His young lawyer friends called him 'Colonel Grogg,' a sobriquet not difficult to interpret on one of the hints just given, and 'Duns Scotus,' which concerns the other; while yet a third characteristic, which can surprise nobody, is indicated in the famous introduction of him to a boisterous party of midshipmen of the Marryat type by James Clerk, the brother of Darsie Latimer, who kept a yacht, and was fond of the sea: 'You may take Mr. Scott for a poor lamiter, gentlemen, but he is the first to begin a row and the last to end it.'
It appears that it was from a time somewhat before the call that the beginning of Scott's famous, his unfortunate, and (it has been the fashion, rightly or wrongly, to add) his only love affair dates. Some persons have taken the trouble to piece together and eke out the references to 'Green Mantle,' otherwise Miss Stuart of Belches, later Lady Forbes. It is better to respect Scott's own reticence on a subject of which very little is really known, and of which he, like most gentlemen, preferred to say little or nothing. The affection appears to have been mutual; but the lady was probably not very eager to incur family displeasure by making a match decidedly below her in rank, and, at that time, distinctly imprudent in point of fortune. But the courtship, such as it was, appears to have been long, and the effects of the loss indelible. Scott speaks of his heart as 'handsomely pieced' – 'pieced,' it may be observed, not 'healed.' A healed wound sometimes does not show; a pieced garment or article of furniture reminds us of the piecing till the day when it goes to fire or dustbin. But it has been supposed, with some reason, that those heroines of Scott's who show most touch of personal sympathy – Catherine Seyton, Die Vernon, Lilias Redgauntlet – bear features, physical or mental or both, of this Astarte, this
'Lost woman of his youth, yet unpossessed.'
And no one can read the Diary without perceiving the strange bitter-sweet, at the moment of his greatest calamity, of the fact that Sir William Forbes, who rendered him invaluable service at his greatest need, was his successful rival thirty years before, and the widower of 'Green Mantle.'
This affair came to an end in October 1796; and it may astonish some wise people, accustomed to regard Scott as a rather humdrum and prosaic person, who escaped the scandals so often associated with the memory of men of letters from sheer want of temptation, to hear that one of his most intimate friends of his own age at the time 'shuddered at the violence of his most irritable and ungovernable mind.' There is no reason to doubt the fidelity of this description. And those who know something of human nature will be disposed to assign the disappearance of the irritableness and ungovernableness precisely to this incident, and to the working of a strong mind, confronted by fate with the question whether it was to be the victim or the master of its own passions, fighting out the battle once for all, and thenceforward keeping its house armed against them, it may be with some loss, but certainly with much gain.
It has been said that he states (with a touch of irony, no doubt) that his heart was 'handsomely pieced'; and it is not against the theory hinted in the foregoing paragraph, but, on the contrary, in favour of it, that the piecing did not take long. In exactly a year Scott became engaged to Miss Charlotte Margaret Carpenter or Charpentier,4 and they were married on Christmas Eve, 1797, at St. Mary's, Carlisle. They had met at Gilsland Spa in the previous July, and the courtship had not taken very long. The lady was of French extraction, had an only brother in the service of the East India Company, and, being an orphan, was the ward of the Marquis of Downshire, – circumstances on which gossips like Hogg made impertinent remarks. It is fair, however, to 'the Shepherd' to say that he speaks enthusiastically both of Mrs. Scott's appearance ('one of the most beautiful and handsome creatures I ever saw in my life'; 'a perfect beauty') and of her character ('she is cradled in my remembrance, and ever shall be, as a sweet, kind, and affectionate creature').5 She was very dark, small, with hair which the Shepherd calls black, Lockhart dark brown; her features not regular, but her complexion, figure, and so forth 'unusually attractive.' Not very much is said about her in any of the authentic accounts, and traditional tittle-tattle may be neglected. She does not seem to have been extremely wise, and was entirely unliterary; but neither of these defects is a causa redhibitionis in marriage; and she was certainly a faithful and affectionate wife. At any rate, Scott made no complaints, if he had any to make, and nearly the most touching passage in the Diary is that written after her death.
The minor incidents, not literary, of his life, between his call to the Bar and his marriage, require a little notice, for they had a very great influence on the character of his future work. His success at the Bar was moderate, but his fees increased steadily if slowly. He defended (unsuccessfully) a Galloway minister who was accused among other counts of 'toying with a sweetie-wife,' and it is interesting to find in his defence some casuistry about ebrius and ebriosus, which reminds one of the Baron of Bradwardine. He took part victoriously in a series of battles with sticks, between Loyalist advocates and writers and Irish Jacobin medical students, in the pit of the Edinburgh theatre during April 1794. In June 1795 he became a curator of the Advocates' Library, and a year later engaged (of course on the loyal side) in another great political 'row,' this time in the streets.
Above all, in the spring and summer between the loss of his love and his marriage, he engaged eagerly in volunteering, becoming quartermaster, paymaster, secretary, and captain in the Edinburgh Light Horse – an occupation which has left at least as much impression on his work as Gibbon's equally famous connection with the Hampshire Militia on his. His friendships continued and multiplied; and he began with the sisters of some of his friends, especially Miss Cranstoun (his chief confidante in the 'Green Mantle' business) and Miss Erskine, the first, or the first known to us, of those interesting correspondences with ladies which show him perhaps at his very best. For in them he plays neither jack-pudding, nor coxcomb, nor sentimentalist, nor any of the involuntary counterparts which men in such cases are too apt to play; and they form not the least of his titles to the great name of gentleman.
But by far the most important contribution of these six or seven years to his 'making' was the further acquaintance with the scenery, and customs, and traditions, and dialects, and local history of his own country, which his greater independence, enlarged circle of friends, and somewhat increased means enabled him to acquire. It is quite true that to a man with his gifts any microcosm will do for a macrocosm in miniature. I have heard in conversation (I forget whether it is in any of the books) that he picked up the word 'whomled' (= 'bucketed over' – 'turned like a tub'), which adds so much to the description of the nautical misfortune of Claud Halcro and Triptolemus in The Pirate, by overhearing it from a scold in the Grassmarket. But still the enlarged experience could not but be of the utmost value. It was during these years that he saw Glamis Castle in its unspoiled state, during these that, in connection with the case of the unfortunate but rather happily named devotee of Bacchus and Venus, M'Naught, he explored Galloway, and obtained the decorations and scenery, if not the story, of Guy Mannering. He also repeated his visits to the English side of the Border, not merely on the occasion during which he met Miss Carpenter, but earlier, in a second excursion to Northumberland.
But, above all, these were the years of his famous 'raids' into Liddesdale, then one of the most inaccessible districts of Scotland, under the guidance of Mr. Shortreed of Jedburgh – raids which completed the information for Guy Mannering, which gave him much of the material for the Minstrelsy, and the history of which has, I think, delighted every one of his readers and biographers, except one or two who have been scandalised at the exquisite story of the Arrival of the Keg.6 Of these let us not speak, but, regarding them with a tender pity not unmixed with wonder, pass to the beginnings of his actual literary life and to the history of his early married years. The literature a little preceded the life; but the life certainly determined the growth