The eyes of the royal huntress, though she was by no means unduly soft-hearted, grew dim with tears. This was her brother’s gratitude for the faithful care which she bestowed upon him! Who could tell whether her surprise, instead of pleasing him, might not rouse his anger? He was still frowning as though the greatest injury had been inflicted upon him, and his sister’s tearful eyes led him to exclaim wrathfully, as if he wished to palliate his unchivalrous indignation to a lady:
“I am deprived of one pleasure after another, and the little enjoyment remaining is lessened wherever it can be. Who has heavier loads of anxiety to endure?—yet you spoil my recreation during the brief hours when I succeed in casting off the burden.”
Here he paused and obstinately grasped the golden handle of the pitcher again. The Queen remained silent. Contradiction would have made the obdurate sovereign empty another goblet also. Even a look of entreaty would have been out of place on this occasion. So she fixed her eyes mutely and sadly upon her silver plate; but even her silence irritated the Emperor, and he was about to give fresh expression to his ill-humour, when the doors of the chapel opposite to him opened, and the surprise began.
The signal for the commencement of the singing had been the delivery of the first dish from the steward to one of the great nobles, who presented it to their Majesties.
The Queen’s face brightened, and tears of heartfelt joy, instead of grief and disappointment, now moistened her eyes, for if ever a surprise had accomplished the purpose desired it was this one.
Charles was gazing, as if the gates of Paradise had opened before him, toward the chapel doors, whence Maestro Gombert’s Benedictio Mensae, a melody entirely new to him, was pouring like a holy benediction, devout yet cheering, sometimes solemn, anon full of joy.
The lines of anxiety vanished from his brow as if at the spell of a magician. The dull eyes gained a brilliant, reverent light, the bent figure straightened itself. He seemed to his sister ten years younger. She saw in his every feature how deeply the music had affected him.
She knew her imperial brother. Had not his heart and soul been fully absorbed by the flood of pure and noble tones which so unexpectedly streamed toward him, his eyes would have been at least briefly attracted by the dish which Count Krockow more than once presented, for it contained an oyster ragout which a mounted messenger had brought that noon from the Baltic Sea to the city on the Danube.
Yet many long minutes elapsed ere he noticed the dish, though it was one of his favourite viands. Barbara’s song stirred the imperial lover of music at the nocturnal banquet just as it had thrilled the great musicians a few hours before. He thought that he had never heard anything more exquisite, and when the Benedictio Mensa: died away he clasped his sister’s hand, raised it two or three times to his lips, and thanked her with such affectionate warmth that she blessed the accomplishment of her happy idea, and willingly forgot the unpleasant moments she had just undergone.
Now, as if completely transformed, he wished to be told who had had the lucky thought of summoning his orchestra and her boy choir, and how the plan had been executed; and when he had heard the story, he fervently praised the delicacy of feeling and true sportsmanlike energy of her strong and loving woman’s heart.
The court orchestra gave its best work, and so did the new head cook. The pheasant stuffed with snails and the truffle sauce with it seemed delicious to the sovereign, who called the dish a triumph of the culinary art of the Netherlands. The burden of anxieties and the pangs inflicted by the gout seemed to be forgotten, and when the orchestra ceased he asked to hear the boy choir again.
This time it gave the most beautiful portion of Joscluin de Pres’s hymn to the Virgin, “Ecce tu pulchra es”; and when Barbara’s “Quia amore langueo” reached his ear and heart with its love-yearning melody, he nodded to his sister with wondering delight, and then listened, as if rapt from the world, until the last notes of the motet died away.
Where had Appenzelder discovered the marvellous boy who sang this “Quia amore langueo”? He sent Don Luis Quijada to assure the leader and the young singer of his warmest approbation, and then permitted the Queen also to seek the choir and its leader to ask whom the latter had succeeded in obtaining in the place of the lad from Cologne, whom he had often heard sing the “tu pulchra es,” but with incomparably less depth of feeling.
When she returned she informed the Emperor of the misfortune which had befallen the two boys, and how successful Appenzelder had been in the choice of a substitute. Yet she still concealed the fact that a girl was now the leader of his choir, for, kindly as her brother nodded to her when she took her place at the table again, no one could tell how he would regard this anomaly.
Besides, the next day would be the 1st of May, the anniversary of the death of his wife Isabella, who had passed away from earth seven years before, and the more she herself had been surprised by the rare and singular beauty of the fair-haired songstress, the less could she venture on that day or the morrow to blend with the memories of the departed Queen the image of another woman who possessed such unusual charms. The Emperor had already asked her a few questions about the young singers, and learned that the bell-like weaker voice, which harmonized so exquisitely with that of the invalid Johannes’s substitute, belonged to the little Maltese lad Hannibal, whose darling wish, through Wolf’s intercession, had been fulfilled. His inquiries, however, were interrupted by a fresh performance of the boy choir.
This again extorted enthusiastic applause from the sovereign, and when, while he was still shouting “Brava!” the highly seasoned game pasty which meanwhile, despite the regent’s former prohibition, had been prepared, and now, beautifully browned, rose from a garland of the most tempting accessories, was offered, he waved it away. As he did so his eyes sought his sister’s, and his expressive features told her that he was imposing this sacrifice upon himself for her sake.
It was long since he had bestowed a fairer gift. True, in this mood, it seemed impossible for him to refrain from the wine. It enlivened him and doubled the unexpected pleasure. Unfortunately, he was to atone only too speedily for this offence against medical advice, for his heated blood increased the twinges of the gout to such a degree that he was compelled to relinquish his desire to listen to the exquisite singing longer.
Groaning, he suffered himself—this time in a litter—to be carried back to his chamber, where, in spite of the pangs that tortured him, he asked for the letter in which Granvelle informed his royal master every evening what he thought of the political affairs to be settled the next day. Master Adrian, the valet, had just brought it, but this time Charles glanced over the important expressions of opinion given by the young minister swiftly and without deeper examination. The saying that the Emperor could not dispense with him, but he might do without the Emperor, had originally applied to his father, whose position he filled to the monarch’s satisfaction in every respect.
The confessor had reminded the sovereign of the anniversary which had already dawned, and which he was accustomed to celebrate in his own way.
Very early in the morning, after a few hours spent in suffering, he heard mass, and then remained for hours in the sable-draped room where he communed with himself alone.
The regent knew that on this memorable day he would not be seen even by her. The success of the surprise afforded a guarantee that music would supply her place to him on the morrow also, and ere she left him she requested a short leave of absence to enjoy the hunting for which she longed, and permission to take his major-domo Quijada with her.
An almost unintelligible murmur from the sufferer told her that he had granted the petition. It was done reluctantly, but the Queen departed