These noble words were said on the sill of the door, above which was written, "Aurea mediocritas."
"I ought to have put, 'et digna,'" added Phellion, pointing to the tablet, "but those two words would imply self-praise."
"Father," said Marie-Theodore Phellion, the future engineer of "ponts et chaussees," when the family were once more seated in the salon, "it seems to me that there is nothing dishonorable in changing one's determination about a choice which is of no real consequence to public welfare."
"No consequence, my son!" cried Phellion. "Between ourselves I will say, and Felix shares my opinion, Monsieur Thuillier is absolutely without capacity; he knows nothing. Monsieur Horace Bianchon is an able man; he will obtain a thousand things for our arrondissement, and Thuillier will obtain none! Remember this, my son; to change a good determination for a bad one from motives of self-interest is one of those infamous actions which escape the control of men but are punished by God. I am, or I think I am, void of all blame before my conscience, and I owe it to you, my children, to leave my memory unstained among you. Nothing, therefore, can make me change my determination."
"Oh, my good father!" cried the little Barniol woman, flinging herself on a cushion at Phellion's knees, "don't ride your high horse! There are many fools and idiots in the municipal council, and France gets along all the same. That old Thuillier will adopt the opinions of those about him. Do reflect that Celeste will probably have five hundred thousand francs."
"She might have millions," said Phellion, "and I might see them there at my feet before I would propose Thuillier, when I owe to the memory of the best of men to nominate, if possible, Horace Bianchon, his nephew. From the heaven above us Popinot is contemplating and applauding me!" cried Phellion, with exaltation. "It is by such considerations as you suggest that France is being lowered, and the bourgeoisie are bringing themselves into contempt."
"My father is right," said Felix, coming out of a deep reverie. "He deserves our respect and love; as he has throughout the whole course of his modest and honored life. I would not owe my happiness either to remorse in his noble soul, or to a low political bargain. I love Celeste as I love my own family; but, above all that, I place my father's honor, and since this question is a matter of conscience with him it must not be spoken of again."
Phellion, with his eyes full of tears, went up to his eldest son and took him in his arms, saying, "My son! my son!" in a choking voice.
"All that is nonsense," whispered Madame Phellion in Madame Barniol's ear. "Come and dress me; I shall make an end of this; I know your father; he has put his foot down now. To carry out the plan that pious young man, Theodose, suggested, I want your help; hold yourself ready to give it, my daughter."
At this moment, Genevieve came in and gave a letter to Monsieur Phellion.
"An invitation for dinner to-day, for Madame Phellion and Felix and myself, at the Thuilliers'," he said.
The magnificent and surprising idea of Thuillier's municipal advancement, put forth by the "advocate of the poor" was not less upsetting in the Thuillier household than it was in the Phellion salon. Jerome Thuillier, without actually confiding anything to his sister, for he made it a point of honor to obey his Mephistopheles, had rushed to her in great excitement to say:—
"My dearest girl" (he always touched her heart with those caressing words), "we shall have some big-wigs at dinner to-day. I'm going to ask the Minards; therefore take pains about your dinner. I have written to Monsieur and Madame Phellion; it is rather late; but there's no need of ceremony with them. As for the Minards, I must throw a little dust in their eyes; I have a particular need of them."
"Four Minards, three Phellions, four Collevilles, and ourselves; that makes thirteen—"
"La Peyrade, fourteen; and it is worth while to invite Dutocq; he may be useful to us. I'll go up and see him."
"What are you scheming?" cried his sister. "Fifteen to dinner! There's forty francs, at the very least, waltzing off."
"You won't regret them, my dearest. I want you to be particularly agreeable to our young friend, la Peyrade. There's a friend, indeed! you'll soon have proofs of that! If you love me, cosset him well."
So saying, he departed, leaving Brigitte bewildered.
"Proofs, indeed! yes, I'll look out for proofs," she said. "I'm not to be caught with fine words, not I! He is an amiable fellow; but before I take him into my heart I shall study him a little closer."
After inviting Dutocq, Thuillier, having bedizened himself, went to the hotel Minard, rue des Macons-Sorbonne, to capture the stout Zelie, and gloss over the shortness of the invitation.
Minard had purchased one of those large and sumptuous habitations which the old religious orders built about the Sorbonne, and as Thuillier mounted the broad stone steps with an iron balustrade, that proved how arts of the second class flourished under Louis XIII., he envied both the mansion and its occupant,—the mayor.
This vast building, standing between a courtyard and garden, is noticeable as a specimen of the style, both noble and elegant, of the reign of Louis XIII., coming singularly, as it did, between the bad taste of the expiring renaissance and the heavy grandeur of Louis XIV., at its dawn. This transition period is shown in many public buildings. The massive scroll-work of several facades—that of the Sorbonne, for instance,—and columns rectified according to the rules of Grecian art, were beginning to appear in this architecture.
A grocer, a lucky adulterator, now took the place of the former ecclesiastical governor of an institution called in former times L'Economat; an establishment connected with the general agency of the old French clergy, and founded by the long-sighted genius of Richelieu. Thuillier's name opened for him the doors of the salon, where sat enthroned in velvet and gold, amid the most magnificent "Chineseries," the poor woman who weighed with all her avoirdupois on the hearts and minds of princes and princesses at the "popular balls" of the palace.
"Isn't she a good subject for 'La Caricature'?" said a so-called lady of the bedchamber to a duchess, who could hardly help laughing at the aspect of Zelie, glittering with diamonds, red as a poppy, squeezed into a gold brocade, and rolling along like the casts of her former shop.
"Will you pardon me, fair lady," began Thuillier, twisting his body, and pausing in pose number two of his imperial repertory, "for having allowed this invitation to remain in my desk, thinking, all the while, that it was sent? It is for to-day, but perhaps I am too late?"
Zelie examined her husband's face as he approached them to receive Thuillier; then she said:—
"We intended to drive into the country and dine at some chance restaurant; but we'll give up that idea and all the more readily because, in my opinion, it is getting devilishly vulgar to drive out of Paris on Sundays."
"We will have a little dance to the piano for the young people, if enough come, as I hope they will. I have sent a line to Phellion, whose wife is intimate with Madame Pron, the successor—"
"Successoress," interrupted Madame Minard.
"No," said Thuillier, "it ought to be success'ress; just as we say may'ress, dropping the O, you know."
"Is it full dress?" asked Madame Minard.
"Heavens! no," replied Thuillier; "you would get me finely scolded by my sister. No, it is only a family party. Under the Empire, madame, we all devoted ourselves to dancing. At that great epoch of our national life they thought as much of a fine dancer as they did of a good soldier. Nowadays the country is so matter-of-fact."
"Well, we won't talk politics," said the mayor, smiling. "The King is grand; he is very able.