"You croak like a raven!" declared the Sicilian. "What has soured you?"
"Nothing. I am a wise young man, that's all. You see, happiness is all-sufficient; it needs nothing to complete itself. It is a wall beyond which the owner does not care to wander, so, when you are quite happy with the new Countess, you will forget your friends of unmarried days."
"Would you then have me unhappily married?"
"By no means. I am full of regrets at losing you, nothing more."
"It is plain, then, that you also must marry. Is there no admirable
American lady?"
"Any quantity of them, but I don't care much for women except in an impersonal sort of way, or perhaps I don't attract them. I might enjoy falling in love if it were not such a tedious process."
"It is not necessarily tedious. One may love with the suddenness of an explosion. I have done so, many times."
"I know you have, but you are a Sicilian; we go about such things in a dignified and respectable manner. Love is a serious matter with us. We don't explode."
"Yes. When you love, you marry; and you marry in the same way you buy a farm. But we have blood in our veins and lime in our bones. I have loved many women to distraction; there is only one whom I would marry."
Ricardo entered at the moment, and the Count arose with a word of apology to his guest. He spoke earnestly with his overseer, but, as they were separated from him by the full width of the great room, Blake overheard no more than a word now and then. They were speaking in the Sicilian dialect, moreover, which was unfamiliar to him, yet he caught the mention of Ippolito, one of the men who had met him at the station, also of an orange-grove, and the word "Mafioso." Then he heard Martel say:
"The shells for the new rifle—Ippolito is a bad shot—take plenty."
When Ricardo had gone and the Count had returned to his seat, Norvin fancied he detected once more that grave look he had surprised in his friend's countenance upon their arrival at the castello.
"What were you telling Ricardo about rifles and cartridges?" he inquired.
"Eh? It was nothing. We are forced to guard our oranges; there are thieves about. I have been too long away from Martinello."
Later, as Norvin Blake composed himself to sleep he wondered idly if Martel had told him the whole truth. He recalled again the faint, grave lines that had gathered about the Count's eyes, where there had never been aught but wrinkles of merriment, and he recalled also that word "Mafioso." It conjured memories of certain tales he had heard of Sicilian outlawry and brigandage, and of that evil, shadowy society of "Friends" which he understood dominated this island. There was a story about the old Count's death also, but Martel had never told him much. Norvin tried to remember what it was, but sleep was heavy upon him and he soon gave up.
II
A CONFESSION AND A PROMISE
Norvin Blake slept soundly, as befitted a healthy young man with less than the usual number of cares upon his mind, and, notwithstanding the fact that he had retired at a late hour, somewhat worn by his journey, he awoke earlier than usual. Still lacking an adequate idea of his surroundings, he arose and, flinging back the blinds of his window, looked out upon a scene which set him to dressing eagerly.
The big front door of the hall below was barred when he came down, and only yielded to his efforts with a clanging which would have awakened any one except Martel, letting him out upon a well-kept terrace beneath which the hills fell away in majestic sweeps and curves to the coast-line far beneath.
It was a true Sicilian morning, filled with a dazzling glory of color, and although it was not early, from a countryman's point of view, the dewy freshness had not entirely faded, and rosy tints still lingered in the valleys and against the Calabrian coast in the distance. An odor of myrtle and jessamine came from a garden beneath the outer terrace wall, and on either side of the manor rose wooded hills the lower slopes of which were laid out in vineyards and groves of citrus fruits.
Having in full measure the normal man's unaffected appreciation of nature, Blake found himself wondering how Martel could ever leave this spot for the artificialities of Paris. The Count was amply able to live where he chose, and it was no love for art which had kept him in France these many years. On the contrary, they had both recognized the mediocrity of his talent and had often joked about it. It was perhaps no more than a youthful restlessness and craving for excitement, he concluded.
Knowing that his luxurious host would not be stirring for another hour, he set out to explore the place at his leisure, and in time came around to the stables and outhouses. It is not the front of any residence which shows its real character, any more than a woman's true nature is displayed by her Sunday attire. Norvin made friends with a surly, stiff-haired dog, then with a patriarchal old goat which he found grazing atop a wall, and at last he encountered Francesca bearing a bundle of fagots upon her head.
She was in a bad temper, it appeared, for in answer to his cheerful greeting she began to revile the names of Ippolito and Michele.
"Lazy pigs!" she cried, fiercely. "Is it not sufficient that old Francesca should bare her bones and become a shadow with the cares of the household? Is it not sufficient that she performs the labor of twenty in caring for the padrone? No! Is it not the devil's task to prepare the many outlandish delicacies he learned to eat in his travels? Yes! Ha! What of that! She must also perform the duties of an ass and bear wood for the fires! And what, think you, those two young giants are doing all the day? Sleeping, Si'or! Up all night, asleep all day! A fine business. And Francesca with a broken back!"
"I'll carry your wood," he offered, at which the mountainous old woman stared at him as if she did not in the least comprehend his words. Although her burden was enough to tax a man's strength, she balanced it easily upon her head and made no move to go.
"And the others! May they all be blinded—Attilio, Gaspare, Roberto! The hangman will get them, surely. Briganti, indeed!" She snorted like a horse. "May Belisario Cardi roast them over these very fagots." Slowly she moved her head from side to side while the bundle swayed precariously. "It is a bad business, Si'or. The padrone is mad to resist. You may tell him he is quite mad. Mark me, Ricardo knows that no good will come of it, but he is like a bull when he is angry. He lowers his head and sees blood. Veramente, it is a bad business and we shall all lose our ears." She moved off majestically, her eyes rolling in her fat cheeks, her lips moving; leaving the American to speculate as to what her evil prediction had to do with Ippolito and the firewood.
He was still smiling at her anger when Ippolito himself, astride a horse, came clattering into the courtyard and dismounted stiffly, giving him a good morning with a wide yawn.
"Corpo di Baccho!" exclaimed the rider. "I shall sleep for a century." He stretched luxuriously and, unslinging a gun from his shoulder, leaned it against the wall. Blake was surprised to find it a late model of an American repeating rifle. "Francesca!" he called loudly. "Madonna mia, I am famished!"
"Francesca was here a moment ago," Norvin volunteered. "In a frightful temper, too."
"Just so! It was the wood, I presume." He scowled. "One cannot be in ten places unless he is in ten pieces. I am glad to be here, and not here and there."
"Well, she wants you roasted by some fellow named Cardi—"
"Eh? What?" Ippolito started, jerking the horse's head by the bridle rein, through which he had thrust his arm. "What is this?"
"Belisario Cardi, I believe she said. I don't know him."
The Sicilian muttered an oath and disappeared into the stable; he was still scowling when he emerged.
Prompted by a feeling that he