But sometimes, when she was alone with her husband, Anna would suddenly cling to him in silence. She would hide her face against his hard shoulder clinging closer and closer, as though she were frightened, as though she were afraid for this great love of theirs. He would stand very still, forbearing to move, forbearing to question, for why should he question? He knew already, and she knew that he knew. Yet neither of them spoke it, this most unhappy thing, and their silence spread round them like a poisonous miasma. The spectre that was Stephen would seem to be watching, and Sir Philip would gently release himself from Anna, while she, looking up, would see his tired eyes, not angry any more, only very unhappy. She would think that those eyes were pleading, beseeching; she would think: ‘He’s pleading with me for Stephen.’ Then her own eyes would fill with tears of contrition, and that night she would kneel long in prayer to her Maker:
‘Give me peace,’ she would entreat, ‘and enlighten my spirit, so that I may learn how to love my own child.’
2
Sir Philip looked older now than his age, and seeing this, Anna could scarcely endure it. Everything in her cried out in rebellion so that she wanted to thrust back the years, to hold them at bay with her own weak body. Had the years been an army of naked swords she would gladly have held them at bay with her body. He would constantly now remain in his study right into the early hours of the morning. This habit of his had been growing on him lately, and Anna, waking to find herself alone, and feeling uneasy would steal down to listen. Backwards and forwards, backwards and forwards! She would hear his desolate sounding footsteps. Why was he pacing backwards and forwards, and why was she always afraid to ask him? Why was the hand she stretched out to the door always fearful when it came to turning the handle? Oh, but it was strong, this thing that stood between them, strong with the strength of their united bodies. It had drawn its own life from their youth, their passion, from the splendid and purposeful meaning of their passion—that was how it had leapt full of power into life, and now it had thrust in between them. They were ageing, they had little left but their loving—that gentler loving, perhaps the more perfect—and their faith in each other, which was part of that loving, and their peace, which was part of the peace of Morton. Backwards and forwards, backwards and forwards! Those incessant and desolate sounding footsteps. Peace? There was surely no peace in that study, but rather some affliction, menacing, prophetic! Yet prophetic of what? She dared not ask him, she dared not so much as turn the door-handle, a haunting premonition of disaster would make her creep away with her question unasked.
Then something would draw her, not back to her bedroom, but on up the stairs to the room of their daughter. She would open that door very gently—by inches. She would hold her hand so that it shaded the candle, and would stand looking down at the sleeping Stephen as she and her husband had done long ago. But now there would be no little child to look down on, no small helplessness to arouse mother-pity. Stephen would be lying very straight, very large, very long, underneath the neatly drawn covers. Quite often an arm would be outside the bedspread, the sleeve having fallen away as it lay there, and that arm would look firm and strong and possessive, and so would the face by the light of the candle. She slept deeply. Her breathing would be even and placid. Her body would be drinking in its fill of refreshment. It would rise up clean and refreshed in the morning; it would eat, speak, move—it would move about Morton. In the stables, in the gardens, in the neighbouring paddocks, in the study—it would move about Morton. Intolerable dispensation of nature, Anna would stare at that splendid young body, and would feel, as she did so, that she looked on a stranger. She would scourge her heart and her anxious spirit with memories drawn from this stranger’s beginnings: ‘Little—you were so very little!’ she would whisper, ‘and you sucked from my breast because you were hungry—little and always so terribly hungry—a good baby though, a contented little baby—’
And Stephen would sometimes stir in her sleep as though she were vaguely conscious of Anna. It would pass and she would lie quiet again, breathing in those deep, placid draughts of refreshment. Then Anna, still ruthlessly scourging her heart and her anxious spirit, would stoop and kiss Stephen, but lightly and very quickly on the forehead, so that the girl should not be awakened. So that the girl should not wake and kiss back, she would kiss her lightly and quickly on the forehead.
3
The eye of youth is very observant. Youth has its moments and keen intuition, even normal youth—but the intuition of those who stand midway between the sexes, is so ruthless, so poignant, so accurate, so deadly, as to be in the nature of an added scourge; and by such an intuition did Stephen discover that all was not well with her parents.
Their outward existence seemed calm and unruffled; so far nothing had disturbed the outward peace of Morton. But their child saw their hearts with the eyes of the spirit; flesh of their flesh, she had sprung from their hearts, and she knew that those hearts were heavy. They said nothing, but she sensed that some deep, secret trouble was afflicting them both; she could see it in their eyes. In the words that they left unspoken she could hear it—it would be there, filling the small gaps of silence. She thought that she discerned it in her father’s slow movements—surely his movements had grown slower of late? And his hair was quite grey; it was quite grey all over. She realized this with a slight shock one morning as he sat in the sunlight—it had used to look auburn in the nape of his neck when the sun fell upon it—and now it was dull grey all over.
But this mattered little. Even their trouble mattered little in comparison with something more vital, with their love—that, she felt, was the only thing that mattered, and that was the thing that now stood most in danger. This love of theirs had been a great glory; all her life she had lived with it side by side, but never until it appeared to be threatened, did she feel that she had really grasped its true meaning—the serene and beautiful spirit of Morton clothed in flesh, yes, that had been its true meaning. Yet that had been only part of its meaning for her, it had meant something greater than Morton, it had stood for the symbol of perfect fulfilment—she remembered that even as a very small child she had vaguely discerned that perfect fulfilment. This love had been glowing like a great friendly beacon, a thing that was steadfast and very reassuring. All unconscious, she must often have warmed herself at it, must have thawed out her doubts and her vague misgivings. It had always been their love, the one for the other; she knew this, and yet it had been her beacon. But now those flames were no longer steadfast; something had dared to blemish their brightness. She longed to leap up in her youth and strength and cast this thing out of her holy of holies. The fire must not die and leave her in darkness.
And yet she was utterly helpless, and she knew it. All that she did seemed inadequate and childish: ‘When I was a child I spake as a child, I understood as a child, I thought as a child.’ Remembering Saint Paul, she decided grimly that surely she had remained as a child. She could sit and stare at them—these poor, stricken lovers—with eyes that were scared and deeply reproachful: ‘You must not let anything spoil your loving, I need it,’ her eyes could send them that message. She could love them in her turn, possessively, fiercely: ‘You’re mine, mine, mine, the one perfect thing about me. You’re one and you’re mine, I’m frightened, I need you!’ Her thoughts could send them that message. She could start to caress them, awkwardly, shyly, stroking their hands with her strong, bony fingers—first his hand, then hers, then perhaps both together, so that they smiled in spite of their trouble. But she dared not stand up before them accusing, and say: ‘I’m Stephen, I’m you, for you bred