fingers played so deftly with the clay, his face all lighted up with joy at this strange kind of a school-lesson.
After that he had a new and faithful friend, and, as he worked away, putting his whole young soul into the tasks that filled it with radiant hope, other friends, rich and powerful, found him out in his slum. They brought better-paying work for his mother than sewing pants for the sweater, and Uncle Pasquale abandoned