We do not know, as has been said, how long Marco survived the making of this will, but we know, from a scanty series of documents commencing in June of the following year (1325), that he had then been some time dead.[23]
[Sidenote: Place of Sepulture. Professed Portraits of Polo.]
48. He was buried, no doubt, according to his declared wish, in the Church of S. Lorenzo; and indeed Sansovino bears testimony to the fact in a confused notice of our Traveller.[24] But there does not seem to have been any monument to Marco, though the sarcophagus which had been erected to his father Nicolo, by his own filial care, existed till near the end of the 16th century in the porch or corridor leading to the old Church of S. Lorenzo, and bore the inscription: "SEPULTURA DOMINI NICOLAI PAULO DE CONTRATA S. IOANNIS GRISOSTEMI." The church was renewed from its foundations in 1592, and then, probably, the sarcophagus was cast aside and lost, and with it all certainty as to the position of the tomb.[25]
[Illustration: Pavement in front of San Lorenzo, Venice.]
[Illustration: S. Lorenzo as it was in the 15th century]
There is no portrait of Marco Polo in existence with any claim to authenticity. The quaint figure which we give in the Bibliography, vol. ii. p. 555, extracted from the earliest printed edition of his book, can certainly make no such pretension. The oldest one after this is probably a picture in the collection of Monsignor Badia at Rome, of which I am now able, by the owner's courtesy, to give a copy. It is set down in the catalogue to Titian, but is probably a work of 1600, or thereabouts, to which the aspect and costume belong. It is inscribed "Marcus Polvs Venetvs Totivs Orbis et Indie Peregrator Primus." Its history unfortunately cannot be traced, but I believe it came from a collection at Urbino. A marble statue was erected in his honour by a family at Venice in the 17th century, and is still to be seen in the Palazzo Morosini- Gattemburg in the Campo S. Stefano in that city. The medallion portrait on the wall of the Sala dello Scudo in the ducal palace, and which was engraved in Bettom's "Collection of Portraits of Illustrious Italians," is a work of imagination painted by Francesco Griselini in 1761.[26] From this, however, was taken the medal by Fabris, which was struck in 1847 in honour of the last meeting of the Italian Congresso Scientifico; and from the medal again is copied, I believe, the elegant woodcut which adorns the introduction to M. Pauthier's edition, though without any information as to its history. A handsome bust, by Augusto Gamba, has lately been placed among the illustrious Venetians in the inner arcade of the Ducal Palace.[27] There is also a mosaic portrait of Polo, opposite the similar portrait of Columbus in the Municipio at Genoa.
[Sidenote: Further History of the Polo Family.]
49. From the short series of documents recently alluded to,[28] we gather all that we know of the remaining history of Marco Polo's immediate family. We have seen in his will an indication that the two elder daughters, Fantina and Bellela, were married before his death. In 1333 we find the youngest, Moreta, also a married woman, and Bellela deceased. In 1336 we find that their mother Donata had died in the interval. We learn, too, that Fantina's husband was MARCO BRAGADINO, and Moreta's, RANUZZO DOLFINO.[29] The name of Bellela's husband does not appear.
Fantina's husband is probably the Marco Bragadino, son of Pietro, who in 1346 is mentioned to have been sent as Provveditore-Generale to act against the Patriarch of Acquileia.[30] And in 1379 we find Donna Fantina herself, presumably in widowhood, assessed as a resident of S. Giovanni Grisostomo, on the Estimo or forced loan for the Genoese war, at 1300 lire, whilst Pietro Bragadino of the same parish—her son as I imagine—is assessed at 1500 lire.[31] [See vol. ii., Calendar.]
The documents show a few other incidents which may be briefly noted. In 1326 we have the record of a charge against one Zanino Grioni for insulting Donna Moreta in the Campo of San Vitale; a misdemeanour punished by the Council of Forty with two months' imprisonment.
[Illustration: Mosaic Portrait of Marco Polo at Genoa]
[Illustration: The Pseudo Marco Polo at Canton]
In March, 1328, Marco Polo, called Marcolino, of St. John Chrysostom (see p. 66), represents before the Domini Advocatores of the Republic that certain imprestita that had belonged to the late Maffeo Polo the Elder, had been alienated and transferred in May 1318, by the late Marco Polo of St. John Chrysostom and since his death by his heirs, without regard to the rights of the said Marcolino, to whom the said Messer Maffeo had bequeathed 1000 lire by his will executed on 6th February, 1308 (i.e. 1309). The Advocatores find that the transfer was to that extent unjust and improper, and they order that to the same extent it should be revoked and annulled. Two months later the Lady Donata makes rather an unpleasant figure before the Council of Forty. It would seem that on the claim of Messer Bertuccio Quirino a mandate of sequestration had been issued by the Court of Requests affecting certain articles in the Ca' Polo; including two bags of money which had been tied and sealed, but left in custody of the Lady Donata. The sum so sealed was about 80 lire of grossi (300_l._ in silver value), but when opened only 45 lire and 22 grossi (about 170_l._) were found therein, and the Lady was accused of abstracting the balance non bono modo. Probably she acted, as ladies sometimes do, on a strong sense of her own rights, and a weak sense of the claims of law. But the Council pronounced against her, ordering restitution, and a fine of 200 lire over and above "ut ceteris transeat in exemplum."[32]
It will have been seen that there is nothing in the amounts mentioned in Marco's will to bear out the large reports as to his wealth, though at the same time there is no positive ground for a deduction to the contrary.[33]
The mention in two of the documents of Agnes Loredano as the sister of the Lady Donata suggests that the latter may have belonged to the Loredano family, but as it does not appear whether Agnes was maid or wife this remains uncertain.[34]
Respecting the further history of the family there is nothing certain, nor can we give unhesitating faith to Ramusio's statement that the last male descendant of the Polos of S. Giovanni Grisostomo was Marco, who died Castellano of Verona in 1417 (according to others, 1418, or 1425),[35] and that the family property then passed to Maria (or Anna, as she is styled in a MS. statement furnished to me from Venice), who was married in 1401 to Benedetto Cornaro, and again in 1414 to Azzo Trevisan. Her descendant in the fourth generation by the latter was Marc Antonio Trevisano,[36] who was chosen Doge in 1553.
[Illustration: Arms of the Trevisan family.]
The genealogy recorded by Marco Barbaro, as drawn up from documents by Ramusio, makes the Castellano of Verona a grandson of our Marco by a son Maffeo, whom we may safely pronounce not to have existed, and makes Maria the daughter of Maffeo, Marco's brother—that is to say, makes a lady marry in 1414 and have children, whose father was born in 1271 at the very latest! The genealogy is given in several other ways, but as I have satisfied myself that they all (except perhaps this of Barbaro's, which we see to be otherwise erroneous) confound together the two distinct families of Polo of S. Geremia and Polo of S. Giov. Grisostomo, I reserve my faith, and abstain from presenting them. Assuming that the Marco or Marcolino Polo, spoken of in the preceding page, was a near relation (as is probable, though perhaps an illegitimate one), he is the only male descendant of old Andrea of San Felice whom we can indicate as having survived Marco himself; and from a study of the links in the professed genealogies I think it not unlikely that both Marco the Castellano of Verona and Maria Trevisan belonged to the branch of S. Geremia.[37] [See vol. ii., App. C, p. 510.]
[49. bis.—It is interesting to note some of the reliques left by our traveller.
I. The unfortunate Doge of Venice, Marino Faliero, seems to have possessed many souvenirs of Marco Polo, and among them two manuscripts, one in the handwriting of his celebrated fellow-citizen(?), and one adorned with miniatures. M. Julius von Schlosser has reprinted (Die ältesten Medaillen und die Antike, Bd. XVIII., Jahrb. d. Kunsthist. Samml. d. Allerhöchsten Kaiserhauses, Vienna, 1897, pp. 42–43) from the Bulletino di arti, industrie e curiosità veneziane, III., 1880–81, p. 101,[38] the inventory of the curiosities kept in the "Red Chamber" of Marino Faliero's palace in the Parish of the SS. Apostles; we give the following abstract of it:—
Anno