The customs in England, before the civil wars, are said to have amounted to 500,000 pounds a year:d A sum ten times greater than during the best period in queen Elizabeth’s reign: But there is probably some exaggeration in this matter.
The Post-house, in 1653, was farmed at 10,000 pounds a year, which was deemed a considerable sum for the three kingdoms. Letters paid only about half the present postage.
From 1619 to 1638, there had been coined 6,900,042 pounds. From 1638 to 1657, the coinage amounted to 7,733,521 pounds.e Dr. Davenant has told us, from the registers of the mint, that, between 1558 and 1659, there had been coined 19,832,476 pounds in gold and silver.
The first mention of tea, coffee, and chocolate, is about 1660.f Asparagus, artichoaks, colliflower, and a variety of sallads, were about the same time introduced into England.g
The colony of New England encreased by means of the puritans, who fled thither, in order to free themselves from the constraint, which Laud and the church party had imposed upon them; and before the commencement of the civil wars, it is supposed to have contained 25,000 souls.h For a like reason, the catholics, afterwards, who found themselves exposed to many hardships, and dreaded still worse treatment, went over to America in great numbers, and settled the colony of Maryland.
Before the civil wars, learning and the fine arts were favoured at court, and a good taste began to prevail in the nation. The king loved pictures, sometimes handled the pencil himself, and was a good judge of the art. The pieces of foreign masters were bought up at a vast price; and the value of pictures doubled in Europe by the emulation between Charles and Philip IV. of Spain, who were touched with the same elegant passion. Vandyke was caressed and enriched at court. Inigo Jones was master of the king’s buildings; though afterwards persecuted by the parliament, on account of the part which he had in rebuilding St. Paul’s, and for obeying some orders of council, by which he was directed to pull down houses, in order to make room for that edifice. Laws, who had not been surpassed by any musician before him, was much beloved by the king, who called him the father of music. Charles was a good judge of writing, and was thought by some more anxious with regard to purity of style than became a monarch.i Notwithstanding his narrow revenue, and his freedom from all vanity, he lived in such magnificence, that he possessed four and twenty palaces, all of them elegantly and compleatly furnished; insomuch, that, when he removed from one to another, he was not obliged to transport any thing along with him.
Cromwel, though himself a barbarian, was not insensible to literary merit. Usher, notwithstanding his being a bishop, received a pension from him. Marvel and Milton were in his service. Waller, who was his relation, was caressed by him. That poet always said, that the Protector himself was not so wholly illiterate as was commonly imagined. He gave a hundred pounds a year to the divinity professor at Oxford; and an historian mentions this bounty as an instance of his love of literature.k He intended to have erected a college at Durham for the benefit of the northern counties.
Civil wars, especially when founded on principles of liberty, are not commonly unfavourable to the arts of eloquence and composition; or rather, by presenting nobler and more interesting objects, they amply compensate that tranquillity, of which they bereave the muses. The speeches of the parliamentary orators during this period are of a strain much superior to what any former age had produced in England; and the force and compass of our tongue were then first put to trial. It must, however, be confessed, that the wretched fanaticism, which so much infected the parliamentary party, was no less destructive of taste and science, than of all law and order. Gaiety and wit were proscribed: Human learning despised: Freedom of enquiry detested: Cant and hypocrisy alone encouraged. It was an article positively insisted on in the preliminaries to the treaty of Uxbridge, that all play-houses should for ever be abolished. Sir John Davenant, says Whitlocke,l speaking of the year 1658, published an opera, notwithstanding the nicety of the times. All the king’s furniture was put to sale: His pictures, disposed of at very low prices, enriched all the collections in Europe: The cartoons, when complete, were only appraised at 300 pounds, though the whole collection of the king’s curiosities was sold at above 50,000.m Even the royal palaces were pulled in pieces, and the materials of them sold. The very library and medals at St. James’s, were intended by the generals to be brought to auction, in order to pay the arrears of some regiments of cavalry, quartered near London: But Selden, apprehensive of the loss, engaged his friend Whitlocke, then lord-keeper for the commonwealth, to apply for the office of librarian. This expedient saved that valuable collection.
It is however remarkable, that the greatest genius by far, that shone out in England during this period, was deeply engaged with these fanatics, and even prostituted his pen in theological controversy, in factious disputes, and in justifying the most violent measures of the party. This was John Milton, whose poems are admirable, though liable to some objections; his prose writings disagreeable, though not altogether defective in genius. Nor are all his poems equal: His Paradise Lost, his Comus, and a few others shine out amidst some flat and insipid compositions: Even in the Paradise Lost, his capital performance, there are very long passages, amounting to near a third of the work, almost wholly destitute of harmony and elegance, nay, of all vigour of imagination. This natural inequality in Milton’s genius was much encreased by the inequalities in his subject; of which some parts are of themselves the most lofty that can enter into human conception; others would have required the most laboured elegance of composition to support them. It is certain, that this author, when in a happy mood, and employed on a noble subject, is the most wonderfully sublime of any poet in any language; Homer and Lucretius and Tasso not excepted. More concise than Homer, more simple than Tasso, more nervous than Lucretius; had he lived in a later age, and learned to polish some rudeness in his verses; had he enjoyed better fortune, and possessed leisure to watch the returns of genius in himself; he had attained the pinnacle of perfection, and borne away the palm of epic poetry.
It is well known, that Milton never enjoyed in his lifetime the reputation which he deserved. His Paradise Lost was long neglected: Prejudices against an apologist for the regicides, and against a work not wholly purged from the cant of former times, kept the ignorant world from perceiving the prodigious merit of that performance. Lord Somers, by encouraging a good edition of it, about twenty years after the author’s death, first brought it into request; and Tonson, in his dedication of a smaller edition, speaks of it as a work just beginning to be known. Even during the prevalence of Milton’s party, he seems never to have been much regarded; and Whitlocken talks of one Milton, as he calls him, a blind man, who was employed in translating a treaty with Sweden into Latin. These forms of expression are amusing to posterity, who consider how obscure Whitlocke himself, though lord-keeper, and ambassador, and indeed a man of great abilities and merit, has become in comparison of Milton.
It is not strange, that Milton received no encouragement after the restoration: It is more to be admired, that he escaped with his life. Many of the cavaliers blamed extremely that lenity towards him, which was so honourable in the king, and so advantageous to posterity. It is said, that he had saved Davenant’s life during the protectorship; and Davenant in return afforded him like protection after the restoration; being sensible, that men of letters ought always to regard their sympathy of taste as a more powerful band of union, than any difference of party or opinion as a source of animosity. It was during a state of poverty, blindness, disgrace, danger, and old age, that Milton composed his wonderful poem, which not only surpassed all the performances