The World of Homer. Andrew Lang

Teucer, Pandarus, Paris, and occasionally Meriones, are the bowmen, among the princes, and Paris and Pandarus are taunted for their weak and cowardly missiles; honour was to be won with sword and spear. The Scots archers, in the same way, were always anxious to come to hand-strokes with their sperths, or battle-axes; the Highlanders threw down their muskets, after one discharge, and went in with the claymore; the French never reconciled themselves to the long bow; the Spartans despised it. This was the Homeric sentiment: the bow was scarcely the weapon for a hero. The arrow-heads were of bronze.[13] In Mycenaean graves at Kakovotos (Old Pylos) in Elis, the stone arrow points are of very fine neolithic work.[14] When archery declined yet lower, in historic times, the round or oval parrying buckler, carried on the left arm, came in, as a protection against spears and sword-strokes. This parrying buckler does not appear in Homer: efforts made to discover it are unsuccessful.

      Thus Homer describes a given stage in the art of war: his pictures are not patchworks of "Mycenaean" fighting (about which we know nothing), and of civic Greek fighting in the age of civic heavy-armed foot.

[1] Iliad, iii. iv.

[2] vii. 332–420.

[3] xviii. 175–177.

[4] Ferdiad, in the Old Irish Tain Bo Cualgne, also drags a dead man by his chariot wheels.

[5] R.G.E. p. 118. Ajax, 1031. Euripides, Andromache, 399.

[6] Iliad, vi. 37–65, xi. 122–147.

[7] Iliad, xi. 100, ii. 416.

[8] Ibid. xiii. 439, 440. That the bronze tunic is a softening of the sense by a late interpolator is not very likely, for Homer, we have seen, represents a warrior as cutting off a dead man's hands and head; and if he does not shirk this, if no later hand corrects him, why should he strain at tearing a chiton? Miss Stawell ingeniously remarks that the chiton-tearing is a proof of the prevalent use of corslet? If men fought without corslets, the chiton "must always have been getting torn in the mêlée, whatever the warrior's fate. But the sign would have been unmistakable if the tunic was usually covered by the corslet and could not be torn until that was taken off. … " (Homer and the Iliad, p. 211). But, I fear, Homeric warriors did not come to such close quarters as at Rugby football.

[9] Iliad, xvi. 702, 703.

[10] See "Homeric Tactics."

[11] For details and discussion, see "Homeric Armour and Costume."

[12] Iliad, v. 193–205.

[13] On stone and bronze arrow-heads, see Tsountas and Manatt, p. 209.

[14] Kurt Müller, Alt Pyhs, p. 292. Attische Mitteilungen, 1909. Cf. plate xv.

      CHAPTER VII

      HOMERIC TACTICS

       Table of Contents

      Homer is not a scientific military historian, but a poet. Consequently, in his accounts of pitched battles, he naturally dwells on the prowess of famous individuals in the single combat; the struggle of one hero against a group of assailants; the pursuit and the flight; more than he dwells on the long encounter of marshalled lines before "the break in the battle."

Let us consider the battle in Iliad, xi. The princes begin by giving their chariots to the charioteers, "to hold them in by the fosse, well and orderly," and "themselves as heavy men-at-arms were hastening about."[1] They are then marshalled in order, with the chariots behind them. Meanwhile Hector arrays the Trojans, being now with the front and now with the rear ranks.[2] The fight begins; "equal heads had the battle." The two forces meet like two bands of reapers shearing the corn of a field from either limit, and meeting in the centre.[3] This steady fight of lines of dismounted men-at-arms endures from dawn to midday, till, at noon, comes "the break in the battle," "the Danaans by their valour brake the battalions."[4] Agamemnon, on foot, rushes into the ruined ranks of Troy, and slays many Trojans in their chariots (which they would naturally mount for the sake of speedier flight); there is a pursuit of the broken foe, "footmen kept slaying footmen as they were driven in flight, and horsemen slaying horsemen with the sword"; till the flying Trojans rally at the Scaean gate, while Agamemnon still slays the hindmost fugitives. A flesh-wound irks him, and he "retires hurt." Hector, by command of Zeus, has waited for this moment, and now leads a chariot-charge among the scattered Achaeans. Henceforth there is a series of individual encounters; Odysseus is alone and is surrounded; he fights hard; he calls for aid, and is rescued by Menelaus and Aias. Several Achaean princes are wounded, among others Diomede, Agamemnon, and Odysseus retire to their quarters for rest and surgical aid.

This is not scientific fighting: no general is apart, receiving news of the fight, sending supports where they are needed, husbanding the reserves, and so forth. The leaders actually lead, and their men are discouraged and give ground when the chiefs are put out of action, precisely as in the Highland armies of clans under Dundee or Montrose or Prince Charles, where so much depended on the success of the first onslaught. Homer's men have more faculty for recovering from a severe stroke. The Achaeans, after a long struggle of heavy dismounted men-at-arms, drive the Trojans to the city wall. The Trojans rally, and drive the Achaeans to their own fortifications, where there is a confused mellay at the fosse and under the wall.[5]

Polydamas very properly now advises the chivalry of Troy to dismount and fight on foot (πρυλέες) in dense columns, while their chariots are held stationary by their squires. Hector approves, and the dismounted Trojans form five columns of attack on a fortified position.[6] The Achaeans, scattered and disheartened, are mainly led and helped by the two Aiantes, but Poseidon rallies five or six young heroes of Boeotia, Aetolia, Crete, and Pylos.[7] They are confessedly both wearied and demoralised by the success of Hector in breaking down the gate.[8] They are actually weeping!

But now, encouraged by the god, they form a "schiltrom," a close clump of spears advanced and levelled, underlying and overlying each other.[9] (The spears of defenders and assailants,