THE THRESHOLD
‘Half god, half beast,’ the Princess Valeria once described him, without suspecting that the phrase describes not merely Bellarion, but Man.
Aware of this, the anonymous chronicler who has preserved it for us goes on to comment that the Princess said at once too much and too little. He makes phrases in his turn—which I will spare you—and seeks to prove, that, if the moieties of divinity and beastliness are equally balanced in a man, that man will be neither good nor bad. Then he passes on to show us a certain poor swineherd, who rose to ultimate eminence, in whom the godly part so far predominated that naught else was humanly discernible, and a great prince—of whom more will be heard in the course of this narrative—who was just as the beasts that perish, without any spark of divinity to exalt him. These are the extremes. For each of the dozen or so intermediate stages which he discerns, our chronicler has a portrait out of history, of which his learning appears to be considerable.
From this, from his general manner, from the fact that most of his illustrations are supplied by Florentine sources, and from the austerely elegant Tuscan language in which he writes, a fairly definite conclusion is possible on the score of his identity. It is more than probable that this study of Bellarion the Fortunate (Bellarione Il Fortunato) belongs to that series of historical portraits from the pen of Niccolò Macchiavelli, of which ‘The Life of Castruccio Castracane’ is perhaps the most widely known. Research, however, fails to discover the source from which he draws. Whilst many of his facts agree completely with those contained in the voluminous, monkish ‘Vita et Gesta Bellarionis,’ left us by Fra Serafino of Imola, whoever he may have been, yet discrepancies are frequent and irreconcilable.
Thus, at the very outset, on the score of his name, Macchiavelli (to cling to my assumption) tells us that he was called Bellarion not merely because he was a man of war, but because he was the very child of War, born as it were out of the very womb of conflict—‘e di guerra propriamente partorito.’ The use of this metaphor reveals a full acquaintance with the tale of the child’s being plucked from the midst of strife and alarums. But Fra Serafino’s account of the name is the only one that fits into the known facts. That this name should have been so descriptive of Bellarion’s after life merely provides one of those curious instances of homonymy in which history abounds.
Continuing his comments upon the Princess Valeria’s phrase, Macchiavelli states that Bellarion’s is not a nature thus to be packed into a sentence. Because of his perception of this fact, he wrote his biographical sketch. Because of my perception of it, I have embarked upon this fuller narrative.
I choose to begin at a point where Bellarion himself may be said to make a certain beginning. I select the moment when he is to be seen standing upon the threshold of the secular world, known to him until that moment only from the writings of other men, yet better known to him thus than it is to many who have lived a lifetime among their fellows. After all, to view a scene from a distance is to enjoy advantages of perspective denied to the actors in that scene.
Bellarion’s reading had been prodigious. There was no branch of learning—from the Theological Fathers to Vegetius Hyginus on ‘The Art of War’—to which he had not addressed his eager spirit. And his exhaustion of all immediately available material for study was one of the causes of his going forth from the peace of the convent of which he was a nursling, in quest of deeper wells of learning, to slake his hot intellectual thirst. Another cause was a certain heretical doctrine of which it was hoped that further study would cure him; a doctrine so subversive of theological teaching that a hundred years later it must have made him closely acquainted with the operations of the Holy Office and probably—in Spain certainly—have brought him to the fire. This abominable heresy, fruit of much brooding, was that in the world there is not, nor can be, such a thing as sin. And it was in vain that the Abbot, who loved him very dearly, sought by argument to convert him.
‘It is your innocence that speaks. Alas, my child, in the world, from which hitherto you have been mercifully sheltered, you will find that sin is not only real but terribly abundant.’
Bellarion answered with a syllogism, the logical formula to which he had reduced his doctrine. He presented it in the Socratic manner of inquiry, which was the method of argument he ever preferred.
‘Are not all things in the world from God? Is not God the fount of all goodness? Can, therefore, any created thing be other than good?’
‘And the devil, then?’ quoth the Abbot.
Bellarion smiled, a singularly sweet smile that had power to draw men’s love and lead them into agreement with him.
‘Is it not possible that those who invented the devil may have studied divinity in Persia, where the creed obtains that powers of light and darkness, Ormuzd and Ahriman, strive perpetually for mastery of the world? Surely, otherwise, they would have remembered that if the devil exists, God must have created him, which in itself is blasphemy, for God can create no evil.’
Aghast, the Abbot descended at a stride from the theological to the practical.
‘Is it not evil to steal, to kill, to commit adultery?’
‘Ah, yes. But these are evils between men, disruptive of society, and therefore to be suppressed lest man become as the beasts. But that is all.’
‘All? All!’ The Abbot’s deep-set eyes surveyed the youth with sorrow. ‘My son, the devil lends you a false subtlety to destroy your soul.’
And gently, now, that benign and fatherly man preached him a sermon of the faith. It was followed by others in the days that ensued. But to all the weapons of his saintly rhetoric Bellarion continued to oppose the impenetrable shield of that syllogism of his, which the Abbot knew at heart to be fallacious, yet whose fallacy he laboured in vain to expose. But when the good man began to fear lest this heresy should come to trouble and corrupt the peace and faith of his convent, he consented to speed its author to Pavia and to those further studies which he hoped would cure him of his heretical pravity. And that is how, on a day of August of the year of grace 1407, Bellarion departed from the convent of Our Lady of Grace of Cigliano.
He went on foot. He was to be dependent for food and shelter mainly upon the charity of the religious houses that lay on his way to Pavia, and as a passport to these he bore in his scrip a letter from the Abbot of the Grazie. Beside it lay a purse, containing for emergencies five ducats, a princely sum not only in his own eyes, but in those of the Abbot who at parting had bestowed it upon him. The tale of his worldly possessions is completed by the suit of coarse green cloth he wore and the knife at his girdle, which was to serve all purposes from the carving of his meat to affording him a means of defence from predatory beasts and men. To fortify him spiritually in his adventurous pilgrimage through Lombardy he had the Abbot’s blessing and a memory of the fond tears in the eyes of that old man who had reared him from the age of six. At the last the Abbot had again reminded him of the peace of the convent and of the strife and unhappiness that distract the world.
‘Pax multa in cella, foris autem plurima bella.’
The mischief began—and you may account it symbolical—by his losing his way. This happened a mile or two beyond the township of Livorno. Because the peace of the riverside allured a mind that for seventeen years had been schooled in peace, because the emerald meadows promised to be soft and yielding to his feet, he left the dusty highway for the grassy banks of Po. Beside its broad waters winding here about the shallow, pleasant hills of Montferrat, Bellarion trudged, staff in hand, the green hood of his cape thrown back, the long liripipe trailing like a tail behind him, a tall, lithe stripling of obvious vigour, olive-skinned, black-haired, and with dark eyes that surveyed the world bold and fearlessly.
The day was hot. The air was laden with the heavy perfumes of late summer, and the river swollen and clouded by the melting snows on distant Monte Rosa.
He wandered on, lost in day-dreams, until the sunlight passed with the sinking of the sun behind the wooded heights across the river and a breeze