Immediately, jerkily, Caleb started to straighten up. Argumentatively—and then she checked him.
"Oh, I know you don't believe it and I—I don't think I do myself, Cal. A man has to know what opportunity is before he can go out and hunt up his own big chance. I just said it for the sake of argument, Cal. I—I'm like Samanthy—ole Samanthy, you know! I'm a woman, and when I git my teeth sot in a argumint I never do let up. Have your dreams, you—you boy! And in the meantime, if you have any plans, tell me, please, what are you going to do with him in the morning?"
Caleb Hunter bobbed his head, vehemently. Rapidly he related to her the episode of the switch engine in Dexter Allison's millyards.
"And I believe what I believe," he insisted, doggedly. "And to-morrow I aim to give that boy a ride in one of Allison's 'steam injine' cabs, if it's all I do!"
"I thought so," said Miss Sarah.
For a time she sat there upon his arm chair. Neither spoke, nor felt the need for words. Just before she rose to go upstairs, she broke that quiet.
"He has an odd, strange, half-wild beauty," she mused aloud. "A beauty that is quite unusual, I should say, in children of his—his station. His hair is silken and, oh so thick! And his eyes and square chin with that little cleft. And his nose—his nose, I should say, might be said to denote estheticism—and—a—a—ah——"
Caleb Hunter threw back his head at the telltale little quaver in the voice and found Sarah Hunter smiling down at him, whimsically.
"Get all the amusement out of it that you can," he invited her. "And—and trust a woman to take note of such points as you have mentioned!"
From the stairs she gave him one backward glance.
"Forgive me, Cal," she hogged. "I meant it all—truly! Even the estheticism, which I only included to tease you. And if you don't want to trust to a woman's judgment on such points as I have mentioned, I would suggest that you peep in on him when you retire, and—and confirm them for yourself."
Hours later Caleb acted upon her suggestion. Every characteristic which Sarah had mentioned he found and noted in that half-lighted moment or two while he stood at the bedside.
And he noted more than just that. Sarah's old canvas hunting coat was folded into a small bundle and lay, guarded by one outflung, loose-fingered brown hand, beside the sleeping boy's face on the pillow.
Caleb went to bed with a half dozen wild notions whirling in his head, and a strange something tugging at his heart.
CHAPTER III
THREE QUARTERS AND SIX EIGHTHS
Saturday morning dawned as hot and dry and windless as had been the other days of the week which had preceded it. Caleb Hunter, rising from an uneasy night, blamed his sleeplessness upon the weather. It was fully an hour before his usual, not-too-early hour of rising, when he slowly descended the wide stairway; and yet he was but little surprised to find the boy already there before him, seated upon the top step of the verandah, when he strolled outside.
The little stranger with the grave voice, who had introduced himself as Stephen O'Mara, had not heard Caleb's step and the latter stood for a time in the doorway, contemplating the small, square-set shoulders in the canvas coat which had been his sister Sarah's, and the small, shapely head above them.
Throughout the night while he lay awake pondering the fantastic possibilities which the boy's story had stirred him into half believing, Caleb had had gradually lengthening moments of doubt in which he admitted to himself that his sister was right in her chafing analysis of him, her brother. Before morning came he had told himself a dozen times that he was nothing more than a sentimental old romancer, who saw in every beggar a worthy spirit bewitched by Destiny, and a Circumstance-enchanted fairy-prince in every ragamuffin who chanced to have big eyes. Merely because they had so persistently denied him sleep—those thoughts of Old Tom and his cherished tin box and the boy's own unmistakable poise and surety of self which even the shuffling boots and ragged clothes had only made the more impressive—merely because they persisted in endless procession through his brain, while he rolled and tossed and re-arranged the pillow, he had grown more and more peevishly eager to discount and discredit them, during the darkness. But when morning came, and he rose and went into the big guest room to find it empty, he experienced a moment of panicky disappointment; suddenly anxious for another opportunity to verify all that which, in the hours of sleepless pro's and con's, had become figment-like and whimsical, he wondered if the boy really could have gone without even waiting to bid them good-bye. He could not make that abrupt sort of a leave-taking harmonize with the rest of the youngster's actions—and then he caught a glimpse of him, motionless there on the verandah steps.
The boy did not hear Caleb's coming that morning. His head was tilted forward in that keen attitude of straining intentness which to the man had already become eloquently characteristic of his hungry spirit. And for a time Caleb withheld his greeting; instead of speaking he stood and studied him, and while he studied it all came back again, until the illusion, if such it were, was far more vivid, far more compelling than it had been the night before. Caleb told himself that to look only meant the discovery of new and compelling "points" both in feature and body, new and surprising suggestions of inbred fineness totally at variance with the unhemmed white drill trousers and uncouth shoes. And then, while he was nodding to himself, he realized that the boy was not looking down into the town in the valley.
Chin in palm, elbow upon knee, Steve was gazing fixedly in the direction of Dexter Allison's stucco and timber "summer lodge," and although Caleb could not have known it, there had been no need for his silence, for the boy's rapt preoccupation was sound-proof. Caleb heard voices coming from behind the shrubbery and just as he, a little perplexed, turned to follow the direction of that fascinated gaze, Allison himself squeezed through a narrow aperture in the box hedge and hailed him jovially from the far edge of the lawn. And Caleb Hunter's brows drew together in a bit of a frown when a slender figure in kilted black velvet and bright-buckled low shoes, hatless and with thick, gleaming hair bobbed short in a style strange to Morrison in those days, flashed through behind him. For Caleb heard the short gasp which came from the boy's lips, even before the little girl had paused in her darting advance, on tip-toe like a hovering butterfly, to wave a slim hand at him.
Caleb heard the boy's breath suck in between tight teeth; heard it quiver unsteadily as she appeared on swift feet—and Caleb understood what had been holding so closely his attention. He understood absolutely and yet, strange as the mood was, at that moment he couldn't help but feel, too, somehow a little sorry for the boy—he couldn't help but think—— His eyes went from Steve's forward thrust head, from the hair shaggy and unkempt for all its fineness and thickness and wavy softness, across to that dainty vision which, poised in her absurdly short skirt like a point of flame, was already gazing back at the boy upon the steps in open and undisguised amaze.
All of that characteristic which had been most pronounced in Dexter Allison, the latter had passed down to this slender girl who was his daughter, Barbara. No matter how vivid Allison's raiment had been, Caleb remembered that even when Dexter was a stripling at school, it had always seemed more a part of the man himself, than just protection for his body. Caleb had never given it a serious thought up to that moment, but now it came back to him with added cumulative force. He recollected that he had often wondered at the child's unconscious adaptation of mood to the clothes she happened to be wearing; he recalled how he had seen her demure and distant in misty, pastel-tinted party frocks or quaintly, infantilely dignified in soberer Sunday morning garb. But that Saturday morning he realized