After dinner he would light an immense brown meerschaum pipe, and smoke for a quarter-hour or so in silence; then he would play a game or two of chess with some one; and by and by he would open his piano, and sing to us till midnight.
IV.
I speak of him as old, and indeed we always called him Old Childe among ourselves; yet he was barely fifty. Nina, when I first made her acquaintance, must have been a girl of sixteen or seventeen; though—tall, with an amply-rounded, mature-seeming figure—if one had judged from her appearance, one would have fancied her three or four years older. For that matter, she looked then very much as she looks now; I can perceive scarcely any alteration. She had the same dark hair, gathered up in a big smooth knot behind, and breaking into a tumult of little ringlets over her forehead; the same clear, sensitive complexion; the same rather large, full-lipped mouth, tip-tilted nose, soft chin, and merry mischievous eyes. She moved in the same way, with the same leisurely, almost lazy grace, that could, however, on occasions, quicken to an alert, elastic vivacity; she had the same voice, a trifle deeper than most women's, and of a quality never so delicately nasal, which made it racy and characteristic; the same fresh ready laughter. There was something arch, something a little sceptical, a little quizzical in her expression, as if, perhaps, she were disposed to take the world, more or less, with a grain of salt; at the same time there was something rich, warm-blooded, luxurious, suggesting that she would know how to savour its pleasantnesses with complete enjoyment. But if you felt that she was by way of being the least bit satirical in her view of things, you felt too that she was altogether good-natured, and even that, at need, she could show herself spontaneously kind, generous, devoted. And if you inferred that her temperament inclined rather towards the sensuous than the ascetic, believe me, it did not lessen her attractiveness.
At the time of which I am writing now, the sentiment that reigned between Nina and Old Childe's retinue of young men was chiefly an esprit-de-corps. Later on we all fell in love with her; but for the present we were simply amiably fraternal. We were united to her by a common enthusiasm; we were fellow-celebrants at her ancestral altar—or, rather, she was the high priestess there, we were her acolytes. For, with her, filial piety did in very truth partake of the nature of religion; she really, literally, idolised her father. One only needed to watch her for three minutes, as she sat beside him, to understand the depth and ardour of her emotion: how she adored him, how she admired him and believed in him, how proud of him she was, how she rejoiced in him. 'Oh, you think you know my father,' I remember her saying to us once. 'Nobody knows him. Nobody is great enough to know him. If people knew him they would fall down and kiss the ground he walks on.' It is certain she deemed him the wisest, the noblest, the handsomest, the most gifted, of human kind. That little gleam of mockery in her eye died out instantly when she looked at him, when she spoke of him or listened to him; instead, there came a tender light of love, and her face grew pale with the fervour of her affection. Yet, when he jested, no one laughed more promptly or more heartily than she. In those days I was perpetually trying to write fiction; and Old Childe was my inveterate hero. I forget in how many ineffectual manuscripts, under what various dread disguises, he was afterwards reduced to ashes; I am afraid, in one case, a scandalous distortion of him got abroad in print. Publishers are sometimes ill-advised; and thus the indiscretions of our youth may become the confusions of our age. The thing was in three volumes, and called itself a novel; and of course the fatuous author had to make a bad business worse by presenting a copy to his victim. I shall never forget the look Nina gave me when I asked her if she had read it; I grow hot even now as I recall it. I had waited and waited expecting her compliments; and at last I could wait no longer, and so asked her; and she answered me with a look! It was weeks, I am not sure it wasn't months, before she took me back to her good graces. But Old Childe was magnanimous; he sent me a little pencil-drawing of his head, inscribed in the corner, 'To Frankenstein from his Monster.'
V.
It was a queer life for a girl to live, that happy-go-lucky life of the Latin Quarter, lawless and unpremeditated, with a café for her school-room, and none but men for comrades; but Nina liked it; and her father had a theory in his madness. He was a Bohemian, not in practice only, but in principle; he preached Bohemianism as the most rational manner of existence, maintaining that it developed what was intrinsic and authentic in one's character, saved one from the artificial, and brought one into immediate contact with the realities of the world; and he protested he could see no reason why a human being should be 'cloistered and contracted' because of her sex. 'What would not hurt my son, if I had one, will not hurt my daughter. It will make a man of her—without making her the less a woman.' So he took her with him to the Café Bleu, and talked in her presence quite as freely as he might have talked had she been absent. As, in the greater number of his theological, political, and social convictions, he was exceedingly unorthodox, she heard a good deal, no doubt, that most of us would scarcely consider edifying for our daughters' ears; but he had his system, he knew what he was about. 'The question whether you can touch pitch and remain undefiled,' he said, 'depends altogether upon the spirit in which you approach it. The realities of the world, the realities of life, the real things of God's universe—what have we eyes for, if not to envisage them? Do so fearlessly, honestly, with a clean heart, and, man or woman, you can only be the better for it.' Perhaps his system was a shade too simple, a shade too obvious, for this complicated planet; but he held to it in all sincerity. It was in pursuance of the same system, I daresay, that he taught Nina to fence, and to read Latin and Greek, as well as to play the piano, and turn an omelette. She could ply a foil against the best of us.
And then, quite suddenly, he died.
I think it was in March, or April; anyhow it was a premature spring-like day, and he had left off his overcoat. That evening he went to the Odéon, and when, after the play he joined us for supper at the Bleu, he said he thought he had caught a cold, and ordered hot grog. The next day he did not turn up at all; so several of us, after dinner, presented ourselves at his lodgings in Montparnasse. We found him in bed, with Nina reading to him. He was feverish, and Nina had insisted that he should stop at home. He would be all right to-morrow. He scoffed at our suggestion that he should see a doctor; he was one of those men who affect to despise the medical profession. But early on the following morning a commissionnaire brought me a note from Nina. 'My father is very much worse. Can you come at once?' He was delirious. Poor Nina, white, with frightened eyes, moved about like one distracted. We sent off for Dr. Rénoult, we had in a Sister of Charity. Everything that could be done was done. Till the very end, none of us for a moment doubted that he would recover. It was impossible to conceive that that strong, affirmative life could be extinguished. And even after the end had come, the end with its ugly suite of material circumstances, I don't think any of us realised what it meant. It was as if we had been told that one of the forces of Nature had become inoperative. And Nina, through it all, was like some pale thing in marble, that breathed and moved: white, dazed, helpless, with aching, incredulous