The Girls' Book of Famous Queens. Farmer Lydia Hoyt. Читать онлайн. Newlib. NEWLIB.NET

Автор: Farmer Lydia Hoyt
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how describe the matchless vision of womanly and goddess-like perfection which entranced the eyes of all beholders, as the gorgeous barge drew nearer to the city, moving with stately gliding motion, harmonious with the ear-enchanting melodies played by seeming sirens, nymphs, and mermaids, on silver lutes and jewelled flutes and shining cymbals.

      Under a pavilion of cloth of gold and priceless tissues, upon a couch, gorgeous with costliest draperies, in picturesque repose, yet studied attitude of queenliest grace and goddess-like abandon, appeared a form and face most radiantly fair and bountifully beautiful; though orientally voluptuous yet exquisitely attractive; seemingly divine, like some heavenly goddess; and yet, in truth, so like a human woman, with warm, soft flesh and tender eyes, and deep, rich heart’s blood thrilling through every vein, e’en to the end of her fair, tapering finger-tips. This radiant being was attired as Venus, Goddess of Beauty; and around her stood young pretty boys, decked out as Cupids, rosy-tinted, and with soft white wings expanded; and they gently fanned her glowing cheeks with feathers, odorous with most intoxicating perfumes; while lovely maidens, costumed as mermaids, plied the silver oars in unison with the notes struck from the lyres of gayly decorated nymphs; while charming muses and bewitching graces with rosy lips caressed the silver flutes, or clasped with jewelled fingers the golden cymbals.

      It was indeed a vision of enchantment. Whence came these radiant beings? Had the great goddess, in truth, descended from high Olympus, attended by her heavenly train? or did fair Isis, the queen of Egypt, – worshipped both as deity and nature, – thus clothe herself with mortal likeness, and deign to become visible to mortal eyes?

      Thus questioned the people, and pondered of the meaning of this o’erwhelming scene of gorgeous majesty and irresistible loveliness, according as their beliefs partook of Grecian mythology or Egyptian lore.

      Such was the scene of Cleopatra’s sail in her magnificent barge, up the river Cydnus to the city of Tarsus. That we may understand more clearly the life of this famous queen, we must turn back the pages of Egyptian history. Nor can we stop there. To clearly define her origin, the fair land of Greece must also be visited; and the gorgeous pageants of Rome, at the time of her greatest glory, have a place in the story of this illustrious Queen of Egypt, Daughter of Greece, Magic Sorceress of the Nile.

      Would that we could think of the fascinating Cleopatra only as this vision of perfect loveliness which she presents in this enchanting scene upon the river Cydnus; but there are dark and bloody deeds and savage barbarities and revolting vices, which loom up in the background of this fair picture, with huge and horrid forms, and make the telling of Cleopatra’s story, fascinating as it is in some respects, often an unpleasant recital of vice and crime, even though we endeavor to touch these dark shadows ever so lightly. For as we write of history, not of fiction, we cannot always avoid these hideous facts.

      Why is Cleopatra so fair of skin, though an Egyptian by birth? Her attendant maidens on this fairy-like barge stand round her like dusky figures cut from bronze; but her fair face and limbs gleam with pale ivory-tints, and the sunshine even glimmers in her dark tresses, now coiled in the Grecian knot behind her shell-like ears.

      Though Egypt was her birthplace, Grecian blood flows through her veins, and whitens her skin, and lightens the dusky shadows in her hair, and gives the brown shadings to her lustrous eyes; and Grecian culture gives her voice its oft-narrated magic charm of melting sweetness; and a spark of Grecian genius quickens her powers of mind, and gives her the enchanting fascination of brilliant wit, and a native aptitude of acquiring knowledge, and all the polite arts and sciences; and her Grecian free-born grace lends to her form its perfect pose of queenly stateliness, together with an irresistible charm in every easy motion of rounded limb, and unstudied naturalness of action. The agile litheness of the Greek is combined with the oriental voluptuous indolence of the Egyptian; which combination explains the otherwise unaccountable, weird, and subtle allurements of face and form which history, romance, and poetry have acceded to her. Shakespeare calls her “the serpent of old Nile,” “this great fairy,” “great Egypt”; and Horace gives to her the name of “fatal prodigy.” Leigh Hunt describes her as

      “.. That southern beam,

      The laughing queen that caught the world’s great hands.”

      Another writer says of her: “She was born a princess, reigned a queen, won an emperor, swayed a hero, and defeated a conqueror. We think of her as the queen of enslavers more than as queen of Egypt. Cleopatra is enthroned enchantress of the world. She, of all her sex, in her person, gave to the unworthy art of coquetry a something magnificent and lustrous in its so potent exercise. Hers was the poetry of coquetry.”

      Even the scene of Cleopatra in her gorgeous barge upon the river Cydnus does not give a complete picture of this wonderful story. In the background we must paint the Mediterranean Sea, which she has crossed in her journey thither; and then beyond looms up the city of Alexandria, on the further side; and by it flows the marvellous river Nile, through the fertile valley irrigated yearly by its overflowing waters; and high in the background, towering over all else in the picture, stand the majestic pyramids, like huge sentinels, guarding the unknown secrets of Egypt’s wondrous history.

      Yes, to rightly comprehend the significance of the life of the famous Cleopatra, a panorama of changing scenes, covering centuries of time, would be needed. But we can only take a bird’s-eye view of those old lands of weird and endless enchantment.

      “Cleopatra was by birth an Egyptian; by ancestry and descent she was a Greek. Thus, while Alexandria and the delta of the Nile formed the scene of the most important events and incidents of her history, it was the blood of Macedon which flowed in her veins. Her character and action are marked by the genius, the courage, the originality, and the impulsiveness pertaining to the stock from which she sprang. The events of her history, on the other hand, and the peculiar character of her adventures, her sufferings, and her sins, were determined by the circumstances by which she was surrounded, and the influences which were brought to bear upon her, in the soft and voluptuous clime where the scenes of her early life were laid.”

      Let us look for one moment at Egypt as a country, and then take a passing glance at the peculiar characteristics and customs of that ancient people.

      Egypt is situated in the midst of the most extensive and remarkable rainless district in the world. The Red Sea divides this tract, and the eastern portion forms the Arabian desert, while the western African tract has received the name of Sahara. Through the African desert flows the Nile; rising in the region of the Mountains of the Moon, and flowing northward, it empties into the Mediterranean Sea. These mountains, being near the equator, are subject to vast and continued torrents of rain in certain seasons of the year. The river created by these streams is the Nile, which at times expands over the entire valley, forming an immense lake, five to ten miles wide and a thousand miles long. The rains in the mountains gradually cease, but it requires months for the water to subside and leave the valley dry. As soon as the water disappears, a rank and luxurious vegetation springs up from the entire surface of the earth which has been submerged. This most extraordinary valley seems specially preserved by nature for man. The yearly inundation prevents impassable forests, and also the presence of wild beasts. Egypt being thus wholly shut in by deserts on every side, by land, and shoals, and sandbars, making the approach difficult by sea, remained for many ages under the rule of its ancient kings. The people were peaceful and industrious, and its scholars were famed throughout the world for their learning, science, and philosophy.

      It was during this period of isolation that the famous pyramids were built, and the huge monoliths were carved, and the silent Sphinx was reared, and those vast temples constructed whose ruined columns are now the wonder of mankind.

      As Egypt was always fertile, when famine existed elsewhere, corn would be plentiful there. Thus neighboring tribes from Arabia, Palestine, and Syria, when driven by want and starvation, crossed the barren deserts on the eastern side, and found this fertile and marvellous country, already old in learning and the arts, and a certain kind of civilization far superior to their neighbors.

      At length the Persian monarchs conquered the country. About two hundred and seventy years before the time of Cleopatra, Alexander the Great, in his wars with Darius, had taken possession of Egypt; and at his death, in the division