At the Kioto temples it was observable that fully a score of priests were kept busy writing brief prayers upon slips of paper at the solicitation of devotees, doubtless suited to their supposed necessities. These scraps the recipients pressed to their lips, foreheads, and breasts, then pinned or pasted them up in the temples among thousands of similar offerings. One of these temples, we were told by our guide, contained over thirty thousand idols, and as far as a casual glance could take in the confused mass of them ranged close to each other, the aggregate number may be correct. These idols were three feet high, representing some approach to the human figure, each possessing many arms and hands. They were carved from solid blocks of wood, and very heavily gilded, presenting a most gaudy and toy-like appearance. While we stood within this temple some women came in, prostrated themselves before the glittering toys for a few moments, and then passed out, making room for others; but we saw no men at devotion in this temple of many thousand idols.
The streets of Kioto were thronged with mountebanks, peep-shows, performing acrobats, and conjurers. Sleek and pampered priests in yellow robes were met at every turn, a class who exercise a certain influence over the people through their superstition, but who command no personal respect. We were told that they are a profligate set, like too many of their class elsewhere, and enjoyed a certain immunity from the laws. Before the temples was seen in one or two instances a theatrical performance in progress, which seemed rather incongruous, but upon inquiry this was found to be designed to appease the special gods of the temple—to entertain and amuse them! so that they would grant favors to the people. The exhibition consisted of dancing and posturing by professionals of both sexes, accompanied by the noise of tom-toms, whistles, gongs, bells, and fifes. There was no attempt at time or harmony, as far as could be discovered, the end and aim being apparently to make all the noise possible.
Amusements are not lacking at Kioto, as there are numerous theatres where farce, tragedy, and comedy are duly represented after the crude fashion of the country. These theatres open at early morning and the play lasts until midnight, with the briefest intermissions. The spectators bring their food with them; so that eating, drinking, and smoking are going on all the while during the performance. At some of these theatres women only perform, at others only men, but in no instance do the two sexes mingle in these public exhibitions. The mechanical arrangements are of the most primitive character, such as would not satisfy children in America, but the pantomime is very good. As to speaking characters, they are very seldom attempted. The price of admission is about five cents of our currency, and from six hundred to a thousand persons often gather at these theatres. Music (it is called by that name) and posturing fill up the intervals. To an American observer the whole exhibition seems cruder than a Comanche wardance.
Singing and posturing girls are here let out in groups, as in other Japanese cities, to entertain foreigners or natives at their meals; but the performances and the purpose are highly objectionable, morality in this latitude being much like that of the average European capitals, that is, at a very low ebb, as viewed from our stand-point. There are also public exhibitions of acrobats in wrestling, fencing, and the like, while others are devoted entirely to sleight-of-hand tricks, very good of their kind.
The porcelain manufactories of Kioto were found interesting—everything being done, however, by the patient and slow process of hand labor, with the crudest of tools. The same remark applies to the silk manufactories, where the weaving is performed in a laborious manner, each small hand-loom requiring two persons to operate it. The goods thus produced are really fine, but could not be sold in the present markets of the world except that Japanese labor is held at starvation prices. The average pay of the weavers is less than thirty cents per day, and the boy helpers, who work the shuttles, receive but twelve. The various manufactories of paper here and elsewhere in the country form one of its most extended industries, the basis of the material being the bark of certain trees; indeed, one is on this account designated as the paper-tree, and, being a species of the mulberry, it serves a double purpose—its leaves feeding the little insect which is so important a factor in Japanese products. It must not be supposed that the large amount of paper which is produced indicates its consumption for printing purposes: the demand for that species of the article is very limited, but the general uses to which the manufactured paper are put in Japan is infinite. A very superior grade of oil paper is manufactured which is suitable even for clothing, and is so used. It has been mentioned how universally a certain grade is used in place of glass; paper is also employed for partitions of rooms in place of lath and plaster; for fans, an immense amount is required; also, for cases and boxes, for twine, letter-bags, purses, umbrellas, and many other articles.
The largest lake in Japan is that of Biwa, a very fine sheet of water, nearly fifty miles long, but rather narrow, probably not exceeding an average width of more than ten miles. It is situated about eight miles from Kioto, and thither we went in jinrikishas. It was anciently the summer resort of the Mikados, and is a very beautiful lake, abounding in fish, a most important matter to the neighborhood, as rice and fish are the chief diet in Japan. There are many pleasure-houses, so-called, along its banks, where the visitor is entertained with fish fresh from the water, cooked in a great variety of ways. On the north and west side the lake is hemmed in, like a Scotch loch, by lofty hills, but on the other sides by pleasant, highly cultivated lands, slightly undulating, and ornamented with pretty little hamlets, and tea-houses for visitors who sail upon the lake for pleasure. Our jinrikisha men took us there in less than an hour and a half, but as the road rises towards Kioto we were fully two hours in returning. On this occasion women harnessed tandem, with men, to some jinrikishas were met, and they trotted off quite as easily at a pony gait as did the men, but it is gratifying to say that it was the only time we saw women so employed.
We returned to Kobé by way of Osaka, a city nearly as large as Kioto, and much more of a business and manufacturing centre. The national mint is located here, with some other large government works. The ancient fort overlooking the town is of great interest, and is still fortified, affording barracks for a couple of regiments of the regular army. It is a remarkably substantial structure; many of the stones of which it is composed are so large that it is a wonder how they could ever have been transported intact from the quarry. Osaka has rivers and canals running through it much like Amsterdam, though not so numerous, and has been appropriately called the Venice of Japan. It is not Europeanized like Kobé or Yokohama; it is purely Japanese in all respects, and possesses a considerable commerce. The day of our arrival was a festal one, being consecrated to the god of the waters; wherefore large boats gayly decked with flags and party-colored streamers, containing crowds of gayly dressed men in harlequin style, were rowing in long processions through the water-ways of the city and under the many high-arched bridges. On the decks of the boats the people were dancing and singing (howling), to the notes of an indescribable instrument, which could give a Scotch bag-pipe liberal odds and then surpass it in its most hideous discordance. Music is not a strong point with the Chinese or Japanese; if they have any actual melody in their compositions, no foreign ear can detect it. At one of the public performances at Kobé it seemed that the notes were produced by a file and rusty saw.
We embarked at Kobé November 26th, on the Japanese