He wondered now why he had never looked about for a better stove, a newer model; or why he had not at least painted this one, flaky with rust. But he had been able to get on only by neglecting negative comforts. He was by no means an ascetic. He knew that he was terribly selfish about personal pleasures, fought for them. If a thing gave him delight, he got it, if he sold his shirt for it. By doing without many so-called necessities he had managed to have his luxuries. He might, for instance, have had a convenient electric drop-light attached to the socket above his writing table. Preferably he wrote by a faithful kerosene lamp which he filled and tended himself. But sometimes he found that the oil-can in the closet was empty; then, to get more, he would have had to go down through the house to the cellar, and on his way he would almost surely become interested in what the children were doing or in what his wife was doing—or he would notice that the kitchen linoleum was breaking under the sink where the maid kicked it up, and he would stop to tack it down. On that perilous journey down through the human house he might lose his mood, his enthusiasm, even his temper. So when the lamp was empty—and that usually occurred when he was in the middle of a most important passage—he jammed an eyeshade on his forehead and worked by the glare of that tormenting pear-shaped bulb, sticking out of the wall on a short curved neck just about four feet above his table. It was hard on eyes even as good as his. But once at his desk, he didn’t dare quit it. He had found that you can train the mind to be active at a fixed time, just as the stomach is trained to be hungry at certain hours of the day.
If someone in the family happened to be sick, he didn’t go to his study at all. Two evenings of the week he spent with his wife and daughters, and one evening he and his wife went out to dinner, or to the theatre or a concert. That left him only four. He had Saturdays and Sundays, of course, and on those two days he worked like a miner under a landslide. Augusta was not allowed to come on Saturday, though she was paid for that day. All the while that he was working so fiercely by night, he was earning his living during the day; carrying full university work and feeding himself out to hundreds of students in lectures and consultations. But that was another life.
St. Peter had managed for years to live two lives, both of them very intense. He would willingly have cut down on his university work, would willingly have given his students chaff and sawdust—many instructors had nothing else to give them and got on very well—but his misfortune was that he loved youth—he was weak to it, it kindled him. If there was one eager eye, one doubting, critical mind, one lively curiosity in a whole lecture-room full of commonplace boys and girls, he was its servant. That ardour could command him. It hadn’t worn out with years, this responsiveness, any more than the magnetic currents wear out; it had nothing to do with Time.
But he had burned his candle at both ends to some purpose—he had got what he wanted. By many petty economies of purse, he had managed to be extravagant with not a cent in the world but with his professor’s salary—he didn’t, of course, touch his wife’s small income from her father. By eliminations and combinations so many and subtle that it now made his head ache to think of them, he had done full justice to his university lectures, and at the same time carried on an engrossing piece of creative work. A man can do anything if he wishes to enough, St. Peter believed. Desire is creation, is the magical element in that process. If there were an instrument by which to measure desire, one could foretell achievement. He had been able to measure it, roughly, just once, in his student Tom Outland,—and he had foretold.
There was one fine thing about this room that had been the scene of so many defeats and triumphs. From the window he could see, far away, just on the horizon, a long, blue, hazy smear—Lake Michigan, the inland sea of his childhood. Whenever he was tired and dull, when the white pages before him remained blank or were full of scratched out sentences, then he left his desk, took the train to a little station twelve miles away, and spent a day on the lake with his sail-boat; jumping out to swim, floating on his back alongside, then climbing into his boat again.
When he remembered his childhood, he remembered blue water. There were certain human figures against it, of course; his practical, strong-willed Methodist mother, his gentle, weaned-away Catholic father, the old Kanuck grandfather, various brothers and sisters. But the great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free. It was the first thing one saw in the morning, across the rugged cow pasture studded with shaggy pines, and it ran through the days like the weather, not a thing thought about, but a part of consciousness itself. When the ice chunks came in of a winter morning, crumbly and white, throwing off gold and rose-coloured reflections from a copper-coloured sun behind the grey clouds, he didn’t observe the detail or know what it was that made him happy; but now, forty years later, he could recall all its aspects perfectly. They had made pictures in him when he was unwilling and unconscious, when his eyes were merely open wide.
When he was eight years old, his parents sold the lakeside farm and dragged him and his brothers and sisters out to the wheat lands of central Kansas. St. Peter nearly died of it. Never could he forget the few moments on the train when that sudden, innocent blue across the sand dunes was dying for ever from his sight. It was like sinking for the third time. No later anguish, and he had had his share, went so deep or seemed so final. Even in his long, happy student years with the Thierault family in France, that stretch of blue water was the one thing he was home-sick for. In the summer he used to go with the Thierault boys to Brittany or to the Languedoc coast; but his lake was itself, as the Channel and the Mediterranean were themselves. “No,” he used to tell the boys, who were always asking him about le Michigan, “it is altogether different. It is a sea, and yet it is not salt. It is blue, but quite another blue. Yes, there are clouds and mists and sea-gulls, but—I don’t know, il est toujours plus naïf.”
Afterward, when St. Peter was looking for a professorship, because he was very much in love and must marry at once, out of the several positions offered him he took the one at Hamilton, not because it was the best, but because it seemed to him that any place near the lake was a place where one could live. The sight of it from his study window these many years had been of more assistance than all the convenient things he had done without would have been.
Just in that corner, under Augusta’s archaic “forms,” he had always meant to put the filing-cabinets he had never spared the time or money to buy. They would have held all his notes and pamphlets, and the spasmodic rough drafts of passages far ahead. But he never got them, and now he really didn’t need them; it would be like locking the stable after the horse is stolen. For the horse was gone—that was the thing he was feeling most just now. In spite of all he’d neglected, he had completed his Spanish Adventurers in eight volumes—without filing cabinets or money or a decent study or a decent stove—and without encouragement, Heaven knew! For all the interest the first three volumes awoke in the world, he might as well have dropped them into Lake Michigan. They had been timidly reviewed by other professors of history, in technical and educational journals. Nobody saw that he was trying to do something quite different—they merely thought he was trying to do the usual thing, and had not succeeded very well. They recommended to him the more even and genial style of John Fiske.
St. Peter hadn’t, he could honestly say, cared a whoop—not in those golden days. When the whole plan of his narrative was coming clearer and clearer all the time, when he could feel his hand growing easier with his material, when all the foolish conventions about that kind of writing were falling away and his relation with his work was becoming every day more simple, natural, and happy—he cared as little as the Spanish Adventurers themselves what Professor So-and-So thought about them.