“Well, go on, then. Only, DON’T cry; I can’t stand that sort of thing.”
Woloda’s condescension did not please us much. On the contrary, his lazy, tired expression took away all the fun of the game. When we sat on the ground and imagined that we were sitting in a boat and either fishing or rowing with all our might, Woloda persisted in sitting with folded hands or in anything but a fisherman’s posture. I made a remark about it, but he replied that, whether we moved our hands or not, we should neither gain nor lose ground — certainly not advance at all, and I was forced to agree with him. Again, when I pretended to go out hunting, and, with a stick over my shoulder, set off into the wood, Woloda only lay down on his back with his hands under his head, and said that he supposed it was all the same whether he went or not. Such behaviour and speeches cooled our ardour for the game and were very disagreeable — the more so since it was impossible not to confess to oneself that Woloda was right, I myself knew that it was not only impossible to kill birds with a stick, but to shoot at all with such a weapon. Still, it was the game, and if we were once to begin reasoning thus, it would become equally impossible for us to go for drives on chairs. I think that even Woloda himself cannot at that moment have forgotten how, in the long winter evenings, we had been used to cover an arm-chair with a shawl and make a carriage of it — one of us being the coachman, another one the footman, the two girls the passengers, and three other chairs the trio of horses abreast. With what ceremony we used to set out, and with what adventures we used to meet on the way! How gaily and quickly those long winter evenings used to pass! If we were always to judge from reality, games would be nonsense; but if games were nonsense, what else would there be left to do?
Chapter 9 — A First Essay in Love
Pretending to gather some “American fruit” from a tree, Lubotshka suddenly plucked a leaf upon which was a huge caterpillar, and throwing the insect with horror to the ground, lifted her hands and sprang away as though afraid it would spit at her. The game stopped, and we crowded our heads together as we stooped to look at the curiosity.
I peeped over Katenka’s shoulder as she was trying to lift the caterpillar by placing another leaf in its way. I had observed before that the girls had a way of shrugging their shoulders whenever they were trying to put a loose garment straight on their bare necks, as well as that Mimi always grew angry on witnessing this manoeuvre and declared it to be a chambermaid’s trick. As Katenka bent over the caterpillar she made that very movement, while at the same instant the breeze lifted the fichu on her white neck. Her shoulder was close to my lips, I looked at it and kissed it. She did not turn round, but Woloda remarked without raising his head, “What spooniness!” I felt the tears rising to my eyes, and could not take my gaze from Katenka. I had long been used to her fair, fresh face, and had always been fond of her, but now I looked at her more closely, and felt more fond of her, than I had ever done or felt before.
When we returned to the grown-ups, Papa informed us, to our great joy, that, at Mamma’s entreaties, our departure was to be postponed until the following morning. We rode home beside the carriage — Woloda and I galloping near it, and vieing with one another in our exhibition of horsemanship and daring. My shadow looked longer now than it had done before, and from that I judged that I had grown into a fine rider. Yet my complacency was soon marred by an unfortunate occurrence. Desiring to outdo Woloda before the audience in the carriage, I dropped a little behind.
Then with whip and spur I urged my steed forward, and at the same time assumed a natural, graceful attitude, with the intention of whooting past the carriage on the side on which Katenka was seated. My only doubt was whether to halloo or not as I did so. In the event, my infernal horse stopped so abruptly when just level with the carriage horses that I was pitched forward on to its neck and cut a very sorry figure!
Chapter 10 — The Sort of Man My Father was
Papa was a gentleman of the last century, with all the chivalrous character, self-reliance, and gallantry of the youth of that time. Upon the men of the present day he looked with a contempt arising partly from inborn pride and partly from a secret feeling of vexation that, in this age of ours, he could no longer enjoy the influence and success which had been his in his youth. His two principal failings were gambling and gallantry, and he had won or lost, in the course of his career, several millions of roubles.
Tall and of imposing figure, he walked with a curiously quick, mincing gait, as well as had a habit of hitching one of his shoulders. His eyes were small and perpetually twinkling, his nose large and aquiline, his lips irregular and rather oddly (though pleasantly) compressed, his articulation slightly defective and lisping, and his head quite bald. Such was my father’s exterior from the days of my earliest recollection. It was an exterior which not only brought him success and made him a man a bonnes fortunes but one which pleased people of all ranks and stations. Especially did it please those whom he desired to please.
At all junctures he knew how to take the lead, for, though not deriving from the highest circles of society, he had always mixed with them, and knew how to win their respect. He possessed in the highest degree that measure of pride and self-confidence which, without giving offence, maintains a man in the opinion of the world. He had much originality, as well as the ability to use it in such a way that it benefited him as much as actual worldly position or fortune could have done. Nothing in the universe could surprise him, and though not of eminent attainments in life, he seemed born to have acquired them. He understood so perfectly how to make both himself and others forget and keep at a distance the seamy side of life, with all its petty troubles and vicissitudes, that it was impossible not to envy him. He was a connoisseur in everything which could give ease and pleasure, as well as knew how to make use of such knowledge. Likewise he prided himself on the brilliant connections which he had formed through my mother’s family or through friends of his youth, and was secretly jealous of any one of a higher rank than himself — any one, that is to say, of a rank higher than a retired lieutenant of the Guards. Moreover, like all ex-officers, he refused to dress himself in the prevailing fashion, though he attired himself both originally and artistically — his invariable wear being light, loose-fitting suits, very fine shirts, and large collars and cuffs. Everything seemed to suit his upright figure and quiet, assured air. He was sensitive to the pitch of sentimentality, and, when reading a pathetic passage, his voice would begin to tremble and the tears to come into his eyes, until he had to lay the book aside. Likewise he was fond of music, and could accompany himself on the piano as he sang the love songs of his friend A— or gipsy songs or themes from operas; but he had no love for serious music, and would frankly flout received opinion by declaring that, whereas Beethoven’s sonatas wearied him and sent him to sleep, his ideal of beauty was “Do not wake me, youth” as Semenoff sang it, or “Not one” as the gipsy Taninsha rendered that ditty. His nature was essentially one of those which follow public opinion concerning what is good, and consider only that good which the public declares to be so. [It may be noted that the author has said earlier in the chapter that his father possessed “much originality.”] God only knows whether he had any moral convictions. His life was so full of amusement that probably he never had time to form any, and was too successful ever to feel the lack of them.
As he grew to old age he looked at things always from a fixed point of view, and cultivated fixed rules — but only so long as that point or those rules coincided with expediency. The mode of life which offered some passing degree of interest — that, in his opinion, was the right one and the only one that men ought to affect. He had great fluency of argument; and this, I think, increased the adaptability of his morals and enabled him to speak of one and the same act, now as good, and now, with abuse, as abominable.
Chapter 11 — In the Drawing-Room and the Study
Twilight had set in when we reached home. Mamma sat down to the piano, and we to a table, there to paint and draw in colours and pencil. Though I had only one cake of colour, and it was blue, I determined to draw a picture of the hunt. In exceedingly vivid fashion I painted a blue boy on a blue horse, and — but here I stopped, for I was uncertain