The Creators. Sinclair May

her. Every day the woman in the glass grew more repulsively powerful and sombre, more dreadfully like that portrait which George hated. She knew he couldn't stand her when she looked like that. Looking like that, and George's inability to stand her, and the celebrity that made her so absurd, she put it all down to the peculiar malice and mischief of the thing that had been, as she said, "tacked on" to her, the thing they called her Genius.

      And now she did not look like that in the very least. She looked, to her amazement, like any other woman.

      Nobody had ever said that Jane was handsome. She hadn't one straight feature, except her eyebrows which were too straight. She wasn't pretty, either. There was something about her too large and dominating for that. She had that baffling and provoking modern beauty which secures its effect by some queerness, some vividness of accent, and triumphs by some ugliness subdued. It was part of her queerness that she had the square brows, the wide mouth, the large, innocent muzzle of a deer, and a neck that carried her head high. With a queerness amounting to perversity some gentle, fawn-like, ruminant woman had borne her. And, queerer still, her genius had rushed in and seized upon that body, that it might draw wild nature into it through her woodland, pastoral blood. And for the blood it took it had given her back fire.

      Latterly, owing to Tanqueray's behaviour, whenever Jane looked in the glass, it had been the element of queerness and ugliness that she had seen. She had felt herself cruelly despoiled, disinherited of the splendours and powers of her sex. And here she was, looking, as she modestly put it, like any other woman. Any one of the unknown multitude whom lately, in prophetic agony, she had seen surrounding Tanqueray; women dowered, not with the disastrous gift of genius, but with the secret charm and wonder of mere womanhood. One of these (she had always reckoned with the possibility), one of these conceivably might at any moment, and inevitably would when her moment came, secure and conquer Tanqueray. She had been afraid, even in vision, to measure her power with theirs.

      But now, standing there in the long nightgown that made her so straight and tall, with arms raised, holding up the thick mass of her hair, her body bent a little backwards from the waist, showing it for the slender and supple thing it was, seeing herself so incredibly feminine and so alive, she defied any one to tell the difference. If any difference there were it was not in her body, neither was it in her face. That was the face which had looked at Tanqueray last night; the face which he had called up to meet that strange excitement and that tenderness of his. Her body was the body of a woman created in a day and a night by joy for its own wooing.

      This glorious person was a marvel to itself. It was so incomprehensibly, so superlatively happy. Its eyes, its mouth, its hands and feet were happy. It was happy inside and out and all over. It had developed a perfectly preposterous capacity for enjoyment. It found pleasure in bathing itself, in dressing itself, in brushing its hair. And its very hair, when it had done with it, looked happy.

      It was at its happiest at ten o'clock, when Jane sat down to write a letter to Tanqueray. The letter had to be written. For yesterday Nina Lempriere had asked her to supper in her rooms on Sunday, and she was to bring George Tanqueray. If, said Nina, she could get him.

      Sunday was the seventeenth. This was Wednesday, the thirteenth. She would hear from Tanqueray to-night or to-morrow at the latest. And there would be only four days to get through till Sunday.

      To-night and to-morrow went, and Tanqueray did not write. Jane's heart began to ache with an intolerable anxiety.

      It was on Saturday night that the letter came.