Of these seven historic highways the one richest in story is the old Salt Lake Trail: this because at its western end was woven a romance within a romance;—a drama of human passions, of love and hate, of high faith and low, of the beautiful and the ugly, of truth and lies; yet with certain fine fidelities under it all; a drama so close-knit, so amazingly true, that one who had lightly designed to make a tale there was dismayed by fact. So much more thrilling was it than any fiction he might have imagined, so more than human had been the cunning of the Master Dramatist, that the little make-believe he was pondering seemed clumsy and poor, and he turned from it to try to tell what had really been.
In this story, then, the things that are strangest have most of truth. The make-believe is hardly more than a cement to join the queerly wrought stones of fact that were found ready. For, if the writer has now and again had to divine certain things that did not show,—yet must have been,—surely these are not less than truth. One of these deductions is the Lute of the Holy Ghost who came in the end to be the Little Man of Sorrows: who loved a woman, a child, and his God, but sinned through pride of soul;—whose life, indeed, was a poem of sin and retribution. Yet not less true was he than the Lion of the Lord, the Archer of Paradise, the Wild Ram of the Mountains, or the gaunt, gray woman whom hurt love had crazed. For even now, as the tale is done, comes a dry little note in the daily press telling how such a one actually did the other day a certain brave, great thing it had seemed the imagined one must be driven to do. Only he and I, perhaps, will be conscious of the struggle back of that which was printed; but at least we two shall know that the Little Man of Sorrows is true, even though the cross where he fled to say his last prayer in the body has long since fallen and its bars crumbled to desert dust.
Yet there are others still living in a certain valley of the mountains who will know why the soul-proud youth came to bend under invisible burdens, and why he feared, as an angel of vengeance, that early cowboy with the yellow hair, who came singing down from the high divide into Amalon where a girl was waiting in her dream of a single love; others who, to this day, will do not more than whisper with averted faces of the crime that brought a curse upon the land; who still live in terror of shapes that shuffle furtively behind them, fumbling sometimes at their shoulders with weak hands, striving ever to come in front and turn upon them. But these will know only one side of the Little Man of Sorrows who was first the Lute of the Holy Ghost in the Poet’s roster of titles: since they have lacked his courage to try the great issue with their God.
New York City, May 1st, 1903.
Chapter I.
The Dead City
The city without life lay handsomely along a river in the early sunlight of a September morning. Death had seemingly not been long upon it, nor had it made any scar. No breach or rent or disorder or sign of violence could be seen. The long, shaded streets breathed the still airs of utter peace and quiet. From the half-circle around which the broad river bent its moody current, the neat houses, set in cool, green gardens, were terraced up the high hill, and from the summit of this a stately marble temple, glittering of newness, towered far above them in placid benediction.
Mile after mile the streets lay silent, along the river-front, up to the hilltop, and beyond into the level; no sound nor motion nor sign of life throughout their length. And when they had run their length, and the outlying fields were reached, there, too, was the same brooding spell as the land stretched away in the hush and haze. The yellow grain, heavy-headed with richness, lay beaten down and rotting, for there were no reapers. The city, it seemed, had died calmly, painlessly, drowsily, as if overcome by sleep.
From a skiff in mid-river, a young man rowing toward the dead city rested on his oars and looked over his shoulder to the temple on the hilltop. There was something very boyish in the reverent eagerness with which his dark eyes rested upon the pile, tracing the splendid lines from its broad, gray base to its lofty spire, radiant with white and gold. As he looked long and intently, the colour of new life flushed into a face that was pinched and drawn. With fresh resolution, he bent again to his oars, noting with a quick eye that the current had carried him far down-stream while he stopped to look upon the holy edifice.
Landing presently at the wharf, he was stunned by the hush of the streets. This was not like the city of twenty thousand people he had left three months before. In blank bewilderment he stood, turning to each quarter for some solution of the mystery. Perceiving at length that there was really no life either way along the river, he started wonderingly up a street that led from the waterside,—a street which, when he had last walked it, was quickening with the rush of a mighty commerce.
Soon his expression of wonder was darkened by a shade of anxiety. There was an unnerving quality in the trance-like stillness; and the mystery of it pricked him to forebodings. He was now passing empty workshops, hesitating at door after door with ever-mounting alarm. Then he began to call, but the sound of his voice served only to aggravate the silence.
Growing bolder, he tried some of the doors and found them to yield, letting him into a kind of smothered, troubled quietness even more oppressive than that outside. He passed an empty ropewalk, the hemp strewn untidily about, as if the workers had left hurriedly. He peered curiously at idle looms and deserted spinning-wheels—deserted apparently but the instant before he came. It seemed as if the people were fled maliciously just in front, to leave him in this fearfullest of all solitudes. He wondered if he did not hear their quick, furtive steps, and see the vanishing shadows of them.
He entered a carpenter’s shop. On the bench was an unfinished door, a plane left where it had been shoved half the length of its edge, the fresh pine shaving still curling over the side. He left with an uncanny feeling that the carpenter, breathing softly, had watched him from some hiding-place, and would now come stealthily out to push his plane again.
He turned into a baker’s shop and saw freshly chopped kindling piled against the oven, and dough actually on the kneading-tray. In a tanner’s vat he found fresh bark. In a blacksmith’s shop he entered next the fire was out, but there was coal heaped beside the forge, with the ladling-pool and the crooked water-horn, and on the anvil was a horseshoe that had cooled before it was finished.
With something akin to terror, he now turned from this street of shops into one of those with the pleasant dwellings, eager to find something alive, even a dog to bark an alarm. He entered one of the gardens, clicking the gate-latch loudly after him, but no one challenged. He drew a drink from the well with its loud-rattling chain and clumsy, water-sodden bucket, but no one called. At the door of the house he whistled, stamped, pounded, and at last flung it open with all the noise he could make. Still his hungry ears fed on nothing but sinister echoes, the barren husks of his own clamour. There was no curt voice of a man, no quick, questioning tread of a woman. There were dead white ashes on the hearth, and the silence was grimly kept by the dumb household gods.
His nervousness increased. So vividly did his memory people the streets and shops and houses that the air was vibrant with sound,—low-toned conversations, shouts, calls, laughter, the voices of children, the creaking of wagons, pounding hammers, the clangour of many works; yet all muffled away from him, as if coming from some phantom-land.