Hope for a season bade the world farewell,
And Freedom shriek’d when Kosciusko fell.
Mr. Rogers, reminded, perhaps, of a grievance by the presence at the breakfast table of Dr. Milman, seemed to brood over an injustice that he thought had been done him with reference to the late poet. When Campbell, under the pressure of some pecuniary difficulty, complained of the scanty rewards of literature, and especially of poetry, Mr. Rogers was reported to have recommended him to endeavor to procure employment as a clerk. This was thought to be very unfeeling; but on this occasion Mr. Rogers explained to the whole company that he had been misunderstood, and that he had not meant any unkindness. “I myself,” he said, “was a clerk in my early days, and never had to depend upon poetry for my bread; and I only suggested that in Mr. Campbell’s ‘case,’ and in that of every other literary man, it would be much better if the writing of poetry were an amusement only and not a business.”
“No doubt,” said Mr. Dyce, “but men of genius are not always the masters of their own youth, and cannot invariably choose their careers or make choice of a profession which requires means and time to qualify for it. You, for instance, Mr. Rogers, when a clerk, were clerk to your father, and qualified yourself under his auspices for partnership in, or succession to the management of, his prosperous bank. Mr. Campbell had no such chances.”
“It is a large question,” said Dr. Milman. “The love of literature in a man of genius, rich or poor – especially if poor, is an all-absorbing passion; and shapes his life, regret it as we may. Literature has rewards more pleasant than those of money, pleasant though money undoubtedly is. If money were to be the ‘be-all’ and ‘end-all’ of life, it would be better to be a rich cheesemonger or butcher than a poor author. But no high-spirited, intelligent, and ambitious youth could be of this opinion and shape his life by it. Sensitive youths drift into poetry, as prosaic and adventurous youths drift into the army or the navy.”
“The more’s the pity,” replied Mr. Rogers, “as by drifting into poetry they too often drift into poverty and misery. I trust, however, you will all understand that the idle and the malevolent gossips did, and do me, gross unjustice when they say that I recommended Campbell to accept a clerkship rather than continue to rely upon poetry. I never thought of doing so. I merely expressed a general wish that every man of genius, not born to wealth, should have a profession to rely upon for his daily bread.”
“A wish that all men would agree in,” said Mr. Dyce, “and that after all had no particular or exclusive reference to Mr. Campbell. He did not find the literature which he adorned utterly unprofitable. He made money by his poetry and by his literary labor generally, besides gaining a pension of three hundred pounds per annum on the Civil List, and the society of all the most eminent men of his time, which he could not have done as a cheesemonger or a butcher, however successful he might have become in these pursuits.”
“These are all truisms,” said Mr. Rogers, somewhat sharply, as if annoyed. “What I complain of is that the world, the very ill-natured world, should have spread abroad the ridiculous story that I recommended Mr. Campbell, in his declining years, to apply for a clerkship.”
“I think no one believes that you did so,” said Dr. Milman, “or that you could have done so. Your sympathy with men of letters is well known and has been proved too often, not by mere words only, but by generous deeds, for such a story to obtain credence.”
“Falsehoods,” replied Mr. Rogers, still with a tone of bitterness, “are not cripples. They run fast, and have more legs than a centipede. I saw it stated in print the other day that I depreciate Shakespeare and think him to have been over-rated. I know of no other foundation for the libel than that I once quoted the opinion expressed of him by Ben Jonson, his dearest friend and greatest admirer. Though Ben Jonson called Shakespeare ‘the Swan of Avon,’
Soul of the age,
The applause, delight, and wonder of the stage,
and affirmed that:
He was not for an age, but for all Time,
he did not hesitate to express the wish, in answer to one who boasted that Shakespeare had never blotted a line, ‘would to Heaven he had blotted a thousand.’ Ben Jonson saw the spots on the glorious face of the sun of Shakespeare’s genius, and was not accused of desecrating his memory because he did so; but because I quoted that very saying and approved of it, I have been accused of an act of treason against the majesty of the great poet. Surely my offence was no greater than that of Ben Jonson! If there were treason in the thought, it was treason that I shared with him who had said he loved Shakespeare with as much love as was possible to feel on this side of idolatry.”
“I think,” remarked Dr. Milman, “that such apparently malevolent repetitions of a person’s remarks are the results of careless ignorance or easy-going stupidity, rather than of positive ill-nature or a wilful perversion of the truth.”
“It is very curious,” said Mr. Dyce, “how very few people can repeat correctly what they hear, and that nine people out of ten cannot repeat a joke without missing the point or the spirit of it.”
“And what a widely prevalent tendency there is to exaggerate, especially in numbers. If some people see a hundred of anything, they commonly represent the hundred as a thousand and the thousand as ten thousand.”
“Not alone in numbers,” interposed Mr. Rogers, “but in anything. If I quoted Ben Jonson’s remark in relation to Shakespeare once only, the rumor spreads that I quoted it frequently; and so the gossip passes from mouth to mouth with continual accretion. Perhaps I shall go down to posterity as an habitual reviler and depreciator of Shakespeare.”
“Perhaps you won’t go down to posterity at all,” said Mr. Dyce, good-naturedly.
“Perhaps not,” replied Mr. Rogers, “but if my name should happen to reach that uncertain destination I trust I may be remembered, as Ben Jonson is, as a true lover of Shakespeare. But great as Shakespeare is, I don’t think that our admiration should ever be allowed to degenerate into slavish adoration. We ought neither to make a god of him nor a fetish. And I ask you, Mr. Dyce, as a diligent student of his works and an industrious commentator upon them, whether you do not think that very many passages in them are unworthy of his genius. If Homer nods, why not Shakespeare?”
“I grant all that,” replied Mr. Dyce, “nay more! I assert that many of the plays attributed to him were not written by him at all. And more even than that. Several of his plays were published surreptitiously, and without his consent, and never received his final corrections or any revision whatever. The faults and obscurities that are discoverable even in the masterpieces of his genius, were not due to him at all, but to ignorant and piratical booksellers, who gave them to the world without his authority, and traded upon his name. Some also must be attributed to the shorthand writers who took down the dialogue as repeated by the actors on the stage. It is curious to reflect how indifferent Shakespeare was to his dramatic fame. He never seems to have cared for his plays at all, and to have looked at them, to use the slang of the artists of our days, as mere ‘pot-boilers,’ compositions that brought him in money, and enabled him to pay his way, but in which he took no personal pride whatever.”
“His heart was in his two early poems – ‘Venus and Adonis,’ and the ‘Rape of Lucrece,’” said Dr. Milman, “the only