THE JINGLING MATCH.
And then they inspect the penny peep-show, at least Tom does, while old Benjy stands outside and gossips, and walks up the steps, and enters the mysterious doors of the pink-eyed lady and the Irish Giant, who do not by any means come up to their pictures; and the boa will not swallow his rabbit, but there the rabbit is waiting to be swallowed,—and what can you expect for tuppence?[47] We are easily pleased in the Vale. Now there is a rush of the crowd, and a tinkling bell is heard, and shouts of laughter; and Master Tom mounts on Benjy's shoulders, and beholds a jingling match in all its glory. The games are begun, and this is the opening of them. It is a quaint[48] game, immensely amusing to look at; and as I don't know whether it is used in your counties, I had better describe it. A large roped ring is made, into which are introduced a dozen or so of big boys and young men who mean to play; these are carefully blinded and turned loose into the ring, and then a man is introduced not blind-folded, with a bell hung round his neck, and his two hands tied behind him. Of course, every time he moves, the bell must ring, as he has no hand to hold it, and so the dozen blind-folded men have to catch him. This they cannot always manage if he is a lively fellow, but half of them always rush into the arms of the other half, or drive their heads together, or tumble over; and then the crowd laughs vehemently, and invents nicknames for them on the spur of the moment, and they, if they be choleric, tear off the handkerchiefs which blind them, and not unfrequently pitch into one another, each thinking that the other must have run against him on purpose. It is great fun to look at a jingling match certainly, and Tom shouts and jumps on old Benjy's shoulders at the sight, until the old man feels weary, and shifts him to the strong young shoulders of the groom, who has just got down to the fun.
And now, while they are climbing the pole in another part of the field, and muzzling in a flour-tub[49] in another, the old farmer whose house, as has been said, overlooks the field, and who is master of the revels, gets up the steps on to the stage, and announces to all whom it may concern that a half-sovereign[50] in money will be forthcoming for the old gamester who breaks most heads; to which the squire and he have added a new hat.
The amount of the prize is sufficient to stimulate the men of the immediate neighborhood, but not enough to bring any very high talent from a distance; so, after a glance or two round, a tall fellow, who is a down shepherd,[51] chucks his hat on to the stage and climbs up the steps, looking rather sheepish. The crowd, of course, first cheer, then chaff[52] as usual, as he picks up his hat and begins handling the sticks to see which will suit him.
THE BACK-SWORDING.
"Wooy,[53] Willum Smith, thee canst plaay wi' he[54] arra[55] daay," says his companion to the blacksmith's apprentice, a stout young fellow of nineteen or twenty. Willum's sweetheart is in the "veast" somewhere, and has strictly enjoined him not to get his head broke at back-swording, on pain of her highest displeasure; but as she is not to be seen (the women pretend not to like to see the back-sword play, and keep away from the stage), and as his hat is decidedly getting old, he chucks it on to the stage, and follows himself, hoping that he will only have to break other people's heads, or that after all Rachel won't really mind.
Then follows the greasy cap, lined with fur, of a half-gipsy, poaching,[56] loafing fellow who travels the Vale not for much good, I fancy:
"Full twenty times was Peter feared
For once that Peter was respected,"[B]
in fact. And then three or four other hats, including the glossy castor[57] of Joe Willis, the self-elected and would-be champion of the neighborhood, a well-to-do young butcher of twenty-eight or thereabouts, and a great strapping fellow, with his full allowance of bluster. This is a capital show of gamesters, considering the amount of the prize; so, while they are picking their sticks and drawing their lots, I think I must tell you, as shortly as I can, how the noble old game of back-sword is played; for it has sadly gone out of late, even in the Vale, and maybe you have never seen it.
[B] Wordsworth's "Peter Bell."
The weapon is a good stout ash-stick with a large basket-handle,[58] heavier and some what shorter than a common single-stick. The players are called "old gamesters"—why, I can't tell you—and their object is simply to break one another's head: for the moment that blood runs an inch anywhere above the eyebrow, the old gamester to whom it belongs is beaten, and has to stop. A very slight blow with the sticks will fetch blood, so that it is by no means a punishing pastime, if the men don't play on purpose, and savagely, at the bodies and arms of their adversaries. The old gamester going into action only takes off his hat and coat, and arms himself with a stick; he then loops the fingers of his left hand in a handkerchief or strap, which he fastens round his left leg, measuring the length, so that when he draws it tight with his left elbow in the air, that elbow shall just reach as high as his crown. Thus you see, so long as he chooses to keep his left elbow up, regardless of cuts, he has a perfect guard for the left side of his head. Then he advances his right hand above and in front of his head, holding his stick across, so that its point projects an inch or two over his left elbow; and thus his whole head is completely guarded, and he faces his man armed in like manner; and they stand some three feet apart, often nearer, and feint,[59] and strike, and return at one another's head, until one cries "hold," or blood flows. In the first case they are allowed a minute's time, and go on again; in the latter, another pair of gamesters are called on. If good men are playing, the quickness of the return is marvellous; you hear the rattle like that a boy makes drawing his stick along palings, only heavier; and the closeness of the men in action to one another gives it a strange interest, and makes a spell at back-swording a very noble sight.
JOE AND THE GIPSY.
They are all suited now with sticks, and Joe Willis and the gipsy man have drawn the first lot. So the rest lean against the rails of the stage, and Joe and the dark man meet in the middle, the boards having been strewed with sawdust; Joe's white shirt and spotless drab breeches and boots contrasting with the gipsy's coarse blue shirt and dirty green velveteen breeches and leather gaiters. Joe is evidently turning up his nose at the other, and half insulted at having to break his head.
The gipsy is a tough, active fellow, but not very skilful with his weapon, so that Joe's weight and strength tell in a minute; he is too heavy metal for him; whack, whack, whack, come his blows, breaking down the gipsy's guard, and threatening to reach his head every moment. There it is at last—"Blood, blood!" shouted the spectators, as a thin stream oozes out slowly from the roots of his hair, and the umpire[60] calls to them to stop. The gipsy scowls at Joe under his brows in no pleasant manner, while Master Joe swaggers about, and makes attitudes, and