Where is he to be seen? where dwells he? what like is his home? what sort of a house does he build? His costume? his arms? his occupation? his habits? These are the questions you would put. They shall all be answered, but briefly as possible—since our limited space requires brevity.
The wild Indian, then, is not to be found upon the Amazon itself, though there are long reaches of the river where he is free to roam—hundreds of miles without either town or estancia. He hunts, and occasionally fishes by the great water, but does not there make his dwelling—though in days gone by, its shores were his favourite place of residence. These were before the time when Orellana floated down past the door of his “malocca”—before that dark hour when the Brazilian slave-hunter found his way into the waters of the mighty Solimoes. This last event was the cause of his disappearance. It drove him from the shores of his beloved river-sea; forced him to withdraw his dwelling from observation, and rebuild it far up, on those tributaries where he might live a more peaceful life, secure from the trafficker in human flesh. Hence it is that the home of the Amazonian Indian is now to be sought for—not on the Amazon itself, but on its tributary streams—on the “canos” and “igaripes,” the canals and lagoons that, with a labyrinthine ramification, intersect the mighty forest of the Montana. Here dwells he, and here is he to be seen by any one bold enough to visit him in his fastness home.
How is he domiciled? Is there anything peculiar about the style of his house or his village?
Eminently peculiar; for in this respect he differs from all the other savage people of whom we have yet written, or of whom we may have occasion to write.
Let us proceed at once to describe his dwelling. It is not a tent, nor is it a hut, nor a cabin, nor a cottage, nor yet a cave! His dwelling can hardly be termed a house, nor his village a collection of houses—since both house and village are one and the same, and both are so peculiar, that we have no name for such a structure in civilised lands, unless we should call it a “barrack.” But even this appellation would give but an erroneous idea of the Amazonian dwelling; and therefore we shall use that by which it is known in the “Lingoa geral,” and call it a malocca.
By such name is his house (or village rather) known among the tapuios and traders of the Amazon. Since it is both house and village at the same time, it must needs be a large structure; and so is it, large enough to contain the whole tribe—or at least the section of it that has chosen one particular spot for their residence. It is the property of the whole community, built by the labour of all, and used as their common dwelling—though each family has its own section specially set apart for itself. It will thus be seen that the Amazonian savage is, to some extent, a disciple of the Socialist school.
I have not space to enter into a minute account of the architecture of the malocca. Suffice it to say, that it is an immense temple-like building, raised upon timber uprights, so smooth and straight as to resemble columns. The beams and rafters are also straight and smooth, and are held in their places by “sipos” (tough creeping plants), which are whipped around the joints with a neatness and compactness equal to that used in the rigging of a ship. The roof is a thatch of palm-leaves, laid on with great regularity, and brought very low down at the eaves, so as to give to the whole structure the appearance of a gigantic beehive. The walls are built of split palms or bamboos, placed so closely together as to be impervious to either bullet or arrows.
The plan is a parallelogram, with a semicircle at one end; and the building is large enough to accommodate the whole community, often numbering more than a hundred individuals. On grand festive occasions several neighbouring communities can find room enough in it—even for dancing—and three or four hundred individuals not unfrequently assemble under the roof of a single malocca.
Inside the arrangements are curious. There is a wide hall or avenue in the middle—that extends from end to end throughout the whole length of the parallelogram—and on both sides of the hall is a row of partitions, separated from each other by split palms or canes, closely placed. Each of these sections is the abode of a family, and the place of deposit for the hammocks, clay pots, calabash-cups, dishes, baskets, weapons, and ornaments, which are the private property of each. The hall is used for the larger cooking utensils—such as the great clay ovens and pans for baking the cassava, and boiling the caxire or chicha. This is also a neutral ground, where the children play, and where the dancing is done on the occasion of grand “balls” and other ceremonial festivals.
The common doorway is in the gable end, and is six feet wide by ten in height. It remains open during the day, but is closed at night by a mat of palm fibre suspended from the top. There is another and smaller doorway at the semicircular end; but this is for the private use of the chief, who appropriates the whole section of the semicircle to himself and his family.
Of course the above is only the general outline of a malocca. A more particular description would not answer for that of all the tribes of the Amazon. Among different communities, and in different parts of the Montaña, the malocca varies in size, shape, and the materials of which it is built; and there are some tribes who live in separate huts. These exceptions, however, are few, and as a general thing, that above described is the style of habitation throughout the whole Montaña, from the confines of Peru to the shores of the Atlantic. North and south we encounter this singular house-village, from the headwaters of the Rio Negro to the highlands of Brazil.
Most of the Amazonian tribes follow agriculture, and understood the art of tillage before the coming of the Spaniards. They practise it, however, to a very limited extent. They cultivate a little manioc, and know how to manufacture it into farinha or cassava bread. They plant the musaceae and yam, and understand the distillation of various drinks, both from the plantain and several kinds of palms. They can make pottery from clay,—shaping it into various forms, neither rude nor inelegant,—and from the trees and parasitical twiners that surround their dwellings, they manufacture an endless variety of neat implements and utensils.
Their canoes are hollow trunks of trees sufficiently well-shaped, and admirably adapted to their mode of travelling—which is almost exclusively by water, by the numerous canos and igaripes, which are the roads and paths of their country—often as narrow and intricate as paths by land.
The Indians of the tropic forest dress in the very lightest costume. Of course each tribe has its own fashion; but a mere belt of cotton cloth, or the inner bark of a tree, passed round the waist and between the limbs, is all the covering they care for. It is the guayuco. Some wear a skirt of tree bark, and, on grand occasions, feather tunics are seen, and also plume head-dresses, made of the brilliant wing and tail feathers of parrots and macaws. Circlets of these also adorn the arms and limbs. All the tribes paint, using the anotto, caruto, and several other dyes which they obtain from various kinds of trees, elsewhere more particularly described.
There are one or two tribes who tattoo their skins; but this strange practice is far less common among the American Indians than with the natives of the Pacific isles.
In the manufacture of their various household utensils and implements, as well as their weapons for war and the chase, many tribes of Amazonian Indians display an ingenuity that would do credit to the most accomplished artisans. The hammocks made by them have been admired everywhere; and it is from the valley of the Amazon that most of these are obtained, so much prized in the cities of Spanish and Portuguese America. They are the special manufacture of the women, the men only employing their mechanical skill on their weapons:
The hammock, “rede,” or “maqueira,” is manufactured out of strings obtained from the young leaves of several species of palms. The astrocaryum, or “tucum” palm furnishes this cordage, but a still better quality is obtained from the “miriti” (Mauritia flexuosa). The unopened leaf, which forms a thick-pointed column growing up out of the crown of the tree, is cut off at the base, and this being pulled