Gladys willingly consented, and Susan Romer, remaining pensive in her low cane chair, watched their youthful figures retreating across the sunlit park with a sigh of profound thankfulness addressed vaguely and obscurely to Omnipotence. This was indeed the sort of son-in-law she craved. How much more desirable than that reserved and haughty young Ilminster! Gladys would be, three times over, a fool if she let him escape.
A few minutes later the artist and his girl-friend reached the mill spinney. He helped her over the stream and the black thorn hedge without too much damage to her frock and he was rewarded for his efforts by the thrill of vibrating pleasure with which she plunged her hands among the oozy stalks of those ineffable blue flowers.
“No wonder young Hyacinth was too beautiful to live,” he remarked.
“Shut up,” was the young woman’s reply, as she breathlessly stretched herself along the length of a fallen branch, and endeavoured to reach the damp moist stalks and cool leaves with her forehead and lips.
“How silly it is, having one’s hair done up,” she cried presently, raising herself on her hands from her prone position, and kicking the branch viciously with her foot.
“You’d have liked me with my hair down, Mr. Dangelis,” she continued. “Lying like this,” and she once more embraced the fallen bough, “it would have got mixed up with all those blue-bells and then you would have had something to paint!”
“Bad girl!” cried the artist playfully, switching her lightly with a willow wand from which he had been stripping the bark. “I would have made you do your hair up, tight round your head, years and years ago.”
He offered her his hand and lifted her up. Once in possession of those ardent youthful fingers, he seemed to consider himself justified in retaining them and, as the girl made no sign of dissent, they advanced hand in hand through the thick undergrowth.
The place was indeed a little epitome of the season’s prolific growth. Above and about them, elder-bushes and hazels met in entangled profusion; while at their feet the marshy soil was covered with a mass of moss and cool-rooted leafy plants. Golden-green burdocks grew there, and dark dog-mercury; while mixed with aromatic water-mint and ground ivy, crowds of sturdy red campions lifted up their rose-coloured heads. The undergrowth was so thick, and the roots of the willows and alders so betraying, that over and over again he had to make a path for her, and hold back with his hand some threatening withy-switch or prickly thorn branch, that appeared likely to invade her face or body.
The indescribable charm of the hour, as the broken sunlight, almost horizontal now, threw red patches, like the blood of wounded satyrs, upon tree-trunks and mossy stumps, and made the little marsh-pools gleam as if filled with fairy wine, found its completest expression in the long-drawn flute-music, at the same time frivolously gay and exquisitely sad, of the blackbird’s song. An angry cuckoo, crying its familiar cry as it flew, flapped away from some hidden perch, just above their heads.
Not many more blackbird’s notes and not many more cuckoo’s cries would that diminutive jungle hear, before the great midsummer silence descended upon it, to be broken only by the less magical sounds of the later season. Nothing but the auspicious accident of the extreme lateness of the spring had given to the visitor from Ohio these revelations of enchantment. It was one of those unequalled moments when the earth seems to breathe out from its most secret heart perfumes and scents that seem to belong to a more felicitous planet than our planet, murmurs and voices adapted to more responsive ears than our ears.
It was doubtless, so Dangelis thought, on such an evening as this, that the first notion of the presence in such places of beings of a finer and yet a grosser texture than man’s, first entered the imagination of humanity. In such a spot were the earth-gods born.
Many feathered things, besides blackbirds and cuckoos abounded in the mill spinney.
They had scarcely reached the opposite end of the little wood, when with a sudden cry of excitement and a quick sinking on her knees, the girl turned to him with a young thrush in her hand. It was big enough to be capable of flying and, as she held it in her soft white fingers, it struggled desperately and uttered little cries. She held it tightly in one hand, and with the other caressed its ruffled feathers, looking sideways at her companion, as she did so, with dreamy, half-shut, voluptuous eyes.
“Little darling,” she whispered. And then, with a breathless gasp in her voice,—“Kiss its head, Mr. Dangelis. It can’t get away.” He stooped over her as she held the bird up to him, and if in obeying her he brushed with his lips fingers as well as feathers, the accident was not one he could bring himself to regret.
“It can’t get away,” she repeated, in a low soft murmur.
The bird did, however, get away, a moment afterwards, and went fluttering off through the brushwood, with that delicious, awkward violence, which young thrushes share with so many other youthful things.
In the deep ditch which they now had to cross, the artist caught sight of a solitary half-faded primrose, the very last, perhaps, of its delicate tribe. He showed it to Gladys, gently smoothing away, as he did so, the heavy leaves which seemed to be overshadowing its last days of life.
The girl pushed him aside impetuously, and plucking the faded flower deliberately thrust it into her mouth.
“I love eating them,” she cried, “I used to do it when I was ever so little and I do it still when I am alone. You’ve no idea how nice they taste!”
At that moment they heard the sound of the church clock striking six.
“Quick!” cried Gladys. “Mr. Clavering will be waiting. He’ll be cross if I’m too dreadfully late.”
They emerged from the wood and followed the grass-grown lane, round by the small mill-pond. Crossing the park once more, they entered the village by the Yeoborough road.
“What a girl!” said Dangelis to himself, in a voice of unmitigated admiration, as he held open for her, at last, the little gate of the old vicarage garden, and waved his good-bye.
“What a girl! Heaven help that unfortunate Mr. Clavering! If he’s as susceptible as most of these young Englishmen, she’ll make havoc of his poor heart. Will he read the ‘Imitation’ with her, I wonder?”
He strolled slowly back, the way they had come, the personality of the insidious Gladys pressing less and less heavily upon him as his thought reverted to his painting. He resolved that he would throw all these recent impressions together in some large and sumptuous picture, that should give to these modern human figures something of the ample suggestion and noble aplomb, the secret of which seemed to have been lost to the world with the old Flemish and Venetian masters.
What in his soul he vaguely imaged as his task, was an attempt to eliminate all mystic and symbolic attitudes from his works, and to catch, in their place, if the inspiration came to him, something of the lavish prodigality, superbly material, and yet possessed of ineffable vistas, of the large careless evocations of nature herself.
His imaginative purpose, as it defined itself more and more clearly in his mind, during his solitary return through the evening light, seemed to imply an attempted reproduction of those aspects of the human drama, in such a place as this, which carried upon their surface the air of things that could not happen otherwise, and which, in their large inevitableness, over-brimmed and over-flowed all traditional distinctions. He would have liked to have given, in this way, to the figures of Gladys and her mother, something of the superb non-moral “insouciance,” springing, like the movements of animals and the fragrance of plants, out of the bosom of an earth innocent of both introspection and renunciation, which one observes in the forms of Attic sculpture, or in the creations of Venetian colourists. Below the high ornamental wall of Nevilton garden he paused a moment before entering the little postern-gate, to admire the indescribable greenness and luxuriousness of the heavy grass