Lisetta.
ANCIENT POETRY.
I love old poetry, with its obscure expressions, its obsolete words, its quaint measure, and rough rhyme. I love it with all these, perhaps for these. It is because it is different from modern poetry, and not that I think it better, that it at times affords me pleasure. But when one has been indulging in the perusal of the smooth and elegant productions of later poets, there is at least the charm of variety in turning to those of ancient bards. This is pleasant to those who love to exercise the imagination—for if we would understand our author, we must go back into olden times; we must look upon the countenances and enter into the feelings of a long-buried generation; we must remember that much of what we know was then unknown, and that thoughts and sentiments which may have become common to us, glowed upon these pages in all their primal beauty. Much of which our writer may speak has now been wholly lost; and difficult, if not impossible, to be understood are many of his expressions and allusions.
But these difficulties present a "delightful task" to those who would rather push on through a tangled labyrinth, than to walk with ease in a smooth-rolled path. Their self-esteem is gratified by being able to discover beauty where other eyes behold but deformity: and a brilliant thought or glowing image is rendered to them still more beautiful, because it shines through a veil impenetrable to other eyes. They are proud of their ability to perceive this beauty, or understand that oddity, and they care not for the mental labor which they have been obliged to perform.
When I turn from modern poetry to that of other days, it is like leaving bright flowery fields to enter a dark tangled forest. The air is cooler, but damp and heavy. A sombre gloom reigns throughout, occasionally broken by flitting sunbeams, which force their way through the thick branches which meet above me, and dance and glitter upon the dark underwood below. They are strongly contrasted with the deep shade around, and my eye rests upon them with more pleasure than it did upon the broad flood of sunshine which bathes the fields without. My searching eye at times discovers some lonely flower, half hidden by decayed leaves and withered moss, yet blooming there in undecaying beauty. There are briers and thistles and creeping vines around, but I heedlessly press on, for I must enjoy the fragrance and examine the structure of these unobtrusive plants. I enjoy all this for a while, but at length I grow chilled and weary, and am glad to leave the forest for a less fatiguing resort.
But there is one kind of old poetry to which these remarks may not apply—I mean the Poetry of the Bible.—And how much is there of this! There are songs of joy and praise, and those of woe and lamentation; there are odes and elegies; there are prophecies and histories; there are descriptions of nature and narratives of persons, and all written with a fervency of feeling which embodies itself in lofty and glowing imagery. And what is this but poetry? yet not that which can be compared to some dark, mazy forest, but rather like a sacred grove, such as "were God's first temples." There is no gloom around, neither is there bright sunshine; but a calm and holy light pervades the place. The tall trees meet not above me, but through their lofty boughs I can look up and see the blue heavens bending their perfect dome above the hallowed spot, while now and then some fleecy cloud sails slowly on, as though it loved to shadow the still loneliness beneath. There are soft winds murmuring through the high tree-tops, and their gentle sound is like a voice from the spirit-land. There are delicate white flowers waving upon their slight stems, and their sweet fragrance is like the breath of heaven. I feel that I am in God's temple. The Spirit above waits for the sacrifice. I can now erect an altar, and every selfish worldly thought should be laid thereon, a free-will offering. But when the rite is over, and I leave this consecrated spot for the busy path of life, I should strive to bear into the world a heart baptized in the love of beauty, holiness, and truth.
I have spoken figuratively—perhaps too much so to please the pure and simple tastes of some—but He who made my soul and placed it in the body which it animates, implanted within it a love of the beautiful in literature, and this love was first awakened and then cherished by the words of Holy Writ.
I have, when a child, read my Bible, from its earliest book to its latest. I have gone in imagination to the plains of Uz, and have there beheld the pastoral prince in all his pride and glory. I have marked him; too, when in the depth of his sorrow he sat speechless upon the ground for seven days and seven nights; but when he opened his mouth and spake, I listened with eagerness to the heart-stirring words and startling imagery which poured forth from his burning lips! But my heart has thrilled with a delightful awe when "the Lord answered Job out of the whirlwind," and I listened to words of more simplicity than uninspired man may ever conceive.
I have gone, too, with the beloved disciple into that lonely isle where he beheld those things of which he was commanded to write. My imagination dared not conceive of the glorious throne, and of Him who sat upon it; but I have looked with a throbbing delight upon the New Jerusalem coming down from heaven in her clear crystal light, "as a bride adorned for her husband." I have gazed upon the golden city, flashing like "transparent glass," and have marked its pearly gates and walls of every precious stone. In imagination have I looked upon all this, till my young spirit longed to leave its earthly tenement and soar upward to that brighter world, where there is no need of sun or moon, for "the Lamb is the light thereof."
I have since read my Bible for better purposes than the indulgence of taste. There must I go to learn my duty to God and my neighbor. There should I look for precepts to direct the life that now is, and for the promise of that which is to come; yet seldom do I close that sacred volume without a feeling of thankfulness, that the truths of our holy religion have been so often presented in forms which not only reason and conscience will approve, but also which the fancy can admire and the heart must love.
Ella.
THE SPIRIT OF DISCONTENT.
"I will not stay in Lowell any longer; I am determined to give my notice this very day," said Ellen Collins, as the earliest bell was tolling to remind us of the hour for labor.
"Why, what is the matter, Ellen? It seems to me you have dreamed out a new idea! Where do you think of going? and what for?"
"I am going home, where I shall not be obliged to rise so early in the morning, nor be dragged about by the ringing of a bell, nor confined in a close noisy room from morning till night. I will not stay here; I am determined to go home in a fortnight."
Such was our brief morning's conversation.
In the evening, as I sat alone, reading, my companions having gone out to public lectures or social meetings, Ellen entered. I saw that she still wore the same gloomy expression of countenance, which had been manifested in the morning; and I was disposed to remove from her mind the evil influence, by a plain common-sense conversation.
"And so, Ellen," said I, "you think it unpleasant to rise so early in the morning, and be confined in the noisy mill so many hours during the day. And I think so, too. All this, and much more, is very annoying, no doubt. But we must not forget that there are advantages, as well as disadvantages, in this employment, as in every other. If we expect to find all sunshine and flowers in any station in life, we shall most surely be disappointed. We are very