The servants, forgetting distance at the impulse of enthusiasm and emotion, also held their right hands out to him.
"Good luck, Don Juan!"
And he turned in all directions smiling, regardless of the frightened faces of the ladies of the hotel.
"Thanks, many thanks! See you later."
He was a different man. From the moment he had hung the glittering cape over one shoulder a persistent smile illuminated his countenance. He was pale, with a sweaty pallor like that of the sick; but he smiled, satisfied to live and to show himself in public, adopting his new pose with the instinctive freedom of one who but needs an incentive to parade before the people.
He swaggered with arrogance, puffing occasionally at the cigar he carried in his left hand. He moved his hips haughtily under his handsome cape and strode with a firm step and with the flippancy of a gay youth.
"Come, gentlemen, make way! Many thanks; many thanks."
And he tried to preserve his dress from unclean contact as way was made among an ill-clad, enthusiastic crowd which surged against the doors of the hotel. They had no money with which to go to the bull-fight but they took advantage of the opportunity of pressing the hand of the famous Gallardo, or of at least touching his garments.
A coach drawn by four richly caparisoned mules with tassels and bells stood waiting at the door. Garabato had already seated himself on the box with his bundle of muletas and swords. Three bull-fighters were inside with their capes over their knees, dressed in gayly colored clothes embroidered with as great profusion as the master's, but in silver.
Pressed onward by the popular ovation, and having to defend himself with his elbows from greedy hands, Gallardo reached the carriage-step.
"Good-afternoon, gentlemen," he said shortly to the men of his cuadrilla.
He seated himself at the back so that all could see him, and smiled with responsive nods to the shouts of some ragged women and to the short applause begun by some newsboys.
The carriage started with all the impetus of the spirited mules, filling the street with gay ringing. The mob parted to give passage but many rushed at the carriage as though they would fall under its wheels. Hats and canes were waved; an explosion of enthusiasm burst from the crowd, one of those contagions that agitate and madden the masses at certain times—making every one shout without knowing why.
"Hurrah for the brave! Viva España!"
Gallardo, ever pale and smiling, saluted, repeating "many thanks," moved by the contagion of popular enthusiasm and proud of his standing which united his name to that of his native land.
A troop of dishevelled youngsters ran after the coach at full speed, as though convinced that, at the end of the mad race, something extraordinary surely awaited them.
For at least an hour Alcalá Street had been like a river of carriages that flowed toward the outskirts of the city between two banks of close-packed foot passengers. All kinds of vehicles, ancient and modern, figured in this tumultuous and noisy emigration, from the ancient diligence, brought to light like an anachronism, to the automobile. Crowded tramways passed with groups of people overflowing on their steps. Omnibuses carried people to the corner of Seville Street, while the conductor shouted "To the plaza! To the plaza!" Tasselled mules with jingling bells trotted ahead of open carriages in which rode women in white mantillas with bright flowers in their hair; every instant exclamations of alarm were heard at the escape, by apelike agility, of some boy beneath the wheels of a carriage as he crossed by leaps from one sidewalk to the other defying the current of vehicles. Automobile horns tooted; coachmen yelled; newsboys shouted the page with the picture and history of the bulls that were to be fought, or the likeness and biography of the famous matadores, and from time to time an explosion of curiosity swelled the deafening roar of the crowd.
Among the dark steeds of the mounted police rode gayly dressed caballeros with their legs rigidly encased in yellow leggings, wearing gilded jackets and beaver hats with heavy tassels in lieu of a cockade, mounted on thin and miserable hacks. They were the picadores. Aft on the crupper, behind the high Moorish saddle, rode an impish figure dressed in red, the mono sabio, or servant who had brought the troop of horses to their hostelry.
The cuadrillas passed in open coaches, and the embroidery of the bull-fighters, reflecting the afternoon light, seemed to dazzle the crowd and excite its enthusiasm. "That is Fuentes!" "That is Bomba!" And the people, pleased with the identification, followed the retreating carriages with greedy stare as if something startling were going to happen and they feared to be too late.
From the top of the hill on Alcalá Street the broad straight road shone white in the sun, with its rows of trees turning green at the breath of spring, the balconies black with people, and the highway only visible at intervals beneath the ant-like movement of the crowd and the rolling of the coaches descending to the Fountain of Cibeles. Here the hill rose again amid groves and tall buildings and the Puerta de Alcalá closed the perspective like a triumphal arch, rearing its perforated white mass against the blue space in which flecks of clouds floated like solitary swans.
Gallardo rode in silence, responding to the multitude with a fixed smile. Since his greeting to the banderilleros he had not spoken a word. They were also silent and pale with anxiety over the unknown. Being all bull-fighters together, they put aside as useless the gallantries necessary before the public.
A mysterious influence seemed to tell the crowd of the passing of the last cuadrilla that wound its way to the plaza. The vagabonds that ran behind the coach shouting after Gallardo had been outstripped and the group scattered among the carriages, but in spite of this the people turned their heads as if they divined the proximity of the celebrated bull-fighter behind them and they stopped, lining up against the edge of the sidewalk to see him better.
The women in the coaches in advance turned their heads, attracted by the jingling bells of the trotting mules. An indescribable roar rose from certain groups that barred the passage along the sidewalks. There were enthusiastic exclamations. Some waved their hats; others lifted canes and swung them in salutation.
Gallardo responded to all with grinning smile but in his preoccupation he seemed to take small account of these greetings. At his side rode Nacional, his confidential servant, a banderillero, older than himself by ten years, a rugged, strong man with brows grown together and a grave visage. He was famous among the men of the profession for his good nature, his manliness, and his political enthusiasms.
"Juan—don't complain of Madri'," said Nacional; "thou art made with the public."
But Gallardo, as if he did not hear him and as if he wished to get away from the thoughts that occupied him, answered:
"I feel it in my heart that something's going to happen this afternoon."
When they arrived at Cibeles the coach stopped. A great funeral was coming along the Prado from the Castellana, cutting through the avalanche of carriages from Alcalá Street.
Gallardo turned paler, contemplating with angry eyes the passing of the cross and the defile of the priests who broke into a grave chant as they gazed, some with aversion, others with envy, at that God-forgotten multitude running after amusement.
Gallardo made haste to take off his cap, in which he was imitated by all his banderilleros except Nacional.
"But damn it!" yelled Gallardo, "uncover, condenao!"
He looked furious, as though he would strike him, convinced by some confused intuition that this rebellion would cause the most terrible misfortune to befall him.
"Well, I take it off," said Nacional with the ill grace of a thwarted child, as he saw the cross pass on, "I take it off, but it is to the dead."
They were detained some time to let the long cortège pass.
"Bad sign!" muttered Gallardo in