Being, however, so far advanced, there is no retracting; and I am resolved to journey along with Quiet and Content for my companions. These two comfortable deities have, I believe, taken Flanders under their especial protection; every step one advances discovering some new proof of their influence. The neatness of the houses, and the universal cleanliness of the villages, show plainly that their inhabitants live in ease and good humour. All is still and peaceful in these fertile lowlands: the eye meets nothing but round unmeaning faces at every door, and harmless stupidity smiling at every window. The beasts, as placid as their masters, graze on without any disturbance; and I scarcely recollect to have heard one grunting swine or snarling mastiff during my whole progress. Before every village is a wealthy dunghill, not at all offensive, because but seldom disturbed; and there sows and porkers bask in the sun, and wallow at their ease, till the hour of death and bacon arrives.
But it is high time to lead you towards Antwerp. More rich pastures, more ample fields of grain, more flourishing willows! A boundless plain lies before this city, dotted with cows, and speckled with flowers; a level whence its spires and quaint roofs are seen to advantage! The pale colours of the sky, and a few gleams of watery sunshine, gave a true Flemish cast to the scenery, and everything appeared so consistent, that I had not a shadow of pretence to think myself asleep.
After crossing a broad expanse of river, edged on one side by beds of osiers beautifully green, and on the other by gates and turrets preposterously ugly, we came through several streets of lofty houses to our inn. Its situation in the “Place de Meir,” a vast open space surrounded by buildings above buildings, and roof above roof, has something striking and singular. A tall gilt crucifix of bronze, sculptured by Cortels of Malines,[1] adds to its splendour; and the tops of some tufted trees, seen above a line of magnificent hotels, add greatly to the effect of the perspective.
It was almost dusk when we arrived; and as I am very partial to new objects discovered by this dubious, visionary light, I went immediately a rambling. Not a sound disturbed my meditations: there were no groups of squabbling children or talkative old women. The whole town seemed retired into their inmost chambers; and I kept winding and turning about, from street to street, and from alley to alley, without meeting a single inhabitant. Now and then, indeed, one or two women in long cloaks and mantles glided by at a distance; but their dress was so shroud-like, and their whole appearance so ghostly, that I should have been afraid to accost them. As night approached, the ranges of buildings grew more and more dim, and the silence which reigned amongst them more awful. The canals, which in some places intersect the streets, were likewise in perfect solitude, and there was just light sufficient for me to observe on the still waters the reflection of the structures above them. Except two or three tapers glimmering through the casements, no one circumstance indicated human existence. I might, without being thought very romantic, have imagined myself in the city of petrified people which Arabian fabulists are so fond of describing. Were any one to ask my advice upon the subject of retirement, I should tell him—By all means repair to Antwerp. No village amongst the Alps, or hermitage upon Mount Lebanon, is less disturbed: you may pass your days in this great city without being the least conscious of its sixty thousand inhabitants, unless you visit the churches. There, indeed, are to be heard a few devout whispers, and sometimes, to be sure, the bells make a little chiming; but, walk about, as I do, in the twilights of midsummer, and be assured your ears will be free from all molestation.
You can have no idea how many strange, amusing fancies played around me whilst I wandered along; nor how delighted I was with the novelty of my situation. But a few days ago, thought I within myself, I was in the midst of all the tumult and uproar of London: now, as if by some magic influence, I am transported to a city equally remarkable indeed for streets and edifices, but whose inhabitants seem cast into a profound repose. What a pity that we cannot borrow some small share of this soporific disposition! It would temper that restless spirit which throws us sometimes into such dreadful convulsions. However, let us not be too precipitate in desiring so dead a calm; the time may arrive when, like Antwerp, we may sink into the arms of forgetfulness; when a fine verdure may carpet our Exchange, and passengers traverse the Strand without any danger of being smothered in crowds or crushed by carriages.
Reflecting, in this manner, upon the silence of the place, contrasted with the important bustle which formerly rendered it so famous, I insensibly drew near to the cathedral, and found myself, before I was aware, under its stupendous tower. It is difficult to conceive an object more solemn or more imposing than this edifice at the hour I first beheld it. Dark shades hindered my examining the lower galleries; their elaborate carved work was invisible; nothing but huge masses of building met my sight, and the tower, shooting up four hundred and sixty-six feet in the air, received an additional importance from the gloom which prevailed below. The sky being perfectly clear, several stars twinkled through the mosaic of the pinnacles, and increased the charm of their effect.
Whilst I was indulging my reveries, a ponderous bell struck ten, and such a peal of chimes succeeded, as shook the whole edifice, notwithstanding its bulk, and drove me away in a hurry. I need not say, no mob obstructed my passage. I ran through a succession of streets, free and unmolested, as if I had been skimming along over the downs of Wiltshire. The voices of my servants conversing before the hotel were the only sounds which the great “Place de Meir” echoed.
This characteristic stillness was the more pleasing, when I looked back upon those scenes of outcry and horror which filled London but a week or two ago, when danger was not confined to night only, and to the environs of the capital, but haunted our streets at mid-day. Here, I could wander over an entire city; stray by the port, and venture through the most obscure alleys, without a single apprehension; without beholding a sky red and portentous with the light of houses on fire, or hearing the confusion of shouts and groans mingled with the reports of artillery. I can assure you, I think myself very fortunate to have escaped the possibility of another such week of desolation, and to be peaceably lulled at Antwerp.
LETTER II.
Visit to the cabinets of pictures in Antwerp.—Monsieur Van Lencren’s collection.—The Canon Knyff’s house and gallery of paintings.—The Canon himself.—His domestic felicity.—Revisit the cathedral.—Grand service in honour of St. John the Baptist.—Mynheer Van den Bosch, the organist’s astonishing flashes of execution.—Evening service in the cathedral.—Magical effect of the music of Jomelli.—Blighted avenues.—Slow travelling.—Enter the United Provinces.—Level scenery.—Chinese prospects.—Reach Meerdyke.—Arrival at the Hague.
Antwerp, 23rd June, 1780.
AFTER breakfast this morning I began my pilgrimage to all the cabinets of pictures in Antwerp. First, I went to Monsieur Van Lencren’s, who possesses a suite of apartments, lined, from the base to the cornice, with the rarest productions of the Flemish school. Heaven forbid I should enter into a detail of their niceties! I might as well count the dew-drops upon the most spangled of Van Huysum’s flower-pieces, or the pimples on their possessor’s countenance; a very good sort of man, indeed; but from whom I was not at all sorry to be delivered.
My joy was, however, of short duration, as a few minutes brought me into the court-yard of the Canon Knyff’s habitation; a snug abode, well furnished with ample fauteuils and orthodox couches. After viewing the rooms on the first floor, we mounted an easy staircase, and entered an ante-chamber, which they who delight in the imitations of art rather than of nature, in the likenesses of joint stools and the portraits of tankards, would esteem most capitally adorned: but it must be confessed, that amongst these uninteresting performances are dispersed a few striking Berghems and agreeable Polembergs. In the gallery adjoining, two or three Rosa de Tivolis merit observation; and a large Teniers, representing the Hermit St. Anthony surrounded by a malicious set of imps and leering devilesses, is well calculated to display the whimsical buffoonery of a Dutch imagination.
I