Sir Walter Scott. Saintsbury George

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      1

      His friend Shortreed's well-known expression for the results of the later Liddesdale 'raids.'

      2

      See General Preface to the Novels, or Lockhart, i. 136.

      3

      He attributes to Lady Balcarres the credit of being his earliest patroness,

1

His friend Shortreed's well-known expression for the results of the later Liddesdale 'raids.'

2

See General Preface to the Novels, or Lockhart, i. 136.

3

He attributes to Lady Balcarres the credit of being his earliest patroness, and of giving him, when a mere shy boy, the run of her drawing-room and of her box at the theatre.

4

He himself, in his entries of his children's births, always gives the order of the names as Margaret Charlotte.

5

The Boar of the Forest seems, not unnaturally, to have had a rather less warm 'cradle' in Lady Scott's feelings. She thought he took liberties; and though he meant no harm, he certainly did.

6

Lockhart, i. 270. I quote, as is usual, the second or ten-volume edition. But, for reading, some may prefer the first, in which the number of the volumes coincides with their real division, which has the memories of the death of Sophia Scott and others connected with its course, and to which the second made fewer positive additions than may be thought. – [It has been pointed out to me in reference to the word 'whomle' on the opposite page that Fergusson has 'whumble' in 'The Rising of the Session.' But if Scott had quoted, would he have altered the spelling? The Grassmarket story, moreover, exactly corresponds to his words, 'as a gudewife would whomle a bowie.']

7

Not many years before, Johnson had denied that it was possible for a working man of letters to earn even six guineas a sheet (the Edinburgh began at ten and proceeded to a minimum of sixteen), 'communibus sheetibus,' as he put it jocularly to Boswell. Southey, in the year of Scott's marriage, seems to have thought about ten shillings (certainly not more) 'not amiss' for a morning's work in reviewing.

8

For an interesting passage showing how slow contemporary ears were to admit this, see Southey's excellent defence of his own practice to Wynn (Letters, i. 69).

9

His attempts at the kind may best be despatched in a note here. Their want of merit contrasts strangely with the admirable quality of the 'Old Play' fragments scattered about the novels. Halidon Hill (1822), in the subject of which Scott had an ancestral interest from his Swinton blood, reminds one much more of Joanna Baillie than of its author. Macduff's Cross (1823), a very brief thing, is still more like Joanna, was dedicated to her, and appeared in a miscellany which she edited for a charitable purpose. The Doom of Devorgoil, written for Terry in the first 'cramp' attack of 1817, but not published till 1830, has a fine supernatural subject, but hardly any other merit. Auchindrane, the last, is by far the best.

10

It is quite possible that Mrs. Brown's illiterate authority, or one of his predecessors in title, took 'fee' in the third sense of 'cattle.'

11

He wrote for his corps the 'War Song of the Edinburgh Light Dragoons,' which appeared in the Scots Magazine for 1802, but was written earlier. It is good, but not so good as it would have been a few years later.

12

It is fair to him to say that he made no public complaints, and that when some gutter-scribbler in 1810 made charges of plagiarism from him against Scott, he furnished Southey with the means of clearing him from all share in the matter (Lockhart, iii. 293; Southey's Life and Correspondence, iii. 291). But there is a suspicion of fretfulness even in the Preface to Christabel; and the references to Scott's poetry (not to himself) in the Table Talk, etc., are almost uniformly disparaging. It is true that these last are not strictly evidence.