Notes of a Son and Brother. Генри Джеймс

or with such inward assurance, dispensed with any suggestion of an alternative. What we were to do instead was just to be something, something unconnected with specific doing, something free and uncommitted, something finer in short than being that, whatever it was, might consist of. The "career of art" has again and again been deprecated and denounced, on the lips of anxiety or authority, as a departure from the career of business, of industry and respectability, the so-called regular life, but it was perhaps never elsewhere to know dissuasion on the very ground of its failing to uplift the spirit in the ways it most pretends to. I must in fairness add, however, that if the uneasiness I here refer to continued, and quite by exception as compared with the development of other like episodes, during the whole of my brother's fortunately but little prolonged studio season, it was really because more alternatives swarmed before our parent's eyes, in the cause, than he could bring himself to simplify it by naming. He apprehended ever so deeply and tenderly his eldest son's other genius—as to which he was to be so justified; though this indeed was not to alter the fact that when afterwards that subject went in, by a wondrous reaction, for the pursuit of science, first of chemistry and then of anatomy and physiology and medicine, with psychology and philosophy at last piling up the record, the rich malaise at every turn characteristically betrayed itself, each of these surrenders being, by the measure of them in the parental imagination, so comparatively narrowing. That was the nearest approach to any plea for some other application of the spirit—that they were narrowing. When I myself, later on, began to "write" it was breathed upon me with the finest bewildering eloquence, with a power of suggestion in truth which I fairly now count it a gain to have felt play over me, that this too was narrowing. On the subsequent history of which high paradox no better comment could occur to me than my find of a passage in a letter long subsequently addressed to Mr. James T. Fields, then proprietor and editor of the Atlantic Monthly magazine—a letter under date of May 1868 and referring clearly to some published remarks on a certain young writer which did violence to the blessedly quick paternal prejudice.

      I had no sooner left your sanctum yesterday than I was afflicted to remember how I had profaned it by my unmeasured talk about poor H. Please forget it utterly. I don't know how it is with better men, but the parental sentiment is so fiendish a thing with me that if anyone attempt to slay my young, especially in a clandestine way, or out of a pious regard (e.g.) to the welfare of the souls comprised in the diocese of the Atlantic, I can't help devoting him bag and baggage to the infernal gods. I am not aware of my animus until I catch, as yesterday, a courteous ear; then the unholy fire flames forth at such a rate as to leave me no doubt on reflection where it was originally lighted.

      Almost all my dear father is there, making the faded page to-day inexpressibly touching to me; his passionate tenderness, his infinite capacity for reaction on reaction, a force in him fruitful in so many more directions than any high smoothness of parti-pris could be, and his beautiful fresh individual utterance, always so stamped with the very whole of him. The few lines make for me, after all the years, a sort of silver key, so exquisitely fitting, to the treasure of living intercourse, of a domestic air quickened and infinitely coloured, comprised in all our younger time. The renewed sense of which, however, has carried me for the moment too far from the straighter line of my narrative.

      The author of the young letter of which I have deferred presentation met in Paris, shortly after that date, the other party to the discussion; and the impression of the endless day of our journey, my elder and my younger brothers' and mine, from Bonn to that city, has scarcely faded from me. The railway service was so little then what it has become that I even marvel at our having made our connections between our early rise in the Bonn-Gasse and our midnight tumble into bed at the Hôtel des Trois Empereurs in the Place du Palais Royal; a still-felt rapture, a revelation of the Parisian idea of bed after the rude German conception, our sore discipline for so many weeks. I remember Cologne and its cathedral almost in the bland dawn, and our fresh start thence for Strasbourg, now clearly recognised, alas, as a start back to America, to which it had been of a sudden settled that we were, still with a fine inconsequence, to return. We had seen Cologne cathedral by excursion from Bonn, but we saw Strasbourg, to my sorrow until a far later occasion soothed it, only as a mild monster behind bars, that is above chimneys, housetops and fortifications; a loss not made up to me by other impressions or particulars, vivid and significant as I found myself none the less supposing several of these. Those were the September days in which French society, so far as it was of the Empire at least, moved more or less in its mass upon Homburg and Baden-Baden; and we met it in expressive samples, and in advance and retreat, during our incessant stops, those long-time old stops, unknown to the modern age, when everyone appeared to alight and walk about with the animation of prisoners suddenly pardoned, and ask for conveniences, and clamour for food, and get mixed with the always apparently still dustier people of opposite trains drawn up for the same purposes. We appeared to be concerned with none but first-class carriages, as an effect of which our own was partly occupied, the livelong day, by the gens of a noble French house as to which we thus had frequent revelations—a pair of footmen and a lady's maid, types of servile impudence taking its ease, who chattered by the hour for our wonderstruck ears, treating them to their first echo of the strange underworld, the sustaining vulgarity, of existences classified as "great." They opened vistas, and I remember how when, much later, I came to consider the designed picture, first in Edmond About and then in Alphonse Daudet, of fifty features symptomatic of the social pace at which the glittering régime hurried to its end, there came back to me the breath of this sidewind of the frenzied dance that we had caught during those numerous and so far from edifying hours in our fine old deep-seated compartment. The impression, I now at any rate perfectly recover, was one that could feed full enough any optimism of the appointedly modest condition. It was true that Madame la Marquise, who was young and good-natured and pretty without beauty, and unmistakably "great," exhaling from afar, as I encouraged myself to imagine, the scented air of the Tuileries, came on occasion and looked in on us and smiled, and even pouted, through her elegant patience; so that she at least, I recollect, caused to swim before me somehow such a view of happy privilege at the highest pitch as made me sigh the more sharply, even if the less professedly, for our turning our backs on the complex order, the European, fresh to me still, in which contrasts flared and flourished and through which discrimination could unexhaustedly riot—pointing so many more morals, withal, if that was the benefit it was supposed to be, than we should find pretexts for "on the other side." We were to fall as soon as we were at home again to reading the Revue des Deux Mondes—though doubtless again I should speak here, with any emphasis, but for myself; my chin, in Europe, had scarce risen to the level of that publication; but at Newport in Rhode Island, our next following place of sojourn, I speedily shot up so as quite to bend down to it: it took its place therewith as the very headspring of culture, a mainstay in exile, and as opening wide in especial the doors of that fictive portrayal of a society which put a price, for the brooding young reader, on cases, on cadres, in the Revue parlance, already constituted and propitiously lighted. Then it was that the special tension of the dragged-out day from Cologne to Paris proved, on the absurdest scale, a preparation, justified itself as a vivid point of reference: I was to know what the high periodical meant when I encountered in its études de mœurs the blue-chinned corruptible, not to say corrupt, larbin and the smart soubrette; it was above all a blessing to feel myself, in the perusal of M. Octave Feuillet, an education, as I supposed, of the taste, not at a marked disadvantage; since who but the Petite Comtesse herself had swung her crinoline in and out of my prospect, or, to put it better, of my preserved past, on one of my occasions of acutest receptivity?

      The truth was that acute, that quite desperate receptivity set in for me, under a law of its own—may really be described as having quite raged for me—from the moment our general face, by the restless parental decree (born not a little of parental homesickness and reinforced by a theory of that complaint on our own part, we having somehow in Europe "no companions," none but mere parents themselves), had been turned again to the quarter in which there would assuredly be welcomes and freedoms and unchecked appropriations, not to say also cousins, of both sexes and of a more and more engaging time of life, cousins kept and tended and adorned for us in our absence, together with the solicitation for our favour of possible, though oh so just barely possible, habitats before which the range of Europe paled; but which, nevertheless, to my aching fancy, meant premature abdication, sacrifice and, in one dreadful