‘Madam,’ the man cried, leaping to the ground, ‘you’re hurt!’
‘I’m dead, sir!’ she replied.
A few minutes later, they became engaged.
The morning after, as they sat at breakfast, he told her his name. It was Marmaduke Bonthrop Shelmerdine, Esquire.
‘I knew it!’ she said, for there was something romantic and chivalrous, passionate, melancholy, yet determined about him which went with the wild, dark-plumed name — a name which had, in her mind, the steel-blue gleam of rooks’ wings, the hoarse laughter of their caws, the snake-like twisting descent of their feathers in a silver pool, and a thousand other things which will be described presently.
‘Mine is Orlando,’ she said. He had guessed it. For if you see a ship in full sail coming with the sun on it proudly sweeping across the Mediterranean from the South Seas, one says at once, ‘Orlando’, he explained.
In fact, though their acquaintance had been so short, they had guessed, as always happens between lovers, everything of any importance about each other in two seconds at the utmost, and it now remained only to fill in such unimportant details as what they were called; where they lived; and whether they were beggars or people of substance. He had a castle in the Hebrides, but it was ruined, he told her. Gannets feasted in the banqueting hall. He had been a soldier and a sailor, and had explored the East. He was on his way now to join his brig at Falmouth, but the wind had fallen and it was only when the gale blew from the South-west that he could put out to sea. Orlando looked hastily from the breakfast-room window at the gilt leopard on the weather vane. Mercifully its tail pointed due east and was steady as a rock. ‘Oh! Shel, don’t leave me!’ she cried. ‘I’m passionately in love with you,’ she said. No sooner had the words left her mouth than an awful suspicion rushed into both their minds simultaneously.
‘You’re a woman, Shel!’ she cried.
‘You’re a man, Orlando!’ he cried.
Never was there such a scene of protestation and demonstration as then took place since the world began. When it was over and they were seated again she asked him, what was this talk of a South-west gale? Where was he bound for?
‘For the Horn,’ he said briefly, and blushed. (For a man had to blush as a woman had, only at rather different things.) It was only by dint of great pressure on her side and the use of much intuition that she gathered that his life was spent in the most desperate and splendid of adventures — which is to voyage round Cape Horn in the teeth of a gale. Masts had been snapped off; sails torn to ribbons (she had to drag the admission from him). Sometimes the ship had sunk, and he had been left the only survivor on a raft with a biscuit.
‘It’s about all a fellow can do nowadays,’ he said sheepishly, and helped himself to great spoonfuls of strawberry jam. The vision which she had thereupon of this boy (for he was little more) sucking peppermints, for which he had a passion, while the masts snapped and the stars reeled and he roared brief orders to cut this adrift, to heave that overboard, brought the tears to her eyes, tears, she noted, of a finer flavour than any she had cried before: ‘I am a woman,’ she thought, ‘a real woman, at last.’ She thanked Bonthrop from the bottom of her heart for having given her this rare and unexpected delight. Had she not been lame in the left foot, she would have sat upon his knee.
‘Shel, my darling,’ she began again, ‘tell me… ’ and so they talked two hours or more, perhaps about Cape Horn, perhaps not, and really it would profit little to write down what they said, for they knew each other so well that they could say anything, which is tantamount to saying nothing, or saying such stupid, prosy things as how to cook an omelette, or where to buy the best boots in London, things which have no lustre taken from their setting, yet are positively of amazing beauty within it. For it has come about, by the wise economy of nature, that our modern spirit can almost dispense with language; the commonest expressions do, since no expressions do; hence the most ordinary conversation is often the most poetic, and the most poetic is precisely that which cannot be written down. For which reasons we leave a great blank here, which must be taken to indicate that the space is filled to repletion.
After some days more of this kind of talk,
‘Orlando, my dearest,’ Shel was beginning, when there was a scuffling outside, and Basket the butler entered with the information that there was a couple of Peelers downstairs with a warrant