This scruple had occurred to Marion almost as soon as he discovered himself to be studying Lady Tal; and it occurred to him once or twice afterwards. But he despatched it satisfactorily. Lady Tal, in the first place, was making use of him in the most outrageous way, without scruple or excuse; it was only just that he, in his turn, should turn her to profit with equal freedom. This reason, however, savoured slightly of intellectual caddishness, and Marion rejected it with scorn. The real one, he came to perceive, was that Lady Tal gratuitously offered herself for study by her quiet, aggressive assumption of inscrutability. She really thrust her inscrutability down one's throat; her face, her manner, her every remark, her very novel, were all so many audacious challenges to the more psychological members of the community. She seemed to be playing on a gong and crying: "Does anyone feel inclined to solve a riddle? Is there any person who thinks himself sufficiently clever to understand me?" And when a woman takes up such an attitude, it is only natural, human and proper that the first novelist who comes along that way should stop and say: "I intend to get to the bottom of you; one, two, three, I am going to begin."
So Jervase Marion assiduously cultivated the society of Lady Atalanta, and spent most of his time instructing her in the art of the novelist.
VI.
One morning Marion, by way of exception, saw and studied Lady Tal without the usual medium of the famous novel. It was early, with the very first autumn crispness in the blue morning, in the bright sun which would soon burn, but as yet barely warmed. Marion was taking his usual ramble through the tortuous Venetian alleys, and as usual he had found himself in one of his favourite haunts, the market on the further slope of the Rialto.
That market—the yellow and white awnings, and the white houses against the delicate blue sky; the bales and festoons of red and green and blue and purple cotton stuffs outside the little shops, and below that the shawled women pattering down the bridge steps towards it; the monumental display of piled up peaches and pears, and heaped up pumpkins and mysterious unknown cognate vegetables, round and long, purple, yellow, red, grey, among the bay leaves, the great, huge, smooth, green-striped things, cut open to show their red pulp, the huger things looking as if nature had tried to gild and silver them unsuccessfully, tumbled on to the pavement; the butchers' shops with the gorgeous bullocks' hearts and sacrificial fleeced lambs; the endless hams and sausages—all this market, under the blue sky, with this lazy, active, noisy, brawling, friendly population jerking and lolling about it, always seemed to Marion one of the delightful spots of Venice, pleasing him with a sense (although he knew it to be all false) that here was a place where people could eat and drink and laugh and live without any psychological troubles.
On this particular morning, as this impression with the knowledge of its falseness was as usual invading Marion's consciousness, he experienced a little shock of surprise, incongruity, and the sudden extinction of a pleasingly unreal mood, on perceiving, coming towards him, with hand cavalierly on hip and umbrella firmly hitting the ground, the stately and faultlessly coated and shirted and necktied figure of Lady Atalanta.
"I have had a go already at Christina," she said, after extending to Marion an angular though friendly handshake, and a cheerful frank inscrutable smile of her big blue eyes and her little red mouth. "That novel is turning me into another woman: the power of sinning, as the Salvationists say, has been extracted out of my nature even by the rootlets; I sat up till two last night after returning from the Lido, and got up this morning at six, all for the love of Christina and literature. I expect Dawson will give me warning; she told me yesterday that she 'had never know any other lady that writes so much or used them big sheets of paper, quite henormous, my lady.' Dear old place, isn't it? Ever tasted any of that fried pumpkin? It's rather nasty but quite good; have some? I wonder we've not met here before; I come here twice a week to shop. You don't mind carrying parcels, do you?" Lady Tal had stopped at one of the front stalls, and having had three vast yellow paper bags filled with oranges and lemons, she handed the two largest to Marion.
"You'll carry them for me, won't you, there's a good creature: like that I shall be able to get rather more rolls than I usually can. It's astonishing how much sick folk care for rolls. I ought to explain I'm going to see some creatures at the hospital. It takes too long going there in the gondola from my place, so I walk. If you were to put those bags well on your chest like that, under your chin, they'd be easier to hold, and there'd be less chance of the oranges bobbing out."
At a baker's in one of the little narrow streets near the church of the Miracoli, Lady Atalanta provided herself with a bag of rolls, which she swung by the string to her wrist. Marion then perceived that she was carrying under her arm a parcel of paper-covered books, fastened with an elastic band.
"Now we shall have got everything except some flowers, which I daresay we can get somewhere on the way," remarked Lady Tal. "Do you mind coming in here?" and she entered one of those little grocer's shops, dignified with the arms of Savoy in virtue of the sale of salt and tobacco, and where a little knot of vague, wide-collared individuals usually hang about among the various-shaped liqueur bottles in an atmosphere of stale cigar, brandy and water, and kitchen soap.
"May—I—a—a—ask for anything for you, Lady Tal?" requested Marion, taken completely by surprise by the rapidity of his companion's movements. "You want stamps, I presume; may I have the honour of assisting you in your purchase?"
"Thanks, it isn't stamps; it's snuff, and you wouldn't know what sort to get." And Lady Tal, making her stately way through the crowd of surprised loafers, put a franc on the counter and requested the presiding female to give her four ounces of Semolino, but of the good sort——;"It's astonishing how faddy those old creatures are about their snuff!" remarked Lady Tal, pocketing her change. "Would you put this snuff in your pocket for me? Thanks. The other sort's called Bacubino, it's dark and clammy, and it looks nasty. Have you ever taken snuff? I do sometimes to please my old creatures; it makes me sneeze, you know, and they think that awful fun."
As they went along Lady Atalanta suddenly perceived, in a little green den, something which attracted her attention.
"I wonder whether they're fresh?" she mused. "I suppose you can't tell a fresh egg when you see it, can you, Mr. Marion? Never mind, I'll risk it. If you'll take this third bag of oranges, I'll carry the eggs—they might come to grief in your hands, you know."
"What an odious, odious creature a woman is," thought Marion. He wondered, considerably out of temper, why he should feel so miserable at having to carry all those oranges. Of course with three gaping bags piled on his chest there was the explanation of acute physical discomfort; but that wasn't sufficient. It seemed as if this terrible, aristocratic giantess were doing it all on purpose to make him miserable. He saw that he was intensely ridiculous in her eyes, with those yellow bags against his white waistcoat and the parcel of snuff in his coat pocket; his face was also, he thought, streaming with perspiration, and he couldn't get at his handkerchief. It was childish, absurd of him to mind; for, after all, wasn't Lady Atalanta equally burdened? But she, with her packets of rolls, and packet of books, and basket of eggs, and her umbrella tucked under her arm, looked serene and even triumphant in her striped flannel.
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