For it was difficult to believe in the dreams when Gertie Morrison was daily before his eyes. There was a sort of hard prettiness there, which might have been beauty, but where were the mystery and the wonder and the holiness? None of that about the Gertie who was treated so familiarly by the Fossetts and the Traills and their kind, and answered them back so smartly. “You can’t get any change out of Gertie,” Traill often said on these occasions. Almost Crosby wished you could. He would have had her awkward, bewildered, indignant, overcome with shame; it distressed him that she was so lamentably well-equipped for the battle. At first he pitied her, then he hated her. She was betraying her sex. What he really meant was that she was trying to topple over the beautiful image he had built.
I know what you are going to say. What about the girl at the A B C shop who spilt his coffee over his poached egg every day at one thirty-five precisely? Hadn’t she given his image a little push too? I think not. He hardly saw her as a woman at all. She was a worker, like himself; sexless. In the evenings perhaps she became a woman ... wonderful, mysterious, holy ... I don’t know; at any rate he didn’t see her then. But Miss Morrison he saw at home; she was pretty and graceful and feminine; she might have been, not the woman—that would have been presumption on his part—but a woman ... and then she went and called Algy Traill “a silly boy,” and smacked him playfully with a teaspoon! Traill, the cad-about-town, the ogler of women! No wonder the image rocked.
“Let’s sit down,” he said. “I thought you always went to Mar—to Cliftonville for your holiday?” (page 27).
Well, he would be away from the Traills and the Morrisons and the Fossetts for three weeks. It was April, the best month of the year. He was right in saying that he was not quite sure where he was going, but he could have told Mrs. Morrison the direction. He would start down the line with his knapsack and his well-filled kit-bag. By-and-by he would get out—the name of the station might attract him, or the primroses on the banks—leave his bag, and, knapsack on shoulder, follow the road. Sooner or later he would come to a village; he would find an inn that could put him up; on the morrow the landlord could drive in for his bag.... And then three weeks in which to search for the woman.
III
A south wind was blowing little baby clouds along a blue sky; lower down, the rooks were talking busily to each other in the tall elms which lined the church; and, lower down still, the foxhound puppy sat himself outside the blacksmith’s and waited for company. If nothing happened in the next twenty seconds he would have to go and look for somebody.
But somebody was coming. From the door of “The Dog and Duck” opposite, a tall, lean, brown gentleman stepped briskly, in his hand a pair of shoes. The foxhound puppy got up and came across the road sideways to him. “Welcome, welcome,” he said effusively, and went round the tall, lean, brown gentleman several times.
“Hallo, Duster,” said the brown gentleman; “coming with me to-day?”
“Come along,” said the foxhound puppy excitedly. “Going with you? I should just think I am! Which way shall we go?”
“Wait a moment. I want to leave these shoes here.”
Duster followed him into the blacksmith’s shop. The blacksmith thought he could put some nails in; gentlemen’s shoes and horses’ shoes, he explained, weren’t quite the same thing. The brown gentleman admitted the difference, but felt sure that the blacksmith could make a job of anything he tried his hand at. He mentioned, which the blacksmith knew, that he was staying at “The Dog and Duck” opposite, and gave his name as Carfax.
“Come along,” said Duster impatiently.
“Good morning,” said the brown gentleman to the blacksmith. “Lovely day, isn’t it?... Come along, old boy.”
He strode out into the blue fresh morning, Duster all round him. But when they got to the church—fifty yards, no more—the foxhound puppy changed his mind. He had had an inspiration, the same inspiration which came to him every day at this spot. He stopped.
“Let’s go back,” he said.
“Not coming to-day?” laughed the brown gentleman. “Well, good-bye.”
“You see, I think I’d better wait here, after all,” said the foxhound puppy apologetically. “Something might happen. Are you really going on? Well—you’ll excuse me, won’t you?”
He ambled back to his place outside the blacksmith’s shop. The tall, lean, brown gentleman, who called himself Carfax, walked on briskly with spring in his heart. Above him the rooks talked and talked; the hedges were green; and there were little baby clouds in the blue sky.
Shall I try to deceive you for a page or two longer, or shall we have the truth out at once? Better have the truth. Well, then—the gentleman who called himself Carfax was really George Crosby. You guessed? Of course you did. But if you scent a mystery you are wrong.
It was five years ago that Crosby took his first holiday. He came to this very inn, “The Dog and Duck,” and when they asked him his name he replied “Geoffrey Carfax.” It had been an inspiration in the train. To be Geoffrey Carfax for three weeks seemed to cut him off more definitely from the Fenchurch Street office and the Islington boarding-house. George Crosby was in prison, working a life sentence; Geoffrey Carfax was a free man in search of the woman. Romance might come to Geoffrey, but it could never come to George. They were two different persons; then let them be two different persons. Besides, glamour hung over the mere act of giving a false name. George had delightful thrills when he remembered his deceit; and there was one heavenly moment of panic, on the last day of his first holiday, when (to avoid detection) he shaved off his moustache. He was not certain what the punishment was for calling yourself Geoffrey Carfax when your real name was George Crosby, but he felt that with a clean-shaven face he could laugh at Scotland Yard. The downward path, however, is notoriously an easy one. In subsequent years he let himself go still farther. Even the one false name wouldn’t satisfy him now; and if he only looked in at a neighbouring inn for a glass of beer, he would manage to let it fall into his conversation that he was Guy Colehurst or Gervase Crane or—he had a noble range of names to choose from, only limited by the fact that “G.C.” was on his cigarette-case and his kit-bag. (His linen was studiously unmarked, save with the hieroglyphic of his washerwoman—a foolish observation in red cotton which might mean anything.)
The tall, lean, brown gentleman, then, taking the morning air was George Crosby. Between ourselves we may continue to call him George. It is not a name I like; he hated it too; but George he was undoubtedly. Yet already he was a different George from the one you met at Muswell Hill. He had had two weeks of life, and they had made him brown and clear-eyed and confident. I think I said he blushed readily in Mrs. Morrison’s boarding-house; the fact was he felt always uneasy in London, awkward, uncomfortable. In the open air he was at home, ready for he knew not what dashing adventure.
It was a day of spring to stir the heart with longings and memories. Memories, half-forgotten, of all the Aprils of the past touched him for a moment, and then, as he tried to grasp them, fluttered out of reach, so that he wondered whether he was recalling real adventures which had happened, or whether he was but dreaming over again the dreams which were always with him. One memory remained. It was on such a day as this, five years ago, and almost in this very place, that he had met the woman.
Yes, I shall have to go back again to tell you of her. Five years ago he had been staying at this same inn; it was his first holiday after his sentence to prison. He was not so resigned