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experiences”.28 The study of cultural issues has normally been seen to involve a special hermeneutical methodology (“Verstehen”), but recent research has tended to challenge this view, arguing that cultural problems can be analyzed by means of empirical, even quantitative methods.

      Latin is no longer a lingua franca in Europe, but a sort of “Europe of letters” must still be assumed to exist, and the fine arts can be argued to constitute a kind of universalizing language. Importantly, I shall argue that a more widespread aesthetic practice on the part of ordinary citizens is likely over time to have political repercussions.

      Mass culture is even less patient with national or regional borders than high culture. It is often global. One may prepare for river rafting in a seemingly remote Brazilian village and yet hear the sound of the melody one heard 6 months ago in one’s home town in Europe. Ethnic culture is more exclusive, introverted and dependent upon demarcation. Its originality typically depends upon its being delivered in the native language, which in itself erects barriers. Typically, each national culture is composed of several layers of culture, which to a varying extent are transnational.

      It is important to understand the changing relationship between culture and democracy. Increasingly, Western and perhaps even global culture is being democratized to the point of making the two concepts intimately related (see chapters 2 and 4). Individuals increasingly make conscious choices about personal identity; not only about their life-style, but also about their political values including their nationality.

      The structure